• Decorated initial 'M'(anchante) with foliate decoration including acanthus leaves extending into the margin at the beginning of the text., Filocolo (imperfect)

into the margin at the beginning of the text. Catchwords. Quires numbered on the recto of the 1st and verso of the last folio. Leaf signatures.Gap after f. 150.Watermark of scissors (ff. [150b-d]), similar to C. M. Briquet, ~Les Filigranes:

• Pen-flourished initial 'H'(ora est)., Sermons (Sermones dominicales), with a table of sermons listed alphabetically by subject (ff. 191-194), imperfect at the beginning and the end

a parchment flyleaf.According to the Harley Catalogue, several quires are missing at the end. Large initials in red with brown pen-flourishing. Plain initials in red. Rubrics in red. Paraphs in red. Capitals marked in red. Sermons (Sermones dominicales), with a

• Decorated initial 'Q'(uo) and catchword., Tragoediae (index Tragedies)

Decorated initial 'Q'(uo) and catchword. Piece of paper pasted onto f. 1 with Seneca's epitaph, apparently written in the same hand as the rest of the manuscript.ff. 1-[2a] are medieval flyleaves.Watermark visible (f. 2).Quires numbered in the top right

• Text page., De oratore

Text page. ff. 17-24 are bound in the wrong order. Catchwords written horizontally. Quire marks (Roman numerals in the centre of the lower margin of the verso of the last leaf of the quires).A description of this manuscript written

• Detail of a partial foliate border with a coat of arms., Pentateuch (the 'Duke of Sussex's Italian Pentateuch')

arms. Ruling is visible. Flesh side and hair side are distinguishable. Quires start with flesh side. On the dating, see Pasternak, 2009. 5 decorated initial-word panels in colours and gold accompanied by partial foliate borders at the beginnings of the

• Detail: initial-word panel decorated with a mask and pen-flourishing inhabited by a deer., Pentateuch (the 'Duke of Sussex's Italian Pentateuch')

a deer. Ruling is visible. Flesh side and hair side are distinguishable. Quires start with flesh side. On the dating, see Pasternak, 2009. 5 decorated initial-word panels in colours and gold accompanied by partial foliate borders at the beginnings of

• Detail: marginal drawing of a rabbit., Pentateuch (the 'Duke of Sussex's Italian Pentateuch')

visible. Flesh side and hair side are distinguishable. Quires start with flesh side. On the dating, see Pasternak, 2009. 5 decorated initial-word panels in colours and gold accompanied by partial foliate borders at the beginnings of the books (ff. 1,

• Miniature of the Crucifixion., Book of Hours, Use of Rome

the Dead (ff. 137v-178); and the Psalter of St Jerome (ff. 180v-190v). Blank ruled folios at the end of certain quires. ff. 1-3v and the 5 unfoliated parchment leaves at the end are ruled as the rest of the text

• Miniature of the Pentecost., Book of Hours, Use of Rome

the Dead (ff. 137v-178); and the Psalter of St Jerome (ff. 180v-190v). Blank ruled folios at the end of certain quires. ff. 1-3v and the 5 unfoliated parchment leaves at the end are ruled as the rest of the text

• Miniature of the Virgin and Child., Book of Hours, Use of Rome

the Dead (ff. 137v-178); and the Psalter of St Jerome (ff. 180v-190v). Blank ruled folios at the end of certain quires. ff. 1-3v and the 5 unfoliated parchment leaves at the end are ruled as the rest of the text

• Crayon drawing of an ornament, in the lower margin., De diversis artibus and other texts including De Unguentis, recipes and extracts from the Liber de Coloribus and the Mappae Clavicula

centre of the lower margin of the verso of the last leaf of quires 1-13). One leaf missing between ff. 102-103, another between ff. 110-111, and another between ff. 149-150. Large and smaller initials in red, occasionally with some penwork

• Decorated initial-word panel accompanied by partial foliate border, at the beginning of Genesis. A coat of arms erased and then overpainted, with foliate scrolls, in the lower margin., Pentateuch (the 'Duke of Sussex's Italian Pentateuch')

then overpainted, with foliate scrolls, in the lower margin. Ruling is visible. Flesh side and hair side are distinguishable. Quires start with flesh side. On the dating, see Pasternak, 2009. 5 decorated initial-word panels in colours and gold accompanied by

• Decorated initial-word panel accompanied by partial foliate border, at the beginning of Leviticus., Pentateuch (the 'Duke of Sussex's Italian Pentateuch')

of Leviticus. Ruling is visible. Flesh side and hair side are distinguishable. Quires start with flesh side. On the dating, see Pasternak, 2009. 5 decorated initial-word panels in colours and gold accompanied by partial foliate borders at the beginnings of

• Detail of a miniature of Anthony being tormented by demons, with an historiated initial 'A'(nthoine) of Anthony being blessed by another saint, at the beginning of his legend., The Golden Legend (La Légende Dorée)

legend. 1st quire unfinished, spaces for large and small miniatures and initials; underdrawing for partial borders (ff. 1-8); in the quires 11-14, underdrawing for miniatures and some parts filled with colours; initials and borders executed (ff. 81-108). Numerous large and

• Initial-word panel formed as a castle., ~Baal ha-Lashon~ (The Master of the Language)

the end ff. [287]-[289]. Six unfoliated blank leaves after f. 2. Quires are numbered with Hebrew characters starting with alef on f. 13v until f. 163v. Flesh side and hair side are distinguishable. Ruling is visible. Numerous initial-word panels with

• Initial-word panel formed as a castle, with a male bust and a hare in the margin., ~Baal ha-Lashon~ (The Master of the Language)

3 unfoliated blank leaves at the end ff. [287]-[289]. Six unfoliated blank leaves after f. 2. Quires are numbered with Hebrew characters starting with alef on f. 13v until f. 163v. Flesh side and hair side are distinguishable. Ruling is

• Miniature of the Annunciation, decorated initial 'D'(omine) enclosing the coat of arms of Beatrice de la Porte, wife of Gilles de Tournemine, and foliate borders including a peacock, at the beginning of the Hours of the Virgin., Book of Hours, Use of Nantes

of Christ (ff. 62, 67, 71, 74v, 78, 83, 161, 167, 171v, 176, 180, 184v); 2 smaller miniatures probably excised: quires with Prime in the Hours of the Virgin and the Hours of the Holy Cross lost after f. 61.

• Miniature of Christ nailed to the cross, followed by a decorated initial 'D'(eus) and foliate borders on verso, at the beginning of Sext in the Hours of the Passion of Christ., Book of Hours, Use of Nantes

of Christ (ff. 62, 67, 71, 74v, 78, 83, 161, 167, 171v, 176, 180, 184v); 2 smaller miniatures probably excised: quires with Prime in the Hours of the Virgin and the Hours of the Holy Cross lost after f. 61.

• Plain initial 'C'(ogitanti) at the beginning of the text., De oratore

Plain initial 'C'(ogitanti) at the beginning of the text. ff. 17-24 are bound in the wrong order. Catchwords written horizontally. Quire marks (Roman numerals in the centre of the lower margin of the verso of the last leaf of

• Text page with a note by the scribe Lupus of Ferrières in the lower margin, signalling a missing quire., De oratore

Text page with a note by the scribe Lupus of Ferrières in the lower margin, signalling a missing quire. ff. 17-24 are bound in the wrong order. Catchwords written horizontally. Quire marks (Roman numerals in the centre of the