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: evidence of the liturgy (see Ker 1964). ? Richard Graves (b. 1677, d.1729), antiquary: note written in 1731 by James West that he 'bought this Book of Morgan Graves Esq. Son of that Excellent Antiquary Richard Graves of Mickleton
margin (ff. 2v-23). Genealogical roll of the kings of England to Edward IV, imperfect (the Shorter English genealogical chronicle of the kings of England) Edward Rowe Mores (b. 1730, d. 1778), antiquary and historian of printing: inscribed 'Edw. Rowe Mores
hand of the authenticity of the work by the 'Proconsules ac Senatus' of Cologne, dated 7 February 1532, with remains of a seal (f. 19). Francesco Cicinello, 16th century (f. 1). Richard Temple-Nugent-Brydges-Chandos-Grenville (b. 1776, d. 1839), 1st duke of
Unfinished miniature of a seated figure of a king, on the left the drawing of a kneeling donor in prayer, and large decorated initial 'Q'(uando), at the beginning of the Ceremoniale. 1 large unfinished miniature, in colours and gold (f.
1797, d. 1861), 2nd duke of Buckingham and Chandos; sold in 1849 to Lord Ashburnham.Bertram Ashburnham (b. 1797, d. 1878), 4th earl of Ashburnham, of Ashburnham Place, Sussex.Bertram Ashburnham (b. 1840, d. 1913), 5th earl of Ashburnham: purchased by the
Baron Farnborough (b. 1761, d. 1838), a cousin of Francis Henry Egerton, 8th Earl of Bridgewater (b. 1756, d. 1829), founder of the collection (note on 2nd flyleaf). The Trinity Master of Spencer 6 Jean le Meung Bourges France, Central
beginning of the letter of Jerome to Dexter. Includes 'De viris illustribus' of Jerome, preceded by the prefatoty letter to Dexter (ff. 1-18), 'Retractationes' of Augustine (ff. 18-52v), a list of letters of Augustine (ff. 52v-56), Epistulae ad Quodvultdeum of
York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. nos. 62a, c-d). 2 sections
York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. nos. 62a, c-d). 2 sections
and Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. nos.
and Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. nos.
and Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. nos.
and Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. nos.
and Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. nos.
and Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. nos.
and Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. nos.
and Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. nos.
and Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. nos.
lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), no.
first publication of the catalogue of his collection in 1869 and the second edition of 1876 (see Robinson); ff. N and P were displayed at the British Museum in 1893. Purchased by the Department of Prints and Drawings of the