• Detail of a full border with an owl., Bible (the 'Lisbon Bible') with ~masorah magna~ and ~parva~: the Hagiographa

Detail of a full border with an owl. In three volumes: the other volumes are Or. 2626, and 2627. Hair side and flesh side are distinguishable. Ruling is visible. 7 full borders sometimes accompanied with decorated initial-word panels and

• Detail of a full border with a coat of arms., Bible (the 'Lisbon Bible') with ~masorah magna~ and ~parva~: the Hagiographa

Detail of a full border with a coat of arms. In three volumes: the other volumes are Or. 2626, and 2627. Hair side and flesh side are distinguishable. Ruling is visible. 7 full borders sometimes accompanied with decorated initial-word

• Detail of a full floral border with a lion., Bible (the 'Lisbon Bible') with ~masorah magna~ and ~parva~: the Hagiographa

Detail of a full floral border with a lion. In three volumes: the other volumes are Or. 2626, and 2627. Hair side and flesh side are distinguishable. Ruling is visible. 7 full borders sometimes accompanied with decorated initial-word panels

• End of Deuteronomy framed by micrographical design., Pentateuch with ~masorah magna~ and ~parva~

End of Deuteronomy framed by micrographical design. Some micrographical motifs are similar to the ones in Harley 5774. ~Masorah~ in the margin written in micrographic form. 18 full-page panels of micrographical design (ff. 2v-7, 192-196). Pentateuch with ~masorah magna~

• ~Masorah~ in micrographical form framing a scribal formula., Pentateuch with ~masorah magna~ and ~parva~

~Masorah~ in micrographical form framing a scribal formula. Some micrographical motifs are similar to the ones in Harley 5774. ~Masorah~ in the margin written in micrographic form. 18 full-page panels of micrographical design (ff. 2v-7, 192-196). Pentateuch with ~masorah

• Three-sided floral border with sprays; an historiated initial 'Q'(uintus) of a man in a red robe, probably Gaius Lalius; and a scribal colophon, 'finis paradoxe. deo gracias cum magna difficultate v^a^ die martii millesimo cccc lxxviii^o^'., Various works including De officiis, De senectute, Paradoxa stoicorum, De amicitia and Somnium Scipionis

red robe, probably Gaius Lalius; and a scribal colophon, 'finis paradoxe. deo gracias cum magna difficultate v^a^ die martii millesimo cccc lxxviii^o^'. Vertical and horizontal catchwords.There is a blank, ruled parchment leaf after f. 11. Full borders with historiated initials

• Colophon: '...Hoc ego qui scripsi magna cum laude Johannes Virginis et finem feliciter ipse peregi… Mille quater centum cum denis quatuor anni et duo sunt istis perfecte connumerandi Interna fuit hoc Augusti luce serena', and below 'Gratia sit Christo. Nam finis tradita libro. Amen 1443' (a similar verse appears in Harley 2552, which may be by the same hand)., Aeneis (index Aeneid)

ego qui scripsi magna cum laude Johannes Virginis et finem feliciter ipse peregi… Mille quater centum cum denis quatuor anni et duo sunt istis perfecte connumerandi Interna fuit hoc Augusti luce serena', and below 'Gratia sit Christo. Nam finis tradita

• Text page., Orationes

1483: colophon 'Hic liber est iussu nostro perscriptus et ere/Ut servet marci dicta sonora diu./Ipse velim cartas membranis semper arari/quas magna autores arte tulere boni/Cetera tu fragili depone volumina libro/in quorum astridet triste sophisina labris.[follow 2 deleted lines] 1483 iiii

• Carpet page with verses from the Psalms in micrographic design., Grammatical introduction (~Makhberet ha-Tigan~) (ff. 1-37), Pentateuch with ~masorah magna~ and ~parva~ (ff. 38v-end)

Carpet page with verses from the Psalms in micrographic design. The scribe's name is not mentioned in the colophon,on his identification, see Richard Ettinghausen, 1964, p. 33. 4 carpet pages in colours (ff. 38v, 39, 154v, 155), Micrographical designs

• Carpet pages with colophon., Grammatical introduction (~Makhberet ha-Tigan~) (ff. 1-37), Pentateuch with ~masorah magna~ and ~parva~ (ff. 38v-end)

Carpet pages with colophon. The scribe's name is not mentioned in the colophon,on his identification, see Richard Ettinghausen, 1964, p. 33. 4 carpet pages in colours (ff. 38v, 39, 154v, 155), Micrographical designs in the margins (e. g., ff.

• Text page., Grammatical introduction (~Makhberet ha-Tigan~) (ff. 1-37), Pentateuch with ~masorah magna~ and ~parva~ (ff. 38v-end)

Text page. The scribe's name is not mentioned in the colophon,on his identification, see Richard Ettinghausen, 1964, p. 33. 4 carpet pages in colours (ff. 38v, 39, 154v, 155), Micrographical designs in the margins (e. g., ff. 76, 76v,

• Full border of geometric design at the Song of the Sea (Ex. 15)., Bible with ~masorah~ ('First Ibn Merwas Bible')

Full border of geometric design at the Song of the Sea (Ex. 15). f. 1 is cut off most part. Folios 1 and 4 are later additions.Hebrew foliation from f. 5, starting with 2 until the end of the

• Carpet pages with verses from the Psalms in micrographic design., Grammatical introduction (~Makhberet ha-Tigan~) (ff. 1-37), Pentateuch with ~masorah magna~ and ~parva~ (ff. 38v-end)

Carpet pages with verses from the Psalms in micrographic design. The scribe's name is not mentioned in the colophon,on his identification, see Richard Ettinghausen, 1964, p. 33. 4 carpet pages in colours (ff. 38v, 39, 154v, 155), Micrographical designs

• Puzzle initial 'E'(dward)., Statuta Angliae(index Statutes of England; Statute book), including Magna Charta, Charters of Edward III, various statutes, and the Treatise on the Laws of England (also known as Britton, and the Proposiciones digestorum)

initials with red pen-flourishing. Paraphs in red or blue. Rubrics in red. Statuta Angliae(index Statutes of England; Statute book), including Magna Charta, Charters of Edward III, various statutes, and the Treatise on the Laws of England (also known as Britton,

• Detail of a miniature with a man standing before an assembly of ?lawyers, a scribe writes down the proceedings, decorated initial 'Q'(uanquam) with foliate decoration., Orationes

1483: colophon 'Hic liber est iussu nostro perscriptus et ere/Ut servet marci dicta sonora diu./Ipse velim cartas membranis semper arari/quas magna autores arte tulere boni/Cetera tu fragili depone volumina libro/in quorum astridet triste sophisina labris.[follow 2 deleted lines] 1483 iiii

• Two full-page miniatures of the sanctuary implements with captions., Bible with ~masorah magna~ and ~parva~ (the 'Harley Catalan Bible')

Two full-page miniatures of the sanctuary implements with captions. Watermark, of a lamb holding a cross (f. [ii]) and initials of JW (f. [425]), of James Whatman II, paper maker (1764-1793). Gilt edges.Foliation is written on the verso side

• Two bands decorated with palmettes, at the Song of Moses (Deut. 32)., Grammatical introduction (~Makhberet ha-Tigan~) (ff. 1-37), Pentateuch with ~masorah magna~ and ~parva~ (ff. 38v-end)

Two bands decorated with palmettes, at the Song of Moses (Deut. 32). The scribe's name is not mentioned in the colophon,on his identification, see Richard Ettinghausen, 1964, p. 33. 4 carpet pages in colours (ff. 38v, 39, 154v, 155),

• Palmettes and micrographical design of fish at the Song of Moses (Deut. 32)., Grammatical introduction (~Makhberet ha-Tigan~) (ff. 1-37), Pentateuch with ~masorah magna~ and ~parva~ (ff. 38v-end)

Palmettes and micrographical design of fish at the Song of Moses (Deut. 32). The scribe's name is not mentioned in the colophon,on his identification, see Richard Ettinghausen, 1964, p. 33. 4 carpet pages in colours (ff. 38v, 39, 154v,

• Palmettes and micrographical design of fish at the Song of Moses (Deut. 32)., Grammatical introduction (~Makhberet ha-Tigan~) (ff. 1-37), Pentateuch with ~masorah magna~ and ~parva~ (ff. 38v-end)

Palmettes and micrographical design of fish at the Song of Moses (Deut. 32). The scribe's name is not mentioned in the colophon,on his identification, see Richard Ettinghausen, 1964, p. 33. 4 carpet pages in colours (ff. 38v, 39, 154v,

• Coloured initials with pen-flourished decoration., Leaf from de Chauliac's 'Surgery' (index Chirurgia magna), Book VI, in English translation (originally ff. 107-107v in New York, Academy of Medicine, MS. 12, from which it was removed by John Bagford)

gold. Paraphs in blue or red. Rubrics in red. Capitals highlighted in red. Leaf from de Chauliac's 'Surgery' (index Chirurgia magna), Book VI, in English translation (originally ff. 107-107v in New York, Academy of Medicine, MS. 12, from which it