• Pen drawing illustrating Psalm 106., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Christ Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• Detail of a pen drawing illustrating Psalm 106., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Christ Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• Pen drawing illustrating Psalm 107., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Christ Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• Pen drawing illustrating Psalm 108., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Christ Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• Detail of a pen drawing illustrating Psalm 108., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Christ Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• Detail of a pen drawing illustrating Psalm 109., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Christ Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• Detail of a pen drawing depicting a group of men, one holding a scroll, from an illustration of Psalm 110., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Detail of a pen drawing depicting a group of men, one holding a scroll, from an illustration of Psalm 110. Although the illustration is copied from the Utrecht Psalter, the text is not the Gallican version of it but the

• Detail of a pen drawing illustrating Psalm 111., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Christ Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• Pen drawing illustrating Psalm 111., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Christ Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• Detail of a pen drawing illustrating Psalm 113., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Christ Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• Detail of a pen drawing illustrating Psalm 117., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Christ Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• Detail of a pen drawing illustrating Psalm 122., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Christ Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• Pen drawings illustrating Psalms 123 and 124., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Christ Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• Pen drawings illustrating Psalm 125, with a decorated initial 'Q'(ui confidunt in Domino) and a decorated initial 'I'(n convertendo Dominus)., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Christ Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• Pen drawings illustrating Psalms 126 and 127., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Christ Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• Detail of a pen drawing illustrating Psalm 131., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Christ Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• Detail of a pen drawing illustrating Psalm 133., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Christ Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• Pen drawing illustrating Psalm 136., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Christ Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• Pen drawings illustrating Psalms 13 and 14., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Christ Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• Decorated initial 'A'(pud) at the beginning of the Commentary on Psalms., Commentary on Psalms

acquired by the Upper Library at Westminster after the inventory of 1542; in the catalogue of 1666, Royal Appendix 71, f. 3v; and in the 1698 catalogue of the library of St James's Palace (see [Edward Bernard], ~Catalogi librorum manuscriptorum