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a part of the Carmina Burana collection (ff. 95-194), both parts probably written by the same hand but in separate quires and divided by blank pages (ff. 93v-94); f. 94v includes a list of contents added by the hand of
a part of the Carmina Burana collection (ff. 95-194), both parts probably written by the same hand but in separate quires and divided by blank pages (ff. 93v-94); f. 94v includes a list of contents added by the hand of
a part of the Carmina Burana collection (ff. 95-194), both parts probably written by the same hand but in separate quires and divided by blank pages (ff. 93v-94); f. 94v includes a list of contents added by the hand of
proposed by Patricia Stirnemann. Numerous large puzzle initials in red and blue with pen-flourishing in the same colours (except in quires viii and ix). The flourishing includes a fantastic animal on f. 1. Numerous smaller initials in red or blue
is attached to the centre of the diagram. Inconspicuous quire marks (on the verso of the last leaf of the quires). A thread used to hold a missing parchment disc in place for working with one circular diagram remains in
V, and 4 E VI, but not executed in the same workshop.Catchwords and corrector's signatures 'cor' at the end of quires, bifolium signatures. 2 historiated initials in colours and gold, at the beginning of each book (ff. 4, 125v). Foliate
V, and 4 E VI, but not executed in the same workshop.Catchwords and corrector's signatures 'cor' at the end of quires, bifolium signatures. 2 historiated initials in colours and gold, at the beginning of each book (ff. 4, 125v). Foliate
V, and 4 E VI, but not executed in the same workshop.Catchwords and corrector's signatures 'cor' at the end of quires, bifolium signatures. 2 historiated initials in colours and gold, at the beginning of each book (ff. 4, 125v). Foliate
first and last historiated initials: 'Abbe. bono. / Robe. Aug'i (?)' (f. 2) and 'bono robe. abb.' (f. 506v); many quires are marked 'em(en)dat(us)' (e.g. ff. 42, 54, 78, 282).The Benedictine abbey of St Augustine, Canterbury, second half of the
first and last historiated initials: 'Abbe. bono. / Robe. Aug'i (?)' (f. 2) and 'bono robe. abb.' (f. 506v); many quires are marked 'em(en)dat(us)' (e.g. ff. 42, 54, 78, 282).The Benedictine abbey of St Augustine, Canterbury, second half of the
V, and 4 E VI, but not executed in the same workshop.Catchwords and corrector's signatures 'cor' at the end of quires, bifolium signatures. 2 historiated initials in colours and gold, at the beginning of each book (ff. 4, 125v). Foliate
the abbey's liberties, with red initials, late 13th century with later additions (ff. 4-15v; 205-247v). Numerous additions throughout and on quires added at the end regarding the abbey, often written in Gothic cursive, mid-13th to mid-15th century.Inscribed 'Clayton in S.
5 scribes (Hand I: quires i-viii; Hand II: quires ix-xii, xvii-xix, xxxvi-xxvii; Hand III to be identified with Jean de Senlis: quires xiii-xvi, xxxi-xxxv; Hand IV: quires xx-xxii, xxiii except f. 165v, xxvi-xxx; Hand V: quires xxiii, f. 165v, xxiv-xxv),
5 scribes (Hand I: quires i-viii; Hand II: quires ix-xii, xvii-xix, xxxvi-xxvii; Hand III to be identified with Jean de Senlis: quires xiii-xvi, xxxi-xxxv; Hand IV: quires xx-xxii, xxiii except f. 165v, xxvi-xxx; Hand V: quires xxiii, f. 165v, xxiv-xxv),
5 scribes (Hand I: quires i-viii; Hand II: quires ix-xii, xvii-xix, xxxvi-xxvii; Hand III to be identified with Jean de Senlis: quires xiii-xvi, xxxi-xxxv; Hand IV: quires xx-xxii, xxiii except f. 165v, xxvi-xxx; Hand V: quires xxiii, f. 165v, xxiv-xxv),
5 scribes (Hand I: quires i-viii; Hand II: quires ix-xii, xvii-xix, xxxvi-xxvii; Hand III to be identified with Jean de Senlis: quires xiii-xvi, xxxi-xxxv; Hand IV: quires xx-xxii, xxiii except f. 165v, xxvi-xxx; Hand V: quires xxiii, f. 165v, xxiv-xxv),
5 scribes (Hand I: quires i-viii; Hand II: quires ix-xii, xvii-xix, xxxvi-xxvii; Hand III to be identified with Jean de Senlis: quires xiii-xvi, xxxi-xxxv; Hand IV: quires xx-xxii, xxiii except f. 165v, xxvi-xxx; Hand V: quires xxiii, f. 165v, xxiv-xxv),
5 scribes (Hand I: quires i-viii; Hand II: quires ix-xii, xvii-xix, xxxvi-xxvii; Hand III to be identified with Jean de Senlis: quires xiii-xvi, xxxi-xxxv; Hand IV: quires xx-xxii, xxiii except f. 165v, xxvi-xxx; Hand V: quires xxiii, f. 165v, xxiv-xxv),
5 scribes (Hand I: quires i-viii; Hand II: quires ix-xii, xvii-xix, xxxvi-xxvii; Hand III to be identified with Jean de Senlis: quires xiii-xvi, xxxi-xxxv; Hand IV: quires xx-xxii, xxiii except f. 165v, xxvi-xxx; Hand V: quires xxiii, f. 165v, xxiv-xxv),
~Exhortationes~ (ff. 108-176).Catchwords. Quires numbered in roman numerals (i-xxii) on final versos. Quires i-vii, ix have been marked 'correctus sum' in on the final versos. Corrections and additions have been made to the ~Epistolae~ within these quires. 5 illuminated initials