• Decorated Initials 'L'(iber) and 'D'(eus) with penwork decoration, at the beginning of book 4 of Richard of St-Victor's In apocalypsim., In apocalypsim

Decorated Initials 'L'(iber) and 'D'(eus) with penwork decoration, at the beginning of book 4 ofRichardof St-Victor's In apocalypsim. 1 large initial in blue, with reserved designs, with foliate penwork decoration in red and blue (f. 1). Smaller initials

• Illuminated initial 'F' at the beginning of a texts on anatomy., Medical miscellany, including texts on anatomy (ff. 1-51v); various treatments of wounds, broken bones, and internal ruptures (ff. 53-152); recipes (ff. 154-193v); an amplified translation of the gynecological sections from Gilbertus Anglicus's Compendium medicine, ending imperfect (ff. 194-232)

(ff. 1-51v); various treatments of wounds, broken bones, and internal ruptures (ff. 53-152); recipes (ff. 154-193v); an amplified translation of the gynecological sections from Gilbertus Anglicus's Compendium medicine, ending imperfect (ff. 194-232) Richard Ferris, Master of the Barbers' and Surgeons'

• Decorated initial 'M'(arcus) with birds' heads and interlace on a ground of red dots, and decorated letters in a calligraphic copy of a page from Cotton Otho C.V at the beginning of Mark, and on the lower part of the page, an alphabetical 'sampler' of the letter forms found in the manuscript., Copy of a page from Cotton Otho C.V

on a ground of red dots, and decorated letters in a calligraphic copy of a page from Cotton Otho C.V at the beginning of Mark, and on the lower part of the page, an alphabetical 'sampler' of the letter forms

• Decorated initial 'R'(ichard), at the beginning of the first statute under the government of Richard II., Nova Statuta (index Statutes of England; Statuta Angliae, Statute book) for Edward III (ff. 1-212v) and Richard II (ff. 213-329v)

the table of contents on f. 222v.? Thomas Howard (b. 1585, d. 1646), 2nd earl of Arundel, 4th earl of Surrey, and 1st earl of Norfolk, art collector and politician. Henry Howard (b. 1628, d. 1684), 6th duke of Norfolk,

• Miniature of the Visitation, at the beginning of Lauds in the Hours of the Virgin., Single leaf of a Book of Hours

Miniature of the Visitation, at the beginning of Lauds in the Hours of the Virgin. The calligraphic copies include representations of a harp (f. 68) and a double flageolet (f. 101) (see Augustus Hughes-Hughes, ~Catalogue of Manuscript Music in the

• Illuminated initial and full border with a mask and a dragon., Polychronicon (ff. 1-201v); Dialogus inter clericum et militem (ff. 202-205), and other texts

1st duke of Buckingham and Chandos, of Stowe House, near Buckingham.Richard Temple-Nugent-Brydges-Chandos-Grenville (b. 1797, d. 1861), 2nd duke of Buckingham and Chandos: sold in 1849 to Lord Ashburnham. Bertram Ashburnham (b. 1797, d. 1878), 4th earl of Ashburnham, of Ashburnham

• Flourished initials 'M'(emorandum), 'O'(bservatum), and 'N'(otandum)., Polychronicon, continued to 1377, with table of contents (ff. 2-8v)

table of contents ? and replacement pages ? (f 1r-1v; ff. 9-10v).Richard Temple-Nugent-Brydges-Chandos-Grenville (b. 1776, d. 1839), 1st duke of Buckingham and Chandos, of Stowe House, near Buckingham.Inscription '976' (inside upper cover).Richard Temple-Nugent-Brydges-Chandos-Grenville (b. 1797, d. 1861), 2nd duke of

• Illuminated initial with foliate decoration, knots, flowers, and hybrid creatures., Polychronicon (ff. 1-201v); Dialogus inter clericum et militem (ff. 202-205), and other texts

1st duke of Buckingham and Chandos, of Stowe House, near Buckingham.Richard Temple-Nugent-Brydges-Chandos-Grenville (b. 1797, d. 1861), 2nd duke of Buckingham and Chandos: sold in 1849 to Lord Ashburnham. Bertram Ashburnham (b. 1797, d. 1878), 4th earl of Ashburnham, of Ashburnham

• Full border with hybrid creatures and foliate forms., Polychronicon (ff. 1-201v); Dialogus inter clericum et militem (ff. 202-205), and other texts

1st duke of Buckingham and Chandos, of Stowe House, near Buckingham.Richard Temple-Nugent-Brydges-Chandos-Grenville (b. 1797, d. 1861), 2nd duke of Buckingham and Chandos: sold in 1849 to Lord Ashburnham. Bertram Ashburnham (b. 1797, d. 1878), 4th earl of Ashburnham, of Ashburnham

• Illuminated initial and full border with hybrid creatures., Polychronicon (ff. 1-201v); Dialogus inter clericum et militem (ff. 202-205), and other texts

1st duke of Buckingham and Chandos, of Stowe House, near Buckingham.Richard Temple-Nugent-Brydges-Chandos-Grenville (b. 1797, d. 1861), 2nd duke of Buckingham and Chandos: sold in 1849 to Lord Ashburnham. Bertram Ashburnham (b. 1797, d. 1878), 4th earl of Ashburnham, of Ashburnham

• Illuminated initial and full border with hybrid creatures., Polychronicon (ff. 1-201v); Dialogus inter clericum et militem (ff. 202-205), and other texts

1st duke of Buckingham and Chandos, of Stowe House, near Buckingham.Richard Temple-Nugent-Brydges-Chandos-Grenville (b. 1797, d. 1861), 2nd duke of Buckingham and Chandos: sold in 1849 to Lord Ashburnham. Bertram Ashburnham (b. 1797, d. 1878), 4th earl of Ashburnham, of Ashburnham

• Illuminated initial and full border with hybrid creatures., Polychronicon (ff. 1-201v); Dialogus inter clericum et militem (ff. 202-205), and other texts

1st duke of Buckingham and Chandos, of Stowe House, near Buckingham.Richard Temple-Nugent-Brydges-Chandos-Grenville (b. 1797, d. 1861), 2nd duke of Buckingham and Chandos: sold in 1849 to Lord Ashburnham. Bertram Ashburnham (b. 1797, d. 1878), 4th earl of Ashburnham, of Ashburnham

• Detail of roundels of various foetal presentations., Medical miscellany, including texts on anatomy (ff. 1-51v); various treatments of wounds, broken bones, and internal ruptures (ff. 53-152); recipes (ff. 154-193v); an amplified translation of the gynecological sections from Gilbertus Anglicus's Compendium medicine, ending imperfect (ff. 194-232)

Detail of roundels of various foetal presentations. Lining of the text block in red.ff. 1 and 234 are parchment flyleaves. Roundels of foetal presentations in colours on red grounds (ff. 217-218v). 1 3-sided border in colours and gold with foliate

• Detail of roundels of various foetal presentations., Medical miscellany, including texts on anatomy (ff. 1-51v); various treatments of wounds, broken bones, and internal ruptures (ff. 53-152); recipes (ff. 154-193v); an amplified translation of the gynecological sections from Gilbertus Anglicus's Compendium medicine, ending imperfect (ff. 194-232)

Detail of roundels of various foetal presentations. Lining of the text block in red.ff. 1 and 234 are parchment flyleaves. Roundels of foetal presentations in colours on red grounds (ff. 217-218v). 1 3-sided border in colours and gold with foliate

• Detail of roundels of various foetal presentations., Medical miscellany, including texts on anatomy (ff. 1-51v); various treatments of wounds, broken bones, and internal ruptures (ff. 53-152); recipes (ff. 154-193v); an amplified translation of the gynecological sections from Gilbertus Anglicus's Compendium medicine, ending imperfect (ff. 194-232)

Detail of roundels of various foetal presentations. Lining of the text block in red.ff. 1 and 234 are parchment flyleaves. Roundels of foetal presentations in colours on red grounds (ff. 217-218v). 1 3-sided border in colours and gold with foliate

• Detail of roundels of various foetal presentations., Medical miscellany, including texts on anatomy (ff. 1-51v); various treatments of wounds, broken bones, and internal ruptures (ff. 53-152); recipes (ff. 154-193v); an amplified translation of the gynecological sections from Gilbertus Anglicus's Compendium medicine, ending imperfect (ff. 194-232)

Detail of roundels of various foetal presentations. Lining of the text block in red.ff. 1 and 234 are parchment flyleaves. Roundels of foetal presentations in colours on red grounds (ff. 217-218v). 1 3-sided border in colours and gold with foliate

• Historiated initial 'R' with Richard II, combined with a full foliate bar border, at the beginning of his statutes., Nova Statuta (index Statuta Angliae, Statute book, Statutes of England), for the reign of Edward III (r. 1327-1377)(ff. 11-140v), Richard II (r. 1377-1399)(ff. 141-218), Henry IV (r. 1399-1413)(ff. 219-265v), Henry V (r. 1413-1422) (ff. 265v-289v), to 15 Henry VI (r. 1422-1461, 1470-1471)(ff. 289v-338v)

in 1753 to the nation for £10,000 (a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Richard II England

• Full page miniatures of Sir Richard FitzSimon and Sir Thomas Walle, of the Order of the Garter, each wearing a blue Garter mantle over plate armour and surcoat displaying his arms. A framed tablet displays painted arms of successors in their Garter stall at St. George's Chapel, Windsor., Pictorial book of arms of the Order of the Garter ('William Bruges's Garter Book')

heraldic shields of successors in their Garter stalls at St George's Chapel, Windsor, and 1 of George and the dragon and a kneeling Garter King (the principal officer of the Order). Pictorial book of arms of the Order of the

• Border of floral motifs and bezants with a medallion inscribed 'L.X.P.M.', the initials of Leo X, surmounted by a seated, winged putto, measuring 430 x 45 mm., Cuttings from Missals of Pope Leo X

lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), no.

• Border of floral motifs and bezants with a winged putto holding a tablet inscribed 'L.X.P.M.', the initials of Leo X, and Medici device of a diamond ring with three feathers and motto 'Semper'. The present border is composed of three cuttings, measuring 205 x 45 mm, 135 x 45 mm and 185 x 45 mm., Cuttings from Missals of Pope Leo X

lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), no.