Search Results

You searched for:

Your search found 713 results in 1 resource

Category

  • Literary Manuscripts (713)
  • Non-literary Manuscripts (0)
  • Official Documents (government, civic, legal, religious) (0)
  • Literary Printed Books (0)
  • Non-literary Printed Books (0)
  • Maps and Works of Art (0)

Format

Date

Access Type

British Library Catalogue of Illuminated Manuscripts icon

British Library Catalogue of Illuminated Manuscripts

713 results from this resource . Displaying 41 to 60

a part of the Carmina Burana collection (ff. 95-194), both parts probably written by the same hand but in separate quires and divided by blank pages (ff. 93v-94); f. 94v includes a list of contents added by the hand of

a part of the Carmina Burana collection (ff. 95-194), both parts probably written by the same hand but in separate quires and divided by blank pages (ff. 93v-94); f. 94v includes a list of contents added by the hand of

a part of the Carmina Burana collection (ff. 95-194), both parts probably written by the same hand but in separate quires and divided by blank pages (ff. 93v-94); f. 94v includes a list of contents added by the hand of

a part of the Carmina Burana collection (ff. 95-194), both parts probably written by the same hand but in separate quires and divided by blank pages (ff. 93v-94); f. 94v includes a list of contents added by the hand of

proposed by Patricia Stirnemann. Numerous large puzzle initials in red and blue with pen-flourishing in the same colours (except in quires viii and ix). The flourishing includes a fantastic animal on f. 1. Numerous smaller initials in red or blue

is attached to the centre of the diagram. Inconspicuous quire marks (on the verso of the last leaf of the quires). A thread used to hold a missing parchment disc in place for working with one circular diagram remains in

the last leaf of the quire); leaf signatures (on the recto of the leaves of the first half of some quires: 'I'-'iiii'); catchwords.f. 1 is a medieval parchment flyleaf; remains of a lost parchment flyleaf is pasted on f. 1

from a 12th-century manuscript with musical notation, on four-line red staves.Leaf signatures (i, ii, iii, iiii, v) in crayon in quires 1-2; remains of catchwords. 2 large puzzle initials in red and blue with pen-flourishing in both colours (f. 1).

faces (ff. 1*-2*,190-191v only). Coloured initials in alternating red and blue. Extended ascender on the first line in a few quires. Chronica maiora The Cistercian abbey of St Mary's, Jervaulx (Yorkshire), late-13th or early-14th century: inscribed 'liber jorevallis (ff. 11v,

ff. 70, 151 also only have gloss framing an empty space.All bifolios have been split into separate leaves so that quires can only be distinguished by catchwords and leaf signatures. Some leaves are significantly smaller (e.g., ff. 125-126).Parts of the

The manuscript contains the rare fourth Decade as well as unusual textual variants. It is missing its initial and final quires; 'instead of the whole of the first, third and fourth Decade, it only gives the text of the Ab

The manuscript contains the rare fourth Decade as well as unusual textual variants. It is missing its initial and final quires; 'instead of the whole of the first, third and fourth Decade, it only gives the text of the Ab

The manuscript contains the rare fourth Decade as well as unusual textual variants. It is missing its initial and final quires; 'instead of the whole of the first, third and fourth Decade, it only gives the text of the Ab

Coloured initial 'Q'(uid) at the beginning of Psalm 51. Includes a 'Psalter romanum', with marginal glosses in Latin and interlinear Old English gloss, attributed to Aethelwold (ff. 8-171) (see Gretsch, 1999), 12 canticles (ff. 171v-186v) and a Gloria entitled

Coloured initial 'B'(eatus) with display script, at the beginning of Psalm 1, with the pressmark of Christ Church, Canterbury 'r', and ownership inscriptions of Thomas Cranmer and Lord Lumley. Includes a 'Psalter romanum', with marginal glosses in Latin and

V, and 4 E VI, but not executed in the same workshop.Catchwords and corrector's signatures 'cor' at the end of quires, bifolium signatures. 2 historiated initials in colours and gold, at the beginning of each book (ff. 4, 125v). Foliate

V, and 4 E VI, but not executed in the same workshop.Catchwords and corrector's signatures 'cor' at the end of quires, bifolium signatures. 2 historiated initials in colours and gold, at the beginning of each book (ff. 4, 125v). Foliate

The first historiated initial protected with white silk. Medieval quire signatures, at the end of quires 'Corr.^c^' for correctus. 2 full-page miniatures, in colours and gold, at the beginning of the Canon of the mass (ff. 145v, 146). 15 large

mass. The first historiated initial protected with white silk. Medieval quire signatures, at the end of quires 'Corr.^c^' for correctus. 2 full-page miniatures, in colours and gold, at the beginning of the Canon of the mass (ff. 145v, 146). 15

with white silk. Medieval quire signatures, at the end of quires 'Corr.^c^' for correctus. 2 full-page miniatures, in colours and gold, at the beginning of the Canon of the mass (ff. 145v, 146). 15 large historiated initials with partial foliate

Cite this page:

"Results" Manuscripts Online (www.manuscriptsonline.org, version 1.0, 10 July 2024), https://www.manuscriptsonline.org/search/results?kw=quires&sdf=1222&sdt=1335&sr=ci&st=40