• Detail of a miniature of the seventh plague: hail, and Moses begging God to stop the plague of hail (Ex. 9:33)., Haggadah for Passover (the 'Golden Haggadah'')

Detail of a miniature of the seventh plague: hail, and Moses begging God to stop the plague of hail (Ex. 9:33). The codex is called Golden Haggadah because of the diapered gold-leaf background of its miniatures. Ruling is visible. Hair

• Detail of a miniature of the sixth plague: boils., Haggadah for Passover (the 'Golden Haggadah'')

~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), p. 104, and appendix § 112-117. Rabbi Joav Gallico of Asti, duchy of Savoy: gave the manuscript as a wedding present to his 'learned son-in-law Eliah', son of Menahem

• Detail of a miniature of the ninth plague: darkness, and the Israelites despoiling the Egyptians (Ex. 12:35-36)., Haggadah for Passover (the 'Golden Haggadah'')

~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), p. 104, and appendix § 112-117. Rabbi Joav Gallico of Asti, duchy of Savoy: gave the manuscript as a wedding present to his 'learned son-in-law Eliah', son of Menahem

• Detail of a miniature of the eighth plague: locusts., Haggadah for Passover (the 'Golden Haggadah'')

~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), p. 104, and appendix § 112-117. Rabbi Joav Gallico of Asti, duchy of Savoy: gave the manuscript as a wedding present to his 'learned son-in-law Eliah', son of Menahem

• Detail of a miniature of the Dance of Miriam (Ex. 15:20)., Haggadah for Passover (the 'Golden Haggadah'')

Detail of a miniature of the Dance of Miriam (Ex. 15:20). The codex is called Golden Haggadah because of the diapered gold-leaf background of its miniatures. Ruling is visible. Hair side and flesh side are distinguishable.Erased text (e. g., ff.

• Detail of a miniature of the master of the house distributing the ~matzot~ (unleavened bread) and the ~haroset~ (sweetmeat)., Haggadah for Passover (the 'Golden Haggadah'')

Detail of a miniature of the master of the house distributing the ~matzot~ (unleavened bread) and the ~haroset~ (sweetmeat). The codex is called Golden Haggadah because of the diapered gold-leaf background of its miniatures. Ruling is visible. Hair side and

• Detail of a miniature of the cleaning of the house., Haggadah for Passover (the 'Golden Haggadah'')

Detail of a miniature of the cleaning of the house. The codex is called Golden Haggadah because of the diapered gold-leaf background of its miniatures. Ruling is visible. Hair side and flesh side are distinguishable.Erased text (e. g., ff. 81,

• Detail of a miniature of the slaughtering of the Passover lambs and cleansing dishes (~hagalat kelim~)., Haggadah for Passover (the 'Golden Haggadah'')

Detail of a miniature of the slaughtering of the Passover lambs and cleansing dishes (~hagalat kelim~). The codex is called Golden Haggadah because of the diapered gold-leaf background of its miniatures. Ruling is visible. Hair side and flesh side are

• Decorated initial 'R'(ex) with pen-flourishing., Nova Statuta (index Statutes of England, Statuta Angliae, Statute book), for 1-50 Edward III (ff. 14-245), imperfect

of England, Statuta Angliae, Statute book), for 1-50 Edward III (ff. 14-245), imperfect Inscribed 'Richard', 14th century (f. 4). Added texts including a list of contents (ff. 1-3v, 5-13v), and statutes for the 12th year and 15th year of

• ~Masorah~ in micorgraphic design at Joshua., Duke of Sussex Bible with ~masorah magna~ and ~parva~

quarter of the 17th century): inscribed with his name, 1618 (f. 477v); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), pp. 100-101, and appendix § 80-84.Birth entries in Spanish of four sons of an

• Initial-word panel with penwork decoration and pen-flourishing, inhabited by a dog, and accompanied with a bird in the outer margin., Commentary on the Pentateuch in an abridged form

181v).Laurentius Franguellus (fl. until 1596), censor: inscribed with his name, 1575 (f. 181v); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), p. 78, appendix § 105-110.Illegible inscription, probably censor's signature (f. 181v).Giuseppe Almanzi (b.

• Initial-word panel with penwork decoration and pen-flourishing, inhabited by a dragon., Commentary on the Pentateuch in an abridged form

181v).Laurentius Franguellus (fl. until 1596), censor: inscribed with his name, 1575 (f. 181v); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), p. 78, appendix § 105-110.Illegible inscription, probably censor's signature (f. 181v).Giuseppe Almanzi (b.

• Initial-word panel with penwork decoration and pen-flourishing, accompanied with a bearded hybrid blowing a trumpet and carrying a shield with a fleur-de-lis, in the outer margin., Commentary on the Pentateuch in an abridged form

181v).Laurentius Franguellus (fl. until 1596), censor: inscribed with his name, 1575 (f. 181v); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), p. 78, appendix § 105-110.Illegible inscription, probably censor's signature (f. 181v).Giuseppe Almanzi (b.

• Initial-word panel with penwork decoration and pen-flourishing accompanied with a bird in the outer margin., Commentary on the Pentateuch in an abridged form

181v).Laurentius Franguellus (fl. until 1596), censor: inscribed with his name, 1575 (f. 181v); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), p. 78, appendix § 105-110.Illegible inscription, probably censor's signature (f. 181v).Giuseppe Almanzi (b.

• Initial-word panel with penwork decoration and pen-flourishing accompanied with a dog in the outer margin., Commentary on the Pentateuch in an abridged form

181v).Laurentius Franguellus (fl. until 1596), censor: inscribed with his name, 1575 (f. 181v); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), p. 78, appendix § 105-110.Illegible inscription, probably censor's signature (f. 181v).Giuseppe Almanzi (b.

• Initial-word panel with penwork decoration and pen-flourishing accompanied with a dog and a lion in the lower margin., Commentary on the Pentateuch in an abridged form

181v).Laurentius Franguellus (fl. until 1596), censor: inscribed with his name, 1575 (f. 181v); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), p. 78, appendix § 105-110.Illegible inscription, probably censor's signature (f. 181v).Giuseppe Almanzi (b.

• Micrographical design in the margins, at the end of Genesis and beginning of Exodus., Pentateuch with ~masorah magna~ and ~parva~

in the margins, at the end of Genesis and beginning of Exodus. Some micrographical motifs are similar to the ones in Harley 5774. ~Masorah~ in the margin written in micrographic form. 18 full-page panels of micrographical design (ff. 2v-7, 192-196).

• ~Masorah~ in micrographic design at the end of Numbers and beginning of Deuteronomy., Duke of Sussex Bible with ~masorah magna~ and ~parva~

quarter of the 17th century): inscribed with his name, 1618 (f. 477v); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), pp. 100-101, and appendix § 80-84.Birth entries in Spanish of four sons of an

• Micrography of a menorah., ~Keter Malkhut~ (The Crown of Kingship) by Solomon ibn Gabirol (ff. 1-8r); festival prayer book (~mahzor~), Italian rite (ff. 8v-231v)

decorated (f. 168). Camillo Jaghel, censor: inscribed with his name, 1619 (f. 231v); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), appendix § 50-56.Owner's inscription in Italian, partially illegible: 'Questo lib[ro] .. David a

• Text page: Isaiah 51-52., Duke of Sussex Bible with ~masorah magna~ and ~parva~

quarter of the 17th century): inscribed with his name, 1618 (f. 477v); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), pp. 100-101, and appendix § 80-84.Birth entries in Spanish of four sons of an