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Roy dangleterre et de france' (f. 1); royal arms of England surmounted by a crown, with a white rose ofYork and a red rose of Lancaster (f. 3). ?Shelfmark of a very large number in brown ink (Carley's 'Old
Roy dangleterre et de france' (f. 1); royal arms of England surmounted by a crown, with a white rose ofYork and a red rose of Lancaster (f. 3). ?Shelfmark of a very large number in brown ink (Carley's 'Old
Roy dangleterre et de france' (f. 1); royal arms of England surmounted by a crown, with a white rose ofYork and a red rose of Lancaster (f. 3). ?Shelfmark of a very large number in brown ink (Carley's 'Old
Roy dangleterre et de france' (f. 1); royal arms of England surmounted by a crown, with a white rose ofYork and a red rose of Lancaster (f. 3). ?Shelfmark of a very large number in brown ink (Carley's 'Old
Roy dangleterre et de france' (f. 1); royal arms of England surmounted by a crown, with a white rose ofYork and a red rose of Lancaster (f. 3). ?Shelfmark of a very large number in brown ink (Carley's 'Old
Roy dangleterre et de france' (f. 1); royal arms of England surmounted by a crown, with a white rose ofYork and a red rose of Lancaster (f. 3). ?Shelfmark of a very large number in brown ink (Carley's 'Old
Roy dangleterre et de france' (f. 1); royal arms of England surmounted by a crown, with a white rose ofYork and a red rose of Lancaster (f. 3). ?Shelfmark of a very large number in brown ink (Carley's 'Old
Roy dangleterre et de france' (f. 1); royal arms of England surmounted by a crown, with a white rose ofYork and a red rose of Lancaster (f. 3). ?Shelfmark of a very large number in brown ink (Carley's 'Old
Voyages of Marco Polo in a revised version attributed to Thibault de Cépoy, admiral of the fleet for Charles's of Valois projected crusade and Jean de Cépoy, admiral of the fleet for the projected crusade of Philip VI of France
Voyages of Marco Polo in a revised version attributed to Thibault de Cépoy, admiral of the fleet for Charles's of Valois projected crusade and Jean de Cépoy, admiral of the fleet for the projected crusade of Philip VI of France
2-81 and 83-90.New York, Metropolitan Museum of Art, Robert Lehman Collection (see Palladino 2003, cat. no. 69) was probably excised from the same Antiphoner as the present cutting. 1 historiated initital 'D' in colours and gold, of the Prophet Zacharias.
first publication of the catalogue of his collection in 1869 and the second edition of 1876 (see Robinson); ff. N and P were displayed at the British Museum in 1893. Purchased by the Department of Prints and Drawings of the
first publication of the catalogue of his collection in 1869 and the second edition of 1876 (see Robinson); ff. N and P were displayed at the British Museum in 1893. Purchased by the Department of Prints and Drawings of the
first publication of the catalogue of his collection in 1869 and the second edition of 1876 (see Robinson); ff. N and P were displayed at the British Museum in 1893. Purchased by the Department of Prints and Drawings of the
service of Isabella of Portugal and then her son, Charles the Bold of Burgundy and his wife Margaret ofYork; addressed to Charles the Bold (b. 1433, d. 1477), duke of Burgundy (ff. 7-204v); preceded by a list of rubrics
service of Isabella of Portugal and then her son, Charles the Bold of Burgundy and his wife Margaret ofYork; addressed to Charles the Bold (b. 1433, d. 1477), duke of Burgundy (ff. 7-204v); preceded by a list of rubrics
Evangelistary) of Gregory XIII Pope Gregory XIII (Boncompagni, r. 1572-1585), Italian pope and patron: his name, arms and dragon device (ff. 98-101, 105-107); probably excised from a Gospel Lectionary of Gregory XIII (A.I.17) described in a 1714 inventory of the
Decorated border of arabesques, a figure of a woman in gold monochrome, an anthroporphic figure, the inscription 'G. XIII' and the arms of Gregory XIII. Italian cuttings.The present cuttings were formerly pasted into The Samuel Rogers Album and foliated as
Decorated border of arabesques, putti, two of which hold a chalice and the Host, and the arms of Gregory XIII. Italian cuttings.The present cuttings were formerly pasted into The Samuel Rogers Album and foliated as Add. 21412, ff. 46-50. In
Evangelistary) of Gregory XIII Pope Gregory XIII (Boncompagni, r. 1572-1585), Italian pope and patron: his name, arms and dragon device (ff. 98-101, 105-107); probably excised from a Gospel Lectionary of Gregory XIII (A.I.17) described in a 1714 inventory of the