Your search found 143 results in 1 resource
Text page with marginal geometric drawing. Composed by an anonymous West Saxon author between 870 and 930, the OldEnglish version of Orosius's history was adapted from the Latin text (possibly a glossed copy such as St. Gallen, Stiftsbibliothek, Cod.
the beginning of Book IV, Chapter i. Composed by an anonymous West Saxon author between 870 and 930, the OldEnglish version of Orosius's history was adapted from the Latin text (possibly a glossed copy such as St. Gallen, Stiftsbibliothek,
the beginning of Book III, Chapter i. Composed by an anonymous West Saxon author between 870 and 930, the OldEnglish version of Orosius's history was adapted from the Latin text (possibly a glossed copy such as St. Gallen, Stiftsbibliothek,
the beginning of Book I, Chapter i. Composed by an anonymous West Saxon author between 870 and 930, the OldEnglish version of Orosius's history was adapted from the Latin text (possibly a glossed copy such as St. Gallen, Stiftsbibliothek,
poem in Latin or OldEnglish. Wormald Type II(b) initials of heads, interlace in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was a seventh-century, English Christian leader, renowned
Latin and OldEnglish above the lines. Wormald Type II(b) initials of heads, interlace in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was a seventh-century, English Christian leader,
Text pages containing incantations of Irish origin with an added inscription in OldEnglish (f. 40v); formulae of confession and absolution (f. 41). One of a group of Southumbrian prayerbooks of the "Tiberius" group, the others being Harley 7653, and
hand responsible for glossing the Vespasian Psalter, Cotton MS Vespasian A I, the oldest extant translation of Scripture into OldEnglish. 1 incipit page with miniature of an ox, the symbol of Luke, with God blessing, and an initial in
Canterbury provenance, with an Old Royal Library seal of a ship in the bottom right corner. Preceded by letters between Isidore and Braulio, bishop of Saragossa (ff. 2-3v). Initials in red, green, purple, or yellow, some with arabesque decoration (ff.
(see [Edward Bernard], ~Catalogi librorum manuscriptorum Angliae et Hiberniae~ (Oxford: Sheldonian, '1697', but 1698?), no. 8603).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Figures Written probably by three scribes Isidore England
[Edward Bernard], ~Catalogi librorum manuscriptorum Angliae et Hiberniae~ (Oxford: Sheldonian, '1697', but 1698?), no. 8603).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Text page Written probably by three scribes Isidore England
[Edward Bernard], ~Catalogi librorum manuscriptorum Angliae et Hiberniae~ (Oxford: Sheldonian, '1697', but 1698?), no. 8603).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Text page Written probably by three scribes Isidore England
[Edward Bernard], ~Catalogi librorum manuscriptorum Angliae et Hiberniae~ (Oxford: Sheldonian, '1697', but 1698?), no. 8603).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Text page Written probably by three scribes Isidore England
(see [Edward Bernard], ~Catalogi librorum manuscriptorum Angliae et Hiberniae~ (Oxford: Sheldonian, '1697', but 1698?), no. 8603).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Map Written probably by three scribes Isidore England
(see [Edward Bernard], ~Catalogi librorum manuscriptorum Angliae et Hiberniae~ (Oxford: Sheldonian, '1697', but 1698?), no. 8603).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Symbols Written probably by three scribes Isidore England
(see [Edward Bernard], ~Catalogi librorum manuscriptorum Angliae et Hiberniae~ (Oxford: Sheldonian, '1697', but 1698?), no. 8603).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Figures Written probably by three scribes Isidore England
(see [Edward Bernard], ~Catalogi librorum manuscriptorum Angliae et Hiberniae~ (Oxford: Sheldonian, '1697', but 1698?), no. 8603).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Diagram Written probably by three scribes Isidore England
(see [Edward Bernard], ~Catalogi librorum manuscriptorum Angliae et Hiberniae~ (Oxford: Sheldonian, '1697', but 1698?), no. 8603).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Map Written probably by three scribes Isidore England
manuscriptorum Angliae et Hiberniae~ (Oxford: Sheldonian, '1697', but 1698?), no. 8603).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Diagram and forms of the moon Written probably by three scribes Isidore England
sketch of Christ on the Cross, 12th century (back flyleaf). Job and Ezra, with prologues Re-written and restored by an English hand, of the Canterbury type, in the second half of the 10th century, according to Gameson.? Thomas Howard (b.