• ~Masorah~ in micorgraphic design at Joshua., Duke of Sussex Bible with ~masorah magna~ and ~parva~

quarter of the 17th century): inscribed with his name, 1618 (f. 477v); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), pp. 100-101, and appendix § 80-84.Birth entries in Spanish of four sons of an

• Micrographical design in the margins, at the end of Genesis and beginning of Exodus., Pentateuch with ~masorah magna~ and ~parva~

in the margins, at the end of Genesis and beginning of Exodus. Some micrographical motifs are similar to the ones in Harley 5774. ~Masorah~ in the margin written in micrographic form. 18 full-page panels of micrographical design (ff. 2v-7, 192-196).

• ~Masorah~ in micrographic design at the end of Numbers and beginning of Deuteronomy., Duke of Sussex Bible with ~masorah magna~ and ~parva~

quarter of the 17th century): inscribed with his name, 1618 (f. 477v); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), pp. 100-101, and appendix § 80-84.Birth entries in Spanish of four sons of an

• ~Masorah~ in micrographic form., Pentateuch with ~masorah magna~ and ~parva~

195v).Giovanni Domenico Carretto, Italian censor (active in the first quarter of the 17th century): inscribed with his name, 1612 (f. 196); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), pp. 100-101, and appendix §

• ~Masorah~ in micrographic form., Pentateuch with ~masorah magna~ and ~parva~

195v).Giovanni Domenico Carretto, Italian censor (active in the first quarter of the 17th century): inscribed with his name, 1612 (f. 196); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), pp. 100-101, and appendix §

• Detail of a marginal decoration: a human head in the outer margin., Commentary on the Pentateuch in an abridged form

181v).Laurentius Franguellus (fl. until 1596), censor: inscribed with his name, 1575 (f. 181v); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), p. 78, appendix § 105-110.Illegible inscription, probably censor's signature (f. 181v).Giuseppe Almanzi (b.

• Detail of an initial-word panel with penwork decoration and pen-flourishing accompanied with a dog chasing a hare in the lower margin., Commentary on the Pentateuch in an abridged form

181v).Laurentius Franguellus (fl. until 1596), censor: inscribed with his name, 1575 (f. 181v); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), p. 78, appendix § 105-110.Illegible inscription, probably censor's signature (f. 181v).Giuseppe Almanzi (b.

• Detail of an initial-word panel with penwork decoration and pen-flourishing accompanied with a dog and a lion in the lower margin., Commentary on the Pentateuch in an abridged form

181v).Laurentius Franguellus (fl. until 1596), censor: inscribed with his name, 1575 (f. 181v); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), p. 78, appendix § 105-110.Illegible inscription, probably censor's signature (f. 181v).Giuseppe Almanzi (b.

• Detail of a marginal decoration: dog in the outer margin., Commentary on the Pentateuch in an abridged form

181v).Laurentius Franguellus (fl. until 1596), censor: inscribed with his name, 1575 (f. 181v); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), p. 78, appendix § 105-110.Illegible inscription, probably censor's signature (f. 181v).Giuseppe Almanzi (b.

• Detail of an initial-word panel with penwork decoration and pen-flourishing accompanied with a bird in the outer margin., Commentary on the Pentateuch in an abridged form

181v).Laurentius Franguellus (fl. until 1596), censor: inscribed with his name, 1575 (f. 181v); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), p. 78, appendix § 105-110.Illegible inscription, probably censor's signature (f. 181v).Giuseppe Almanzi (b.

• Detail of an initial-word panel with penwork decoration and pen-flourishing, accompanied with a bearded hybrid blowing a trumpet and carrying a shield with a fleur-de-lis, in the outer margin., Commentary on the Pentateuch in an abridged form

181v).Laurentius Franguellus (fl. until 1596), censor: inscribed with his name, 1575 (f. 181v); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), p. 78, appendix § 105-110.Illegible inscription, probably censor's signature (f. 181v).Giuseppe Almanzi (b.

• Detail of an initial-word panel with penwork decoration and pen-flourishing, inhabited by a dragon., Commentary on the Pentateuch in an abridged form

181v).Laurentius Franguellus (fl. until 1596), censor: inscribed with his name, 1575 (f. 181v); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), p. 78, appendix § 105-110.Illegible inscription, probably censor's signature (f. 181v).Giuseppe Almanzi (b.

• Text page: Isaiah 51-52., Duke of Sussex Bible with ~masorah magna~ and ~parva~

quarter of the 17th century): inscribed with his name, 1618 (f. 477v); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), pp. 100-101, and appendix § 80-84.Birth entries in Spanish of four sons of an

• Panel decorated with pen-flourishing at the end of the Book of Ezekiel., Duke of Sussex Bible with ~masorah magna~ and ~parva~

quarter of the 17th century): inscribed with his name, 1618 (f. 477v); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), pp. 100-101, and appendix § 80-84.Birth entries in Spanish of four sons of an

• Text page: 2 Samuel 21-22., Duke of Sussex Bible with ~masorah magna~ and ~parva~

quarter of the 17th century): inscribed with his name, 1618 (f. 477v); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), pp. 100-101, and appendix § 80-84.Birth entries in Spanish of four sons of an

• Historiated initial 'N' (cropped; the lower part of the letter is visible at the top right of the miniature) of the Last Supper beneath a cartouche inscribed in capitals 'Desiderio desideravi / hoc pascha manduc / are vobiscum', surrounded by a frame composed of four cuttings., Cuttings from a Missal of Paul III

first publication of the catalogue of his collection in 1869 and the second edition of 1876 (see Robinson 1876). Purchased by the Department of Prints and Drawings of the British Museum in 1895.Transferred to the Department of Manuscripts of the

• A diagram of the genealogy of the kings of England, including Henry IV, Henry V, Henry VI, Edward IV, Richard III, and Henry VII., Biblical and genealogical chronicle from Adam and Eve to Edward VI (the Longer English genealogical chronicle of the kings of England)

Longer English genealogical chronicle of the kings of England) The text of the chronicle ends with Richard III (f. 33). The pictorial genealogy continues to Henry VIII in the same scribal and artistic hand, including Catherine of Aragon, Mary, and

• Decorated initial 'R'(ichard), with a bar and foliate extensions, at the beginning of the first statute under the government of Richard II., Nova Statuta (index Statutes of England; Statuta Angliae, Statute book) for Edward III (ff. 1-212v) and Richard II (ff. 213-329v)

the table of contents on f. 222v.? Thomas Howard (b. 1585, d. 1646), 2nd earl of Arundel, 4th earl of Surrey, and 1st earl of Norfolk, art collector and politician. Henry Howard (b. 1628, d. 1684), 6th duke of Norfolk,

• Puzzle initial 'S' from a bifolium used as a flyleaf., Fragment used as flyleaves of portions of an index of contents of a work probably on canon law

Paraphs in red or blue. Fragment used as flyleaves of portions of an index of contents of a work probably on canon law William Darell (d. in or after 1580), Church of England clergyman and antiquary: inscribed 'William Darell (f.

• Decorated initial 'R'(ichard), at the beginning of the first statute under the government of Richard II., Nova Statuta (index Statutes of England; Statuta Angliae, Statute book) for Edward III (ff. 1-212v) and Richard II (ff. 213-329v)

the table of contents on f. 222v.? Thomas Howard (b. 1585, d. 1646), 2nd earl of Arundel, 4th earl of Surrey, and 1st earl of Norfolk, art collector and politician. Henry Howard (b. 1628, d. 1684), 6th duke of Norfolk,