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British Library Catalogue of Illuminated Manuscripts icon

British Library Catalogue of Illuminated Manuscripts

975 results from this resource . Displaying 41 to 60

Detail of historiated initial of the Annunciation to the Shepherds, at the beginning of Terce in the Hours of the Virgin. Recto: Hours of the Virgin, begining imperfectly at the end of Matins (ff. 1-6); O intemerata (f. 6); Penitential

Detail of historiated initial of the Adoration of the Magi, at the beginning of Sext in the Hours of the Virgin. Recto: Hours of the Virgin, begining imperfectly at the end of Matins (ff. 1-6); O intemerata (f. 6); Penitential

Detail of historiated initial of the Slaughter of the Innocents, at the beginning of None in the Hours of the Virgin. Recto: Hours of the Virgin, begining imperfectly at the end of Matins (ff. 1-6); O intemerata (f. 6); Penitential

Detail of historiated initial of the Flight into Egypt, at the beginning of Vespers in the Hours of the Virgin. Recto: Hours of the Virgin, begining imperfectly at the end of Matins (ff. 1-6); O intemerata (f. 6); Penitential Psalms,

knots. Apophthegemata Patrum, of 'Sabaite type' Mostly written by Ioannes Philagrios in Crete for Georgios of Chandax (colophon, vol. 2, f. 179).Marginal annotations by Neilos Damilas (vol. 2, ff. 7v-125, see Gamillscheg and Harlfinger 1981 no. 293).Table of contents (vol.

knots. Apophthegemata Patrum, of 'Sabaite type' Mostly written by Ioannes Philagrios in Crete for Georgios of Chandax (colophon, vol. 2, f. 179).Marginal annotations by Neilos Damilas (vol. 2, ff. 7v-125, see Gamillscheg and Harlfinger 1981 no. 293).Table of contents (vol.

of Charlemagne welcoming Clement Scotus and another, and giving the Abbey of Tours to Alcuin ofYork. With over 400 illustrations, this manuscript is one of the moxt luxurious French manuscripts of the 14th century.According to Hedeman 1991, one

Miniature of Peter of Capua mediating between Philip Augustus and Richard I of England, with an illuminated initial 'P'(helippes). With over 400 illustrations, this manuscript is one of the moxt luxurious French manuscripts of the 14th century.According to Hedeman 1991,

Detail of a miniature of Peter of Capua mediating between Philip Augustus and Richard I of England. With over 400 illustrations, this manuscript is one of the moxt luxurious French manuscripts of the 14th century.According to Hedeman 1991, one of

Miniature of Louis d'Outremer taking possession of the young Duke Richard. With over 400 illustrations, this manuscript is one of the moxt luxurious French manuscripts of the 14th century.According to Hedeman 1991, one of nine illustrated copies made before 1350,

Robert of Molesme (29 April), Peter of Tarentaise (8 May), William, archbishop ofYork (8 June), Bernard of Clairvaux, with an octave (20 and 27 August), Wilfrid, archbishop ofYork (12 October), Malachi (5 November); the Litany and Canon of

Robert of Molesme (29 April), Peter of Tarentaise (8 May), William, archbishop ofYork (8 June), Bernard of Clairvaux, with an octave (20 and 27 August), Wilfrid, archbishop ofYork (12 October), Malachi (5 November); the Litany and Canon of

Robert of Molesme (29 April), Peter of Tarentaise (8 May), William, archbishop ofYork (8 June), Bernard of Clairvaux, with an octave (20 and 27 August), Wilfrid, archbishop ofYork (12 October), Malachi (5 November); the Litany and Canon of

Robert of Molesme (29 April), Peter of Tarentaise (8 May), William, archbishop ofYork (8 June), Bernard of Clairvaux, with an octave (20 and 27 August), Wilfrid, archbishop ofYork (12 October), Malachi (5 November); the Litany and Canon of

Robert of Molesme (29 April), Peter of Tarentaise (8 May), William, archbishop ofYork (8 June), Bernard of Clairvaux, with an octave (20 and 27 August), Wilfrid, archbishop ofYork (12 October), Malachi (5 November); the Litany and Canon of

Detail of marginal drawings for Passover with Judeo-Italian captions. Captions of the drawings are perhaps in Judeo-Italian. Watermark of a ~fleur-de-lis~, f. [183], unidentified. Decorated initial-word panel with full floral border (f. 1). 3 drawings illustrating the text, in brown

Detail of a painting of a couple standing at the spread Seder table, lifting the seder basket. Under the table, there is a big cat. Captions of the drawings are perhaps in Judeo-Italian. Watermark of a ~fleur-de-lis~, f. [183], unidentified.

Detail of a painting of a man sitting at the spread table lifting his cup and saying the blessing over food. Captions of the drawings are perhaps in Judeo-Italian. Watermark of a ~fleur-de-lis~, f. [183], unidentified. Decorated initial-word panel with

Cite this page:

"Results" Manuscripts Online (www.manuscriptsonline.org, version 1.0, 15 July 2024), https://www.manuscriptsonline.org/search/results?kw=richard%20of%20york&sdf=1331&sdt=1372&sr=ci&st=40