gloss is present only in some sections (i.e., the first three quires of Proverbs). 3 large initials in combinations of green, yellow-brown, and blue, with foliate/arabesque motifs (ff. 1, 22, 57v); one in plain blue (f. 75). Small initials in
gloss is present only in some sections (i.e., the first three quires of Proverbs). 3 large initials in combinations of green, yellow-brown, and blue, with foliate/arabesque motifs (ff. 1, 22, 57v); one in plain blue (f. 75). Small initials in
Detail of an historiated initial 'I'(n principio) of God enthroned in the upper register and God blessing in the lower register, at the beginning of Genesis. Includes the Interpretation of Hebrew names, imperfect (ff. 340v-347v).Quires signatures on the recto
Detail of 6 medallions of the days of Creation, in the lower margin. Includes the Interpretation of Hebrew names, imperfect (ff. 340v-347v).Quires signatures on the recto of each first folio of a quire, catchwords, guide running titles and guide
Detail of an historiated initial 'C'(onfortatus) of Salomon enthroned, at the beginning of Chronicles II. Includes the Interpretation of Hebrew names, imperfect (ff. 340v-347v).Quires signatures on the recto of each first folio of a quire, catchwords, guide running titles
Detail of an historiated initial 'E'(t rex) of David and Abisag, at the beginning of Kings III. Includes the Interpretation of Hebrew names, imperfect (ff. 340v-347v).Quires signatures on the recto of each first folio of a quire, catchwords, guide
the Psalms. Catchwords. Some folio numbering on versos and different catchword system in the last quires. Chapters start on a new line. Part of f. 271 is missing. Puzzle initial in red and blue with pen-flourishing in the same colours
Historiated initials 'I'(n principio) of God enthroned in the upper register and God blessing in the lower register, at the beginning of Genesis, with 6 medallions of the days of Creation in the lower margin. Includes the Interpretation of
brown. Commentary on the Psalms Several erased ownership ? inscriptions on the flyleaves, and a note of the number of quires 'iii quarterniones sunt in hoc volumine' (f. 423).ff. i-ii and iv-v (at the end) are fragments of a 14th-
brown. Commentary on the Psalms Several erased ownership ? inscriptions on the flyleaves, and a note of the number of quires 'iii quarterniones sunt in hoc volumine' (f. 423).ff. i-ii and iv-v (at the end) are fragments of a 14th-
brown. Commentary on the Psalms Several erased ownership ? inscriptions on the flyleaves, and a note of the number of quires 'iii quarterniones sunt in hoc volumine' (f. 423).ff. i-ii and iv-v (at the end) are fragments of a 14th-
before f. 1.Quire signatures (in the centre of the lower margin of the recto of the first leaf of the quires, beginning with 'iii' on f. 7); uncrossed tironian ets. Numerous tables and diagrams in red. Initials in red or
penthateuchus' (f. 235v).Marginal addition on f. 1v possibly represents instructions to the artist.Early modern inscription on f. 235v numbers the quires of the manuscript, giving an inaccurate folio count. The same hand has made a similar addition to Harley 3168.
alternately blue or red, with flourishing in the other colour. One-line initials alternately blue or red (only in red in quires xii-xv; ff. 115-158). Bible with prologues Reginald, priest of Bury St Edmunds, 14th century.The Franciscan convent of Babwell, Bury
alternately blue or red, with flourishing in the other colour. One-line initials alternately blue or red (only in red in quires xii-xv; ff. 115-158). Bible with prologues Reginald, priest of Bury St Edmunds, 14th century.The Franciscan convent of Babwell, Bury
alternately blue or red, with flourishing in the other colour. One-line initials alternately blue or red (only in red in quires xii-xv; ff. 115-158). Bible with prologues Reginald, priest of Bury St Edmunds, 14th century.The Franciscan convent of Babwell, Bury
a part of the Carmina Burana collection (ff. 95-194), both parts probably written by the same hand but in separate quires and divided by blank pages (ff. 93v-94); f. 94v includes a list of contents added by the hand of
a part of the Carmina Burana collection (ff. 95-194), both parts probably written by the same hand but in separate quires and divided by blank pages (ff. 93v-94); f. 94v includes a list of contents added by the hand of
a part of the Carmina Burana collection (ff. 95-194), both parts probably written by the same hand but in separate quires and divided by blank pages (ff. 93v-94); f. 94v includes a list of contents added by the hand of
63); 'q xviiij' (f. 68v); '.a.' (f. 76v), '.B.' (f. 84v). Some marks indicating pages which face each other within quires: 'a' (ff. 23v, 24; 34v, 35), 'b' (ff. 25v, 26; 36v, 37), 'c' (ff. 27v, 28). Numerous initials in