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book-market. Book of Hours, Use of Sarum Perhaps made for a woman: the devotions in the feminine form.The name of Thomas of Canterbury has been erased throughout, and the suffrage to Thomas and rubrics referring to promises of indulgences have
book-market. Book of Hours, Use of Sarum Perhaps made for a woman: the devotions in the feminine form.The name of Thomas of Canterbury has been erased throughout, and the suffrage to Thomas and rubrics referring to promises of indulgences have
(a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Richard II Master of the Harley Froissart Master of the
at the beginning of the Hours of the Passion of the Virgin (ff. 2v-3). 1 full-page miniature, framed by flowers, at the beginning of a prayer, misbound, the corresponding text missing (f. 62); 2 other miniatures of the same size
at the beginning of the Hours of the Passion of the Virgin (ff. 2v-3). 1 full-page miniature, framed by flowers, at the beginning of a prayer, misbound, the corresponding text missing (f. 62); 2 other miniatures of the same size
(a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Richard II Master of the Harley Froissart Master of the
(a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Richard II Master of the Harley Froissart Master of the
(a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Richard II Master of the Harley Froissart Master of the
(a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Meeting ofRichard II and Isabella Master of the Harley
(a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Richard II Master of the Harley Froissart Master of the
(a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Richard II Master of the Harley Froissart Master of the
(a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Richard II Master of the Harley Froissart Master of the
(a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Richard II Master of the Harley Froissart Master of the
(a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Richard II in the Tower of London Master of the
of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Beheading ofRichard II's partisans Master of the Harley Froissart Master
fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Funeral ofRichard II Master of the Harley Froissart Master of
at the beginning of the Hours of the Passion of the Virgin (ff. 2v-3). 1 full-page miniature, framed by flowers, at the beginning of a prayer, misbound, the corresponding text missing (f. 62); 2 other miniatures of the same size
beginning of the Hours of the Passion of the Virgin. 1 full-page miniature with full foliate borders, accompanied by a large decorated initial and a full foliate border on the facing page, at the beginning of the Hours of the
at the beginning of the Hours of the Passion of the Virgin (ff. 2v-3). 1 full-page miniature, framed by flowers, at the beginning of a prayer, misbound, the corresponding text missing (f. 62); 2 other miniatures of the same size
connection to printed books of hours (borders in the calendar constituted of small images; backgrounds of small miniatures covered by little points like criblée grounds in printed books) refer to Paris, where patterns of artists of the Loire Valley, especially