• Circular design, inscribed 'Liber sancte marie virginis in monasterio Eberbacensi'., Vita Christi (chapters 1-60)

Eberbacensi'. Leaves numbered in red ink in the upper margin; quires numbered in red ink in the lower margins of first rectos. Ownership inscription in the form of a large circular design, in red and blue, with pen-flourishing in red

• Puzzle initial 'F'(undamentum), at the beginning of the prologue., Vita Christi (chapters 1-60)

Leaves numbered in red ink in the upper margin; quires numbered in red ink in the lower margins of first rectos. Ownership inscription in the form of a large circular design, in red and blue, with pen-flourishing in red with

• Part of the border with an Agnus dei, at the beginning of the prologue., Vita Christi (chapters 1-60)

of the prologue. Leaves numbered in red ink in the upper margin; quires numbered in red ink in the lower margins of first rectos. Ownership inscription in the form of a large circular design, in red and blue, with pen-flourishing

• Part of the border with the arms of the Rotenhan family of Bamberg, at the beginning of the prologue., Vita Christi (chapters 1-60)

the beginning of the prologue. Leaves numbered in red ink in the upper margin; quires numbered in red ink in the lower margins of first rectos. Ownership inscription in the form of a large circular design, in red and blue,

• Penwork initial 'H'(ec) with the head of a black man wearing a mitre, at the beginning of the table of contents., Vita Christi (chapters 1-60)

beginning of the table of contents. Leaves numbered in red ink in the upper margin; quires numbered in red ink in the lower margins of first rectos. Ownership inscription in the form of a large circular design, in red and

• Detail of a miniature of the death of Nectanebus., Historia de proeliis, translated in French as La vraie ystoire dou bon roi Alixandre, and other romances

5 scribes (Hand I: quires i-viii; Hand II: quires ix-xii, xvii-xix, xxxvi-xxvii; Hand III to be identified with Jean de Senlis: quires xiii-xvi, xxxi-xxxv; Hand IV: quires xx-xxii, xxiii except f. 165v, xxvi-xxx; Hand V: quires xxiii, f. 165v, xxiv-xxv),

• Detail of a miniature of Darius, king of Persia ordering the chiselling of a marble slab in order to make a portrait of Alexander., Historia de proeliis, translated in French as La vraie ystoire dou bon roi Alixandre, and other romances

5 scribes (Hand I: quires i-viii; Hand II: quires ix-xii, xvii-xix, xxxvi-xxvii; Hand III to be identified with Jean de Senlis: quires xiii-xvi, xxxi-xxxv; Hand IV: quires xx-xxii, xxiii except f. 165v, xxvi-xxx; Hand V: quires xxiii, f. 165v, xxiv-xxv),

• Detail of a miniature of Alexander and his soldiers fighting with crabs, with a preliminary sketch in the lower margin., Historia de proeliis, translated in French as La vraie ystoire dou bon roi Alixandre, and other romances

5 scribes (Hand I: quires i-viii; Hand II: quires ix-xii, xvii-xix, xxxvi-xxvii; Hand III to be identified with Jean de Senlis: quires xiii-xvi, xxxi-xxxv; Hand IV: quires xx-xxii, xxiii except f. 165v, xxvi-xxx; Hand V: quires xxiii, f. 165v, xxiv-xxv),

• Detail of a miniature of Alexander receiving tribute from the citizens of Babylon., Historia de proeliis, translated in French as La vraie ystoire dou bon roi Alixandre, and other romances

5 scribes (Hand I: quires i-viii; Hand II: quires ix-xii, xvii-xix, xxxvi-xxvii; Hand III to be identified with Jean de Senlis: quires xiii-xvi, xxxi-xxxv; Hand IV: quires xx-xxii, xxiii except f. 165v, xxvi-xxx; Hand V: quires xxiii, f. 165v, xxiv-xxv),

• Detail of a miniature of Alexander sending letters to Olympias and Aristotle, mistakenly represented as a woman., Historia de proeliis, translated in French as La vraie ystoire dou bon roi Alixandre, and other romances

5 scribes (Hand I: quires i-viii; Hand II: quires ix-xii, xvii-xix, xxxvi-xxvii; Hand III to be identified with Jean de Senlis: quires xiii-xvi, xxxi-xxxv; Hand IV: quires xx-xxii, xxiii except f. 165v, xxvi-xxx; Hand V: quires xxiii, f. 165v, xxiv-xxv),

• Initial-word panel ~Sefer~ (book) flanked by foliate scrolls, at the beginning of the second book of Avicenna’s Canon., Hebrew translation of the first two books of Avicenna's Canon

second book of Avicenna’s Canon. Chapter titles are given in Latin in the margins. Quires start with the fleshside. Numerous marginal notes. Ruling is visible. 3 decorated initial-word panels accompanied by foliate scrolls in the margins, in colours and gold

• Initial-word panel ~Amar~ (said) decorated with vine motifs and with foliate scrolls in the margin, at the beginning of the translator's introduction, Zerahiah ben Isaac ben Shealtiel ha-Sefaradi., Hebrew translation of the first two books of Avicenna's Canon

of the translator's introduction, Zerahiah ben Isaac ben Shealtiel ha-Sefaradi. Chapter titles are given in Latin in the margins. Quires start with the fleshside. Numerous marginal notes. Ruling is visible. 3 decorated initial-word panels accompanied by foliate scrolls in the

• Decorated initial 'W', at the beginning of Geoffrey Chaucer's Canterbury Tales., Canterbury Tales (begins and ends imperfectly)

gold on red and blue grounds, with foliate extensions into the margins. Initials in blue with red foliate pen-flourishing. Two quires also with small initials in red with brown pen-flourishing (ff. 199-214). 1 initial cut out (f. 183). Canterbury Tales

• Detail of text page., Canterbury Tales (begins and ends imperfectly)

gold on red and blue grounds, with foliate extensions into the margins. Initials in blue with red foliate pen-flourishing. Two quires also with small initials in red with brown pen-flourishing (ff. 199-214). 1 initial cut out (f. 183). Canterbury Tales

• Text page., Canterbury Tales (begins and ends imperfectly)

gold on red and blue grounds, with foliate extensions into the margins. Initials in blue with red foliate pen-flourishing. Two quires also with small initials in red with brown pen-flourishing (ff. 199-214). 1 initial cut out (f. 183). Canterbury Tales

• Detail of an initial-word panel ~Sefer~ (book) flanked by foliate scrolls, at the beginning of the second book of Avicenna’s Canon., Hebrew translation of the first two books of Avicenna's Canon

the second book of Avicenna’s Canon. Chapter titles are given in Latin in the margins. Quires start with the fleshside. Numerous marginal notes. Ruling is visible. 3 decorated initial-word panels accompanied by foliate scrolls in the margins, in colours and

• Detail of the lower full foliate border, including two angels supporting heraldic arms in the lower margin, at the beginning of Jacques Legrand's Livre des bonnes moeurs., Le livre des bonnes moeurs (The book of good manners) (ff. 1-86v), followed by a list of the seven deadly sins, the good confession, the good death, and the ten commandments (ff. 87-89v)

of Jacques Legrand's Livre des bonnes moeurs. Added alphabetical quire signatures of capital letters B-L, on the first page of quires. 1 half-page miniature with a large decorated initial and full foliate borders including two angels supporting heraldic arms in

• Miniature of the Fall of Lucifer and the rebel angels, decorated initial 'T'(ous), and full foliate borders including two angels supporting heraldic arms in the lower margin, at the beginning of Jacques Legrand's Livre des bonnes moeurs., Le livre des bonnes moeurs (The book of good manners) (ff. 1-86v), followed by a list of the seven deadly sins, the good confession, the good death, and the ten commandments (ff. 87-89v)

of Jacques Legrand's Livre des bonnes moeurs. Added alphabetical quire signatures of capital letters B-L, on the first page of quires. 1 half-page miniature with a large decorated initial and full foliate borders including two angels supporting heraldic arms in

• Last page with written text in the manuscript., Le livre des bonnes moeurs (The book of good manners) (ff. 1-86v), followed by a list of the seven deadly sins, the good confession, the good death, and the ten commandments (ff. 87-89v)

quire signatures of capital letters B-L, on the first page of quires. 1 half-page miniature with a large decorated initial and full foliate borders including two angels supporting heraldic arms in the lower margin, in colours and gold (f. 1).

• Miniature of a layman accompanied by an angel and by the devil, lectured about sin and grace by a religious, large initial 'Q'(ui), and three-sided foliate border, at the beginning of the list containing the seven deadly sins., Le livre des bonnes moeurs (The book of good manners) (ff. 1-86v), followed by a list of the seven deadly sins, the good confession, the good death, and the ten commandments (ff. 87-89v)

the list containing the seven deadly sins. Added alphabetical quire signatures of capital letters B-L, on the first page of quires. 1 half-page miniature with a large decorated initial and full foliate borders including two angels supporting heraldic arms in