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British Library Catalogue of Illuminated Manuscripts
1st duke of Buckingham and Chandos, of Stowe House, near Buckingham.Richard Temple-Nugent-Brydges-Chandos-Grenville (b. 1797, d. 1861), 2nd duke of Buckingham and Chandos: sold in 1849 to Lord Ashburnham. Bertram Ashburnham (b. 1797, d. 1878), 4th earl of Ashburnham, of Ashburnham
Detail of roundels of various foetal presentations. Lining of the text block in red.ff. 1 and 234 are parchment flyleaves. Roundels of foetal presentations in colours on red grounds (ff. 217-218v). 1 3-sided border in colours and gold with foliate
Detail of roundels of various foetal presentations. Lining of the text block in red.ff. 1 and 234 are parchment flyleaves. Roundels of foetal presentations in colours on red grounds (ff. 217-218v). 1 3-sided border in colours and gold with foliate
Detail of roundels of various foetal presentations. Lining of the text block in red.ff. 1 and 234 are parchment flyleaves. Roundels of foetal presentations in colours on red grounds (ff. 217-218v). 1 3-sided border in colours and gold with foliate
Detail of roundels of various foetal presentations. Lining of the text block in red.ff. 1 and 234 are parchment flyleaves. Roundels of foetal presentations in colours on red grounds (ff. 217-218v). 1 3-sided border in colours and gold with foliate
in 1753 to the nation for £10,000 (a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Vices Peraldus England
Drawing of a cross with the symbols of the Passion. The volume is a composite theological miscellany of manuscripts of different origin, and also includes:Richard Lavenham (index Lavyngham), 'A Litil Tretys on the Seven Deadly Sins', 1st half of the
for date of Boncompagni's election to the papacy]' in Chicago, Art Institute of Chicago, 1982.438 and New York, The Morgan Library and Museum, MS. 270, all probably excised from a Gospel Lectionary (A.I.17) described in a 1714 inventory of the
Pen drawing of the Crucifixion Pen drawing of the Crucifixion (f. 31). Marginal pen drawing of the Five Wounds of Christ (?) (f. 31v). Added prayer and indulgences, fragment (f. 31v), preceded by a Crucifixion drawing (f. 31) Richard Jones
with brown penwork decoration, often in the form of leaves. Small initials in red or blue. Paraphs in red. Highlighting of letters in red. Collection of Franciscan texts, including the life of Francis ff. 70-75v probably written by Brother Thomas
Five Wounds of Christ. Pen drawing of the Crucifixion (f. 31). Marginal pen drawing of the Five Wounds of Christ (?) (f. 31v). Added prayer and indulgences, fragment (f. 31v), preceded by a Crucifixion drawing (f. 31) Richard Jones (d.
146v-147). Statutes of Edward III and Richard II, including a table of contents (ff. 1-11v) Two heraldic arms in the lower margin (ff. 146v and 147).The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford
Longer English genealogical chronicle of the kings of England) The text of the chronicle ends with Richard III (f. 33). The pictorial genealogy continues to Henry VIII in the same scribal and artistic hand, including Catherine of Aragon, Mary, and
Longer English genealogical chronicle of the kings of England) The text of the chronicle ends with Richard III (f. 33). The pictorial genealogy continues to Henry VIII in the same scribal and artistic hand, including Catherine of Aragon, Mary, and
Longer English genealogical chronicle of the kings of England) The text of the chronicle ends with Richard III (f. 33). The pictorial genealogy continues to Henry VIII in the same scribal and artistic hand, including Catherine of Aragon, Mary, and
Longer English genealogical chronicle of the kings of England) The text of the chronicle ends with Richard III (f. 33). The pictorial genealogy continues to Henry VIII in the same scribal and artistic hand, including Catherine of Aragon, Mary, and
Longer English genealogical chronicle of the kings of England) The text of the chronicle ends with Richard III (f. 33). The pictorial genealogy continues to Henry VIII in the same scribal and artistic hand, including Catherine of Aragon, Mary, and
with brown penwork decoration, often in the form of leaves. Small initials in red or blue. Paraphs in red. Highlighting of letters in red. Collection of Franciscan texts, including the life of Francis ff. 70-75v probably written by Brother Thomas
Decorated initial 'R'(ichard) at the beginning of statutes ofRichard II. There are 3 unfoliated parchment leaves after f. 16, and 4 after f. 144. Full border in gold and colours (f. 17). Large initial in colours with foliate decoration
1).? Thomas Howard (b. 1585, d. 1646), 2nd earl of Arundel, 4th earl of Surrey, and 1st earl of Norfolk, art collector and politician.Henry Howard (b. 1628, d. 1684), 6th duke of Norfolk, presented to the Royal Society in 1667.The