• Miniature of the Duke of Gloucester receiving Richard II at the Castle of Pleshy, with a full foliate border including a bird, flowers, and a naked, helmeted man riding a hobby-horse and carrying a banner., Chroniques, Vol. IV, part 2

(a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Richard II Master of the Harley Froissart Master of the

• Detail of a miniature of King Richard II of England banishing the Earl Marshall and the Earl of Derby., Chroniques, Vol. IV, part 2

(a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Richard II Master of the Harley Froissart Master of the

• Detail of a miniature of Richard II riding to the Castle of Flint., Chroniques, Vol. IV, part 2

(a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Richard II Master of the Harley Froissart Master of the

• Detail of a miniature of Richard II surrendering to the Earl of Derby., Chroniques, Vol. IV, part 2

(a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Richard II Master of the Harley Froissart Master of the

• Detail of a miniature of Richard II being placed in the Tower of London., Chroniques, Vol. IV, part 2

(a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Richard II in the Tower of London Master of the

• Detail of a miniature of the beheading of Richard II's partisans., Chroniques, Vol. IV, part 2

of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Beheading ofRichard II's partisans Master of the Harley Froissart Master

• Detail of a miniature of the funeral of Richard II., Chroniques, Vol. IV, part 2

fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Funeral ofRichard II Master of the Harley Froissart Master of

• Miniature of Clare, Francis, and Bernardino, framed by flowers, at the beginning of a prayer; misbound, corresponding text missing., Prayer book

at the beginning of the Hours of the Passion of the Virgin (ff. 2v-3). 1 full-page miniature, framed by flowers, at the beginning of a prayer, misbound, the corresponding text missing (f. 62); 2 other miniatures of the same size

• Miniature of the Pietà, decorated initial 'D'(omine), and full foliate borders, at the beginning of the Hours of the Passion of the Virgin., Prayer book

beginning of the Hours of the Passion of the Virgin. 1 full-page miniature with full foliate borders, accompanied by a large decorated initial and a full foliate border on the facing page, at the beginning of the Hours of the

• Miniature of Margaret and the dragon, at the beginning of her suffrage., Prayer book

at the beginning of the Hours of the Passion of the Virgin (ff. 2v-3). 1 full-page miniature, framed by flowers, at the beginning of a prayer, misbound, the corresponding text missing (f. 62); 2 other miniatures of the same size

• Miniature with the Annunciation to the shepherds, and decorated initial 'D'(eus), at the beginning of Terce in the Hours of the Virgin., Book of Hours, Use of Rome

connection to printed books of hours (borders in the calendar constituted of small images; backgrounds of small miniatures covered by little points like criblée grounds in printed books) refer to Paris, where patterns of artists of the Loire Valley, especially

• Small miniatures with God the Father, Michael, John the Baptist, John the Evangelist, and foliate compartiment borders, in the suffrages., Book of Hours, Use of Rome

connection to printed books of hours (borders in the calendar constituted of small images; backgrounds of small miniatures covered by little points like criblée grounds in printed books) refer to Paris, where patterns of artists of the Loire Valley, especially

• Miniature of Duke Richard III attacking the castle of Falais which his brother Robert had seized. In the background on the left, two men are playing chess under a tent; one of them is possibly Duke Robert., Grande Chronique de Normandie

Miniature of Duke Richard III attacking the castle of Falais which his brother Robert had seized. In the background on the left, two men are playing chess under a tent; one of them is possibly Duke Robert. The clothing suggest

• Detail of the roll including the genealogy of the king Clovis (in a central roundel 'Clovis'); this membrane is pencilled '2' at the top, but is actually the third membrane., Short Universal Chronicle (A tous nobles) from the death of Christ, of popes, Roman emperors, the kings of Briain then England, and the kings of France, written in four columns

the death of Christ, of popes, Roman emperors, the kings of Briain then England, and the kings of France, written in four columns William Harvey (d. 1567), herald: inscribed 'William hervy als Clarencieulx king of Armes' (top of membrane 1).The

• Detail from the roll with the genealogy of Charlemagne ('Charle Maingne'), including Charles Martel, Pepin, and Charlemagne, and the change of dynasty., Short Universal Chronicle (A tous nobles) from the death of Christ, of popes, Roman emperors, the kings of Briain then England, and the kings of France, written in four columns

the death of Christ, of popes, Roman emperors, the kings of Briain then England, and the kings of France, written in four columns William Harvey (d. 1567), herald: inscribed 'William hervy als Clarencieulx king of Armes' (top of membrane 1).The

• Detail of the roll with a change of dynasty, including 'Hue le grant', king 'Hue Cappet', and 'Guillaume le bastart'., Short Universal Chronicle (A tous nobles) from the death of Christ, of popes, Roman emperors, the kings of Briain then England, and the kings of France, written in four columns

the death of Christ, of popes, Roman emperors, the kings of Briain then England, and the kings of France, written in four columns William Harvey (d. 1567), herald: inscribed 'William hervy als Clarencieulx king of Armes' (top of membrane 1).The

• Detail of the roll with the genealogy of Philippe le bel, including a change of scribal hand., Short Universal Chronicle (A tous nobles) from the death of Christ, of popes, Roman emperors, the kings of Briain then England, and the kings of France, written in four columns

the death of Christ, of popes, Roman emperors, the kings of Briain then England, and the kings of France, written in four columns William Harvey (d. 1567), herald: inscribed 'William hervy als Clarencieulx king of Armes' (top of membrane 1).The

• Detail of a miniature of Vasca da Lucena offering the book to Charles the Bold., Historia Alexandri (Quinte Curse Ruffe des faiz du grant Alexandre)

Vasco da Lucena, a Portuguese in service of Isabella of Portugal and then Margaret ofYork; first presented to Charles the Bold in 1468.Another copy of the same text copied by Jean Duchesne of Lille is now Los Angeles, Getty

• Detail of a marginal miniature of a man riding a grotesque bird, from the right-hand margin of the folio., Historia Alexandri (Quinte Curse Ruffe des faiz du grant Alexandre)

Vasco da Lucena, a Portuguese in service of Isabella of Portugal and then Margaret ofYork; first presented to Charles the Bold in 1468.Another copy of the same text copied by Jean Duchesne of Lille is now Los Angeles, Getty

• Detail of an archer among foliage and strawberries, from the lower margin of the folio., Historia Alexandri (Quinte Curse Ruffe des faiz du grant Alexandre)

Vasco da Lucena, a Portuguese in service of Isabella of Portugal and then Margaret ofYork; first presented to Charles the Bold in 1468.Another copy of the same text copied by Jean Duchesne of Lille is now Los Angeles, Getty