• Detail of a female grotesque, from the margins of the folio., Historia Alexandri (Quinte Curse Ruffe des faiz du grant Alexandre)

service of Isabella of Portugal and then of Margaret ofYork, first presented to Charles in 1468; preceded by a list of contents (ff. 1-10).According to Avril and Reynaud 1993, illuminated by the Rambures Master, named after the Hours of

• Detail of a male figure standing next to a stork, from the margins of the folio., Historia Alexandri (Quinte Curse Ruffe des faiz du grant Alexandre)

service of Isabella of Portugal and then of Margaret ofYork, first presented to Charles in 1468; preceded by a list of contents (ff. 1-10).According to Avril and Reynaud 1993, illuminated by the Rambures Master, named after the Hours of

• Miniature of the death of Meleager., Historia Alexandri (Quinte Curse Ruffe des faiz du grant Alexandre)

Miniature of the death of Meleager. Contains the Historia Alexandri translated as Quinte Curse Ruffe des faiz du grant Alexandre by Vasco da Lucena, a Portuguese in the service of Isabella of Portugal and then of Margaret ofYork, first

• Detail of a miniature of the death of Meleager., Historia Alexandri (Quinte Curse Ruffe des faiz du grant Alexandre)

of a miniature of the death of Meleager. Contains the Historia Alexandri translated as Quinte Curse Ruffe des faiz du grant Alexandre by Vasco da Lucena, a Portuguese in the service of Isabella of Portugal and then of Margaret

• Miniature of royal arms, with inscriptions., Historia Alexandri (Quinte Curse Ruffe des faiz du grant Alexandre)

service of Isabella of Portugal and then of Margaret ofYork, first presented to Charles in 1468; preceded by a list of contents (ff. 1-10).According to Avril and Reynaud 1993, illuminated by the Rambures Master, named after the Hours of

• Detail of a miniature of royal arms., Historia Alexandri (Quinte Curse Ruffe des faiz du grant Alexandre)

Detail of a miniature of royal arms. Contains the Historia Alexandri translated as Quinte Curse Ruffe des faiz du grant Alexandre by Vasco da Lucena, a Portuguese in the service of Isabella of Portugal and then of Margaret ofYork,

• Miniature of the death of Alexander king of Epirus during a battle, and a foliate initial 'A'(lexandre), with a full border, including grotesque hybrids, at the beginning of book 5., Historia Alexandri (Quinte Curse Ruffe des faiz du grant Alexandre)

service of Isabella of Portugal and then of Margaret ofYork, first presented to Charles in 1468; preceded by a list of contents (ff. 1-10).According to Avril and Reynaud 1993, illuminated by the Rambures Master, named after the Hours of

• Miniature of the death of Alexander Lyncestes, and an illuminated initial 'L'(es capitaines), with a full border, at the beginning of book 6., Historia Alexandri (Quinte Curse Ruffe des faiz du grant Alexandre)

service of Isabella of Portugal and then of Margaret ofYork, first presented to Charles in 1468; preceded by a list of contents (ff. 1-10).According to Avril and Reynaud 1993, illuminated by the Rambures Master, named after the Hours of

• Miniature of Alexander the Great and his army passing the river of Oxus, with a full border., Historia Alexandri (Quinte Curse Ruffe des faiz du grant Alexandre)

service of Isabella of Portugal and then of Margaret ofYork, first presented to Charles in 1468; preceded by a list of contents (ff. 1-10).According to Avril and Reynaud 1993, illuminated by the Rambures Master, named after the Hours of

• Miniature of the death of Callisthenes, and an illuminated initial 'A'(lexandre), with a full border, at the beginning of book 7., Historia Alexandri (Quinte Curse Ruffe des faiz du grant Alexandre)

service of Isabella of Portugal and then of Margaret ofYork, first presented to Charles in 1468; preceded by a list of contents (ff. 1-10).According to Avril and Reynaud 1993, illuminated by the Rambures Master, named after the Hours of

• Miniature of the battle of Issus with a full border containing a women playing the cithara and a man singing., Historia Alexandri (Quinte Curse Ruffe des faiz du grant Alexandre)

service of Isabella of Portugal and then of Margaret ofYork, first presented to Charles in 1468; preceded by a list of contents (ff. 1-10).According to Avril and Reynaud 1993, illuminated by the Rambures Master, named after the Hours of

• Miniature in grisaille of an army camped outside a city., Historia Alexandri (Quinte Curse Ruffe des faiz du grant Alexandre)

service of Isabella of Portugal and then of Margaret ofYork, first presented to Charles in 1468; preceded by a list of contents (ff. 1-10).According to Avril and Reynaud 1993, illuminated by the Rambures Master, named after the Hours of

• Detail of a miniature in grisaille of an army camped outside a city., Historia Alexandri (Quinte Curse Ruffe des faiz du grant Alexandre)

service of Isabella of Portugal and then of Margaret ofYork, first presented to Charles in 1468; preceded by a list of contents (ff. 1-10).According to Avril and Reynaud 1993, illuminated by the Rambures Master, named after the Hours of

• Detail of a man doing a handstand amongst the foliage in the lower border of the folio., Historia Alexandri (Quinte Curse Ruffe des faiz du grant Alexandre)

service of Isabella of Portugal and then of Margaret ofYork, first presented to Charles in 1468; preceded by a list of contents (ff. 1-10).According to Avril and Reynaud 1993, illuminated by the Rambures Master, named after the Hours of

• Historiated initial ?'O' of two male saints, measuring 155 x 100 mm. On the reverse, two four-line staves, musical notation and partial text 'eluia'., Cuttings from a choir book

76:49-54; Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no.

• Historiated initial 'G' with the Assumption of the Virgin, measuring 80 x 85 mm. On the reverse, one four-line stave, musical notation and partial text 'collau'., Cuttings from a choir book

76:49-54; Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no.

• Historiated initial 'N' with Peter and Paul, measuring 160 x 160 mm. On the reverse, two four-line staves, musical notation and partial text '...expectatio /…bis iude'., Cuttings from a choir book

76:49-54; Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no.

• Historiated initial 'I' or 'L' with Christ among the Doctors, measuring 165 x 160 mm. On the reverse, two four-line staves, musical notation and partial text '...Vidi m[us] /...in oriente et'., Cuttings from a choir book

76:49-54; Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no.

• Foliate initial 'O', measuring 80 x 80 mm. On the reverse, one four-line stave, musical notation and partial text 'sti' (upper left)., Cuttings from a choir book

76:49-54; Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no.

• Foliate initial ?'C' with the head of a cherub, measuring 85 x 90 mm. On the reverse, one four-line stave, musical notation and partial text 'o nis' (upper right)., Cuttings from a choir book

76:49-54; Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no.