• Detail of a medallion in the lower margin held by two puttos containing the coat of arms of Joab Emmanuel., ~Even ha-Ezer~ (The Stone of Help) and ~Hoshen Mishpat~ (The Breastplate of Judgement) of ~Arbaah Turim~ (The Four Pillars) (ff. 2-261v); ~Hilkhot De'ot~ of the Mishneh Torah (ff. 261v-265v)

undated (f. 269); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), appendix § 88.Hippolite of Ferrara, Franciscan censor (active at the end of the 16th century-beginning of 17th century, in Cremona?): inscribed with his

• Allegorical designs: four signboards, anchor and shears, the royal arms and Prince of Wales's feathers, dated 1623, and initials NF; anchor and sheep, the arms of London and of the Merchant Taylors' Company, dated 1619, and initials BW; a sun, dated 1625, and initials HW; a clock, dated 1628, and initials LV; below a scene with a man carrying a bust of Charles l; on the facing page street scenes, a procession, and the Pope and others burning., Allegorical designs, relating to political events in the reigns of James I. and Charles I.

events in the reigns of James I. and Charles I. Richard Temple-Nugent-Brydges-Chandos-Grenville (b. 1776, d. 1839), 1st duke of Buckingham and Chandos, of Stowe House, near Buckingham.Richard Plantagenet Temple-Nugent-Brydges-Chandos-Grenville (b. 1797, d. 1861), 2nd duke of Buckingham and Chandos; sold

• Detail of text page., Legenda Aurea (The Golden Legend), ending imperfectly

nation for £10,000 (a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Text page Richard Franciscus Ricardus Franciscus England,

• Genealogy of Stephen, Henry II, Richard, and John, and their children shown in circles., Genealogical roll of the kings of England to Edward IV, imperfect (the Shorter English genealogical chronicle of the kings of England)

margin (ff. 2v-23). Genealogical roll of the kings of England to Edward IV, imperfect (the Shorter English genealogical chronicle of the kings of England) Edward Rowe Mores (b. 1730, d. 1778), antiquary and historian of printing: inscribed 'Edw. Rowe Mores

• Decorated initials 'S'(hal) and 'S'(oules) in the fourth book of Sidrak and Bokkus, with inscriptions, possibly 'Thomas Walker Thomas Cowpland, John Bolton, Robert Spynk, Garry Jacson, James Loueden, Thomas Tomson, John Best, Richard Hilborn' in the margin below., Sidrak and Bokkus

the xvj day of Ianuarey in the year of our lord god Mcccccliij' witnessed by 'Wyllam Qwathey' (?) 'Ihon Walker', Richard Wytwortth' (?) (f. 80); 'thys byth made the xvj day of septembre In the yer of our lord god

• Miniature of Charles the Bold enthroned with the arms of Burgundy above, receiving the book from Vasco de Lucena, with a tapestry in the back of the room decorated with the flint and steel of Burgundy and Charles' motto 'Je lay emprins; encircled by a full border containing the royal arms of England on a shield and on two banners held by a siren and a knight, with a foliate initial 'A'(tres), at the beginning of the prologue., Cyropaedia (Cyropédie)

the beginning of the prologue. Contains Cyropaedia of Xenophon translated in French as the Cyropédie from a Latin version of Poggio Bracciolini by Vasco da Lucena, a Portuguese in service of Isabella of Portugal and then Margaret ofYork; preceded

• Miniature of the meeting of Cyrrus and Hyrcanian, with a partial border containing the royal arms of England., Cyropaedia (Cyropédie)

royal arms of England. Contains Cyropaedia of Xenophon translated in French as the Cyropédie from a Latin version of Poggio Bracciolini by Vasco da Lucena, a Portuguese in service of Isabella of Portugal and then Margaret ofYork; preceded by

• Miniature of Cyrrus enthroned and Chrysanthes addressing the Persians, with a partial border containing the Yorkist badge., Cyropaedia (Cyropédie)

Contains Cyropaedia of Xenophon translated in French as the Cyropédie from a Latin version of Poggio Bracciolini by Vasco da Lucena, a Portuguese in service of Isabella of Portugal and then Margaret ofYork; preceded by a list of contents

• Detail of a miniature of Cyrus and his troops in a phalanx, and an illuminated initial 'T'(andis)., Cyropaedia (Cyropédie)

Contains Cyropaedia of Xenophon translated in French as the Cyropédie from a Latin version of Poggio Bracciolini by Vasco da Lucena, a Portuguese in service of Isabella of Portugal and then Margaret ofYork; preceded by a list of contents

• Detail of a miniature of Cyrus and his army marching off to war., Cyropaedia (Cyropédie)

Contains Cyropaedia of Xenophon translated in French as the Cyropédie from a Latin version of Poggio Bracciolini by Vasco da Lucena, a Portuguese in service of Isabella of Portugal and then Margaret ofYork; preceded by a list of contents

• Detail of a miniature of the meeting of Cyrrus and Hyrcanian., Cyropaedia (Cyropédie)

Detail of a miniature of the meeting of Cyrrus and Hyrcanian. Contains Cyropaedia of Xenophon translated in French as the Cyropédie from a Latin version of Poggio Bracciolini by Vasco da Lucena, a Portuguese in service of Isabella of Portugal

• Detail of a large miniature of an army on the march with a king on horseback., Cyropaedia (Cyropédie)

Contains Cyropaedia of Xenophon translated in French as the Cyropédie from a Latin version of Poggio Bracciolini by Vasco da Lucena, a Portuguese in service of Isabella of Portugal and then Margaret ofYork; preceded by a list of contents

• Large miniature of an army on the march with a king on horseback., Cyropaedia (Cyropédie)

Contains Cyropaedia of Xenophon translated in French as the Cyropédie from a Latin version of Poggio Bracciolini by Vasco da Lucena, a Portuguese in service of Isabella of Portugal and then Margaret ofYork; preceded by a list of contents

• Detail of a miniature of Cyrrus enthroned and Chrysanthes addressing the Persians., Cyropaedia (Cyropédie)

Contains Cyropaedia of Xenophon translated in French as the Cyropédie from a Latin version of Poggio Bracciolini by Vasco da Lucena, a Portuguese in service of Isabella of Portugal and then Margaret ofYork; preceded by a list of contents

• Historiated initial 'M' of the Calling of Peter and Andrew., Cutting from a choir book

76:49-54; Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no.

• Illuminated initial and border with foliate decoration at the beginning of the Poor Caitiff., The Poor Caitif; with calendar (November and December missing) (ff. 2-6v); a moral treatise (f. 161r-161v)

(f. 161r-161v) Additional text of the rules for ascertaining the date of the moon's changes, and rhymes concerning Bentley of Cheveley, 16th century (ff. 1v, 158).f. 161 contains a brief fragment of the Oleum Effusum ofRichard Rolle.Denis Beke and

• Historiated initial ?'O' of two male saints, measuring 155 x 100 mm. On the reverse, two four-line staves, musical notation and partial text 'eluia'., Cuttings from a choir book

76:49-54; Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no.

• Historiated initial 'G' with the Assumption of the Virgin, measuring 80 x 85 mm. On the reverse, one four-line stave, musical notation and partial text 'collau'., Cuttings from a choir book

76:49-54; Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no.

• Historiated initial 'N' with Peter and Paul, measuring 160 x 160 mm. On the reverse, two four-line staves, musical notation and partial text '...expectatio /…bis iude'., Cuttings from a choir book

76:49-54; Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no.

• Historiated initial 'I' or 'L' with Christ among the Doctors, measuring 165 x 160 mm. On the reverse, two four-line staves, musical notation and partial text '...Vidi m[us] /...in oriente et'., Cuttings from a choir book

76:49-54; Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no.