• Decorated initial 'D'(iligentur), in Peter Lombard's Sentences., Sententiae (index Sentences)

marginal coloured drawings of animals, often inside or juxtaposed with medallions or interlace patterns, at the end or beginning of quires (ff. 8v, 16v, 24v, 32v, 40v, 48v, 56v, 64v, 72v, 80v, 88v, 96v, 104v, 112v, 120v, 128v, 136v). Holes

• Flourished initials, in Peter Lombard's Sentences., Sententiae (index Sentences)

marginal coloured drawings of animals, often inside or juxtaposed with medallions or interlace patterns, at the end or beginning of quires (ff. 8v, 16v, 24v, 32v, 40v, 48v, 56v, 64v, 72v, 80v, 88v, 96v, 104v, 112v, 120v, 128v, 136v). Holes

• Detail of an historiated initial 'Q'(ue) with Peter Lombard writing, in Peter Lombard's Sentences., Sententiae (index Sentences)

marginal coloured drawings of animals, often inside or juxtaposed with medallions or interlace patterns, at the end or beginning of quires (ff. 8v, 16v, 24v, 32v, 40v, 48v, 56v, 64v, 72v, 80v, 88v, 96v, 104v, 112v, 120v, 128v, 136v). Holes

• Marginal drawing of a scorpion with a short verse on the scorpion written around the edge: 'Scorpio efficitur pongens a posteriori Si quis blanditur nec mens consentiat ori', in Peter Lombard's Sentences., Sententiae (index Sentences)

marginal coloured drawings of animals, often inside or juxtaposed with medallions or interlace patterns, at the end or beginning of quires (ff. 8v, 16v, 24v, 32v, 40v, 48v, 56v, 64v, 72v, 80v, 88v, 96v, 104v, 112v, 120v, 128v, 136v). Holes

• null, Sententiae (index Sentences)

marginal coloured drawings of animals, often inside or juxtaposed with medallions or interlace patterns, at the end or beginning of quires (ff. 8v, 16v, 24v, 32v, 40v, 48v, 56v, 64v, 72v, 80v, 88v, 96v, 104v, 112v, 120v, 128v, 136v). Holes

• null, Sententiae (index Sentences)

marginal coloured drawings of animals, often inside or juxtaposed with medallions or interlace patterns, at the end or beginning of quires (ff. 8v, 16v, 24v, 32v, 40v, 48v, 56v, 64v, 72v, 80v, 88v, 96v, 104v, 112v, 120v, 128v, 136v). Holes

• null, Sententiae (index Sentences)

marginal coloured drawings of animals, often inside or juxtaposed with medallions or interlace patterns, at the end or beginning of quires (ff. 8v, 16v, 24v, 32v, 40v, 48v, 56v, 64v, 72v, 80v, 88v, 96v, 104v, 112v, 120v, 128v, 136v). Holes

• null, Sententiae (index Sentences)

marginal coloured drawings of animals, often inside or juxtaposed with medallions or interlace patterns, at the end or beginning of quires (ff. 8v, 16v, 24v, 32v, 40v, 48v, 56v, 64v, 72v, 80v, 88v, 96v, 104v, 112v, 120v, 128v, 136v). Holes

• Decorated initial 'D'(ominus) at the beginning of Psalm 22., Psalter, in the Roman version, with Old English gloss, and 12 canticles

Decorated initial 'D'(ominus) at the beginning of Psalm 22. Includes a 'Psalter romanum', with marginal glosses in Latin and interlinear Old English gloss, attributed to Aethelwold (ff. 8-171) (see Gretsch, 1999), 12 canticles (ff. 171v-186v) and a Gloria entitled

• Initial 'D'(ixit) at the beginning of Psalm 109., Psalter, in the Roman version, with Old English gloss, and 12 canticles

Initial 'D'(ixit) at the beginning of Psalm 109. Includes a 'Psalter romanum', with marginal glosses in Latin and interlinear Old English gloss, attributed to Aethelwold (ff. 8-171) (see Gretsch, 1999), 12 canticles (ff. 171v-186v) and a Gloria entitled 'Oratio

• Initial 'Q'(omodo) with a human face, at the beginning of Psalm 118., Psalter, in the Roman version, with Old English gloss, and 12 canticles

Initial 'Q'(omodo) with a human face, at the beginning of Psalm 118. Includes a 'Psalter romanum', with marginal glosses in Latin and interlinear Old English gloss, attributed to Aethelwold (ff. 8-171) (see Gretsch, 1999), 12 canticles (ff. 171v-186v) and

• Initial 'Q'(uicumque) with a human face., Psalter, in the Roman version, with Old English gloss, and 12 canticles

Initial 'Q'(uicumque) with a human face. Includes a 'Psalter romanum', with marginal glosses in Latin and interlinear Old English gloss, attributed to Aethelwold (ff. 8-171) (see Gretsch, 1999), 12 canticles (ff. 171v-186v) and a Gloria entitled 'Oratio pura cum

• null, Bible with prologues, without Psalms ('The Bible of Robert de Bello')

first and last historiated initials: 'Abbe. bono. / Robe. Aug'i (?)' (f. 2) and 'bono robe. abb.' (f. 506v); many quires are marked 'em(en)dat(us)' (e.g. ff. 42, 54, 78, 282).The Benedictine abbey of St Augustine, Canterbury, second half of the

• null, Bible with prologues, without Psalms ('The Bible of Robert de Bello')

first and last historiated initials: 'Abbe. bono. / Robe. Aug'i (?)' (f. 2) and 'bono robe. abb.' (f. 506v); many quires are marked 'em(en)dat(us)' (e.g. ff. 42, 54, 78, 282).The Benedictine abbey of St Augustine, Canterbury, second half of the

• null, Bible with prologues, without Psalms ('The Bible of Robert de Bello')

first and last historiated initials: 'Abbe. bono. / Robe. Aug'i (?)' (f. 2) and 'bono robe. abb.' (f. 506v); many quires are marked 'em(en)dat(us)' (e.g. ff. 42, 54, 78, 282).The Benedictine abbey of St Augustine, Canterbury, second half of the

• null, Bible with prologues, without Psalms ('The Bible of Robert de Bello')

first and last historiated initials: 'Abbe. bono. / Robe. Aug'i (?)' (f. 2) and 'bono robe. abb.' (f. 506v); many quires are marked 'em(en)dat(us)' (e.g. ff. 42, 54, 78, 282).The Benedictine abbey of St Augustine, Canterbury, second half of the

• Zoomorphic initial 'C'(onsummatis) with two hybrids and foliate motifs, at the beginning of the 8th of John Cassian's Collationes; three smaller initials 'G'(ermanus), 'S'(erenus) and 'D'(e) with penwork decoration; simple initials in the list of chapters., Collationes of the Fathers (ff. 1v-115); Rite for the consecration of bells (ff. 115v-116).

(a1-a4, b1-b4 etc.); quire marks (in centre of the lower margin of the verso of the last leaf of the quires). 2 large zoomorphic initials with winged dragons, outlined in red, on green and blue grounds, with foliate motifs (ff.

• Historiated initial with the Adoration of the Magi at Sext in the Hours of the Virgin, with a hybrid creature in the lower margin., Psalter-Hours

228v). Line-fillers in gold, blue and red ink (some with fish or snake). Sketched peacock in margin (f. 249). Psalter-Hours Quires have been numbered in a post-medieval hand.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl

• Decorated initial 'M'(undus) with reserved designs and penwork decoration, at the beginning of the 7th tract of Augustine's 'In epistulam Johannis ad Parthos tractatus X'., Enchiridion (ff. 2-47); In epistulam Johannis ad Parthos tractatus X (ff. 47-121v)

Decorated initial 'M'(undus) with reserved designs and penwork decoration, at the beginning of the 7th tract of Augustine's 'In epistulam Johannis ad Parthos tractatus X'. ae caudatas; quire mark (in the centre of the lower margin of f. 9v)

• Initials 'R'(es) and 'A'(nno) with penwork decoration, at the beginning of William of Malmesbury's 'Gesta regum Anglorum'., Gesta regum Anglorum (ff. 4-103v); Gesta pontificum Anglorum (ff. 108-167); Henry of Sawtrey's De purgatorio S. Patricii (ff. 167v-175)

sets of quire marks (in the centre of the lower margin of the verso of the last leaf of the quires) for ff. 4-108 ('i'-'xiii') and ff. 108-155 ('i'-'vi'); catchwords.Perhaps the exemplar for Harley 528 (see Watson 1966, p. 331