• Page painted red with streaming blood., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490. It begins with three pages, each painted black, on which large drops of blood trickle down. The third

• Page painted red with streaming blood., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490. It begins with three pages, each painted black, on which large drops of blood trickle down. The third

• Detail of an historiated initial 'A'(d) of David in prayer, from the beginning of a Gradual., Leaf from a Gradual

Edward :4: the book was made beyond the seas…' (verso).John Brickeston(?), 16th century: inscription (verso).Thomas Hall(?), 16th century: inscription in English (verso). ? Thomas Howard (b. 1585, d. 1646), 2nd earl of Arundel, 4th earl of Surrey, and 1st earl

• Page of music on the verso of the folio., Leaf from a Gradual

Edward :4: the book was made beyond the seas…' (verso).John Brickeston(?), 16th century: inscription (verso).Thomas Hall(?), 16th century: inscription in English (verso). ? Thomas Howard (b. 1585, d. 1646), 2nd earl of Arundel, 4th earl of Surrey, and 1st earl

• Historiated initial 'A'(d) of David in prayer, from the beginning of a Gradual., Leaf from a Gradual

Edward :4: the book was made beyond the seas…' (verso).John Brickeston(?), 16th century: inscription (verso).Thomas Hall(?), 16th century: inscription in English (verso). ? Thomas Howard (b. 1585, d. 1646), 2nd earl of Arundel, 4th earl of Surrey, and 1st earl

• Detail of the last 4 staves of music and an inscription., Leaf from a Gradual

Edward :4: the book was made beyond the seas…' (verso).John Brickeston(?), 16th century: inscription (verso).Thomas Hall(?), 16th century: inscription in English (verso). ? Thomas Howard (b. 1585, d. 1646), 2nd earl of Arundel, 4th earl of Surrey, and 1st earl

• Coloured print with Christ as the Man of Sorrows surrounded by instruments of the Passion pasted to a page painted in red covered with streaming blood, with an indulgence (later defaced): ‘To all them that devoutly say five Pater nosters, five Aves, and a Creed afore such a figure are granted 32,755 years of pardon.’, Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

of devotion that may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490. It begins with three pages, each painted black, on which large drops of blood trickle

• Coloured initials and letters., Lilium medicinae (Lile na h-eladhan leighis)

'Charles Hicky is the true possesor of thy booke' with the date 1680 (f. 104v); draft of a bond in English by 'Charles Hickey of Clonloghane in the Countie of Clare' with the date 1616', and lower down, the date

• Flourished initial 'U'(rhanus)., Cartulary of the Augustinian priory, Brinkburn, Northumbria, in eight capitula, imperfect

younger son of Thomas Howard (b. 1538, d. 1572), 4th duke of Norfolk, in 1630: according to a note in English (f. 3v).Thomas Astle (b. 1735, d. 1803), archivist and collector of books and manuscripts; his arms stamped in gold

• Miniature of the author of the chronicle, standing behind a brown scroll on which is inscribed the title of the work, in gold letters; behind him, to the left, two lions support the old arms of Burgundy, with shelves of books on the right., Chroniques abrégées des Anciens Rois et Ducs de Bourgogne

the title of the work, in gold letters; behind him, to the left, two lions support the old arms of Burgundy, with shelves of books on the right. The text is ascribed traditionally to Olivier de la Marche, but it

• Text pages with a title 'Troya capta', arcades and cartouche with an inscription 'Aeneas'., Chronici canones

Padua and Rome, and his close friend.Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Text pages Bartolomeo Sanvito Bartolomeo Sanvito Gaspare da Padova Eusebius of Caesarea, translation by Jerome Rome Italy,

• Text page with a architectural cartouche bearing an inscription reading 'Sicyoniorum / reges defece/runt qui regnaverunt an/ DCCCCLXII post / quos sacerdo/tes charnil con/stituti sunt'., Chronici canones

Padua and Rome, and his close friend.Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Text page Bartolomeo Sanvito Bartolomeo Sanvito Gaspare da Padova Eusebius of Caesarea, translation by Jerome Rome Italy,

• Text page with a architectural cartouche bearing an inscription reading 'Incipit lace/daemonior[um] / regnum'., Chronici canones

Padua and Rome, and his close friend.Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Text page Bartolomeo Sanvito Bartolomeo Sanvito Gaspare da Padova Eusebius of Caesarea, translation by Jerome Rome Italy,

• Text pages with arcades and three cartouches with inscriptions, 'Captivitas / Israhel pri/ma', 'Regnum / Israhel / defecit', and 'Romu/lus pri/mus rex ro/man. ann./ XXXVII'., Chronici canones

Padua and Rome, and his close friend.Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Text pages Bartolomeo Sanvito Bartolomeo Sanvito Gaspare da Padova Eusebius of Caesarea, translation by Jerome Rome Italy,

• Text page with a cartouche with an inscription reading 'Athenien/sium reges / defecerunt'., Chronici canones

Padua and Rome, and his close friend.Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Text page Bartolomeo Sanvito Bartolomeo Sanvito Gaspare da Padova Eusebius of Caesarea, translation by Jerome Rome Italy,

• Text page with a cartouche in the form of a candelabra with an inscription reading 'medorum / regnum / defecit'., Chronici canones

Padua and Rome, and his close friend.Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Text page Bartolomeo Sanvito Bartolomeo Sanvito Gaspare da Padova Eusebius of Caesarea, translation by Jerome Rome Italy,

• Text page with a cartouche in the form of a chalice with an inscription reading 'aegyptiorum / defecit / regnum'., Chronici canones

Padua and Rome, and his close friend.Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Text page Bartolomeo Sanvito Bartolomeo Sanvito Gaspare da Padova Eusebius of Caesarea, translation by Jerome Rome Italy,

• Text pages with arcades and cartouches with inscriptions reading 'Aegyptiorum / regnum ite/rum defecit', and 'Regni / persarum destru/ctum est'., Chronici canones

Padua and Rome, and his close friend.Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Text pages Bartolomeo Sanvito Bartolomeo Sanvito Gaspare da Padova Eusebius of Caesarea, translation by Jerome Rome Italy,

• Text page with arcades and a table bearing an inscription 'Asiae re/gnum / defecit', with a panoply decoration., Chronici canones

Padua and Rome, and his close friend.Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Text page Bartolomeo Sanvito Bartolomeo Sanvito Gaspare da Padova Eusebius of Caesarea, translation by Jerome Rome Italy,

• Text page with arcades and a rubric in four colours., Chronici canones

Padua and Rome, and his close friend.Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Text page Bartolomeo Sanvito Bartolomeo Sanvito Gaspare da Padova Eusebius of Caesarea, translation by Jerome Rome Italy,