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Catchwords, bifolium signatures, and correction signs at the end of the quires. 1 historiated initial in colours and gold of the author portrait, with a partial border containing two fighting men, at the beginning of the prologue (f. 2). Foliate
bifolium signatures, and correction signs at the end of the quires. 1 historiated initial in colours and gold of the author portrait, with a partial border containing two fighting men, at the beginning of the prologue (f. 2). Foliate initials
bifolium signatures, and correction signs at the end of the quires. 1 historiated initial in colours and gold of the author portrait, with a partial border containing two fighting men, at the beginning of the prologue (f. 2). Foliate initials
the title 'Sacrilogiu[m] guidonis abb[at]is sive / speculu[m] leganda[rum].' Catchwords, bifolium signatures, and correction signs at the end of the quires. 1 historiated initial in colours and gold of the author portrait, with a partial border containing two fighting men,
Decorated initial 'Q'(uo) and catchword. Piece of paper pasted onto f. 1 with Seneca's epitaph, apparently written in the same hand as the rest of the manuscript.ff. 1-[2a] are medieval flyleaves.Watermark visible (f. 2).Quires numbered in the top right
and a rabbit. Ruling is visible. Flesh side and hair side are distinguishable. Quires start with flesh side. On the dating, see Pasternak, 2009. 5 decorated initial-word panels in colours and gold accompanied by partial foliate borders at the beginnings
margin of f. 1.Some initials have been excised; numerous parchment repairs.Catchwords; uncrossed tironian ets. and occasionally ampersands. 16 leaves (2 quires) lost between ff. 23-24; leaves lost after f. 171v.This manuscript is probably a companion volume to Harley 4896. 1
Initials 'V'(olentem) and 'Q'(uod) at the beginning of 'Super epistolam Pauli ad Romanos' by Origin in the translation of Rufinus. The red is heavily oxidised. ff. 1, 232 served as paste-downs. On f. 1 are remains of another paste-down
Puzzle initial 'I' (n primordio) with pen-flourishing (including 'J-border') at the beginning of the text. Ownership inscription cut out in the lower margin (possibly of Lord William Howard). Includes a table of contents (ff. 1-6), lists of Roman dioceses
the verso of the last leaf of the quires). A thread used to hold a missing parchment disc in place for working with one circular diagram remains in the manuscript (f. 37). 7 diagrams or maps in brown ink (ff.
(on the verso of the last leaf of the quires). A thread used to hold a missing parchment disc in place for working with one circular diagram remains in the manuscript (f. 37). 7 diagrams or maps in brown ink
Decorated initial 'A' at the beginning of Augustine's Sermones. The whole manuscript, although written in different hands, is contemporary with its first part which is dated 1407 (see Provenance). Catchwords written horizontally, not only at the end of quires.Numerous
first leaf of each quire provides the number of the quire in the following form: 'xi q[uaderna?] fol. P[rim]us'. The quires onto which 20 Richard II and 1-6 Henry IV have been added have the same numbering system as the
and sometimes with faces (e.g., vol. II, f. 326v) and pen-flourishing; inconsistently tinted with a yellow wash (e.g. vol. I, quires 3-14, 35, 43). [The style of the initials, borders, and running-titles changes from the beginning of volume II, f.
and sometimes with faces (e.g., vol. II, f. 326v) and pen-flourishing; inconsistently tinted with a yellow wash (e.g. vol. I, quires 3-14, 35, 43). [The style of the initials, borders, and running-titles changes from the beginning of volume II, f.
and sometimes with faces (e.g., vol. II, f. 326v) and pen-flourishing; inconsistently tinted with a yellow wash (e.g. vol. I, quires 3-14, 35, 43). [The style of the initials, borders, and running-titles changes from the beginning of volume II, f.
and sometimes with faces (e.g., vol. II, f. 326v) and pen-flourishing; inconsistently tinted with a yellow wash (e.g. vol. I, quires 3-14, 35, 43). [The style of the initials, borders, and running-titles changes from the beginning of volume II, f.
and sometimes with faces (e.g., vol. II, f. 326v) and pen-flourishing; inconsistently tinted with a yellow wash (e.g. vol. I, quires 3-14, 35, 43). [The style of the initials, borders, and running-titles changes from the beginning of volume II, f.
and sometimes with faces (e.g., vol. II, f. 326v) and pen-flourishing; inconsistently tinted with a yellow wash (e.g. vol. I, quires 3-14, 35, 43). [The style of the initials, borders, and running-titles changes from the beginning of volume II, f.
and sometimes with faces (e.g., vol. II, f. 326v) and pen-flourishing; inconsistently tinted with a yellow wash (e.g. vol. I, quires 3-14, 35, 43). [The style of the initials, borders, and running-titles changes from the beginning of volume II, f.