• Map of the Baltic and Scandinavia, with part of Germany., Geography (index Cosmographie primus), translated by Jacopo Angeli da Scarperia, with eighteen maps of Europe, Asia and Africa (index portolan charts, nautical maps, mappamundi)

also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Map of the Baltic and Scandinavia Ptolemy (index Claudius Ptolemaeus), translated by Emanuel Chrysoloras and Jacobus Angelus Venice Italy, N. E. (Venice)

• Map of Poland to the Volga River., Geography (index Cosmographie primus), translated by Jacopo Angeli da Scarperia, with eighteen maps of Europe, Asia and Africa (index portolan charts, nautical maps, mappamundi)

of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Map of Poland Ptolemy (index Claudius Ptolemaeus), translated by Emanuel Chrysoloras and Jacobus Angelus Venice Italy, N. E. (Venice)

• Map of Greece and the Aegean Sea., Geography (index Cosmographie primus), translated by Jacopo Angeli da Scarperia, with eighteen maps of Europe, Asia and Africa (index portolan charts, nautical maps, mappamundi)

of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Map of Greece Ptolemy (index Claudius Ptolemaeus), translated by Emanuel Chrysoloras and Jacobus Angelus Venice Italy, N. E. (Venice)

• Map of Crete, with text., Geography (index Cosmographie primus), translated by Jacopo Angeli da Scarperia, with eighteen maps of Europe, Asia and Africa (index portolan charts, nautical maps, mappamundi)

of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Map of Crete Ptolemy (index Claudius Ptolemaeus), translated by Emanuel Chrysoloras and Jacobus Angelus Venice Italy, N. E. (Venice)

• Illuminated initial 'S'(i) entwined with strapwork, square capitals in a four-colour sequence, and a trompe l'oeil page with its corners curling at the edges, surrounded by a full border with all'antica elements, a frieze, and griffins supporting a shield in a wreath; at the beginning of Cicero's In verrem., Orationes in C. Verrem (index Orationes in Verrem; Oratio in Caecilium)

Miniaturists, Illuminators, Calligraphers and Copyists~, 3 vols (London: Quaritch, 1887-1889), I, 247-8; II, 11-12).A member of the Contarini family of Venice: with their arms, bendy of seven, ~or~ and ~azure~, the ~azure~ bends overpainted (f. 1), cf. King's 19.Joseph Smith

• Illuminated white vine-stem border and initial 'C'(redo) of strapwork, and square capitals as display script in alternating colours, at the beginning of Cicero's Pro Roscio Amerino., Orations and letters (ff. 1-147); Invectivum in Ciceronem (ff. 147v-149)

Miniaturists, Illuminators, Calligraphers and Copyists~, 3 vols (London: Quaritch, 1887-1889), I, 248; II, 11-2.A member of the Contarini family of Venice, with the family's (overpainted) arms: bendy of 7, ~or~ and ~azure~, flanked by (overpainted) letters ‘A’ and ‘C’ (f.

• Illuminated white vine-stem initial 'Q'(uamquam), and display script in alternating colours in the style of Felice Feliciano of Verona, at the beginning of Cicero's De Imperio Cn. Pompei., Orations and letters (ff. 1-147); Invectivum in Ciceronem (ff. 147v-149)

Miniaturists, Illuminators, Calligraphers and Copyists~, 3 vols (London: Quaritch, 1887-1889), I, 248; II, 11-2.A member of the Contarini family of Venice, with the family's (overpainted) arms: bendy of 7, ~or~ and ~azure~, flanked by (overpainted) letters ‘A’ and ‘C’ (f.

• Detail of an illuminated white vine-stem initial 'Q'(uamquam), and display script in alternating colours in the style of Felice Feliciano of Verona, at the beginning of Cicero's De Imperio Cn. Pompei., Orations and letters (ff. 1-147); Invectivum in Ciceronem (ff. 147v-149)

Miniaturists, Illuminators, Calligraphers and Copyists~, 3 vols (London: Quaritch, 1887-1889), I, 248; II, 11-2.A member of the Contarini family of Venice, with the family's (overpainted) arms: bendy of 7, ~or~ and ~azure~, flanked by (overpainted) letters ‘A’ and ‘C’ (f.

• Detail of an illuminated white vine-stem border and initial 'C'(redo) of strapwork, at the beginning of Cicero's Pro Roscio Amerino., Orations and letters (ff. 1-147); Invectivum in Ciceronem (ff. 147v-149)

Miniaturists, Illuminators, Calligraphers and Copyists~, 3 vols (London: Quaritch, 1887-1889), I, 248; II, 11-2.A member of the Contarini family of Venice, with the family's (overpainted) arms: bendy of 7, ~or~ and ~azure~, flanked by (overpainted) letters ‘A’ and ‘C’ (f.

• Historiated initial 'S' of the Entombment of Christ., Cuttings from a choir book

and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no. 70 and app. no. 14); Venice, Fondazione Giorgio Cini, n. 162; Venice, Museo Correr, CL. II. 61, 64 and 437; Windsor, Royal Library, RL O1414.Musical notation. 2 historiated

• Decorated intial 'I'(n) of interlaced white vines, at the beginning of Ovid's Metamorphoses., Metamorphoses (ff. 4-138v); Tristia (six lines only) (f. 138v)

his catalogue (see~Bibliotheca Smithiana seu catalogus librorum Josephi Smithii Angli per cognomina authorum dispositus, Addenda, & Corrigenda in superiori Catalogo~ (Venice: Pasquali, 1755), p. xlviii, col. ii); sold to King George III, along with the bulk of Smith's library and

• Decorated initial 'O'(rba) made up of interlaced white vines, at the beginning of six lines from Ovid's Tristia (book i, part vii, lines 35-40)., Metamorphoses (ff. 4-138v); Tristia (six lines only) (f. 138v)

his catalogue (see~Bibliotheca Smithiana seu catalogus librorum Josephi Smithii Angli per cognomina authorum dispositus, Addenda, & Corrigenda in superiori Catalogo~ (Venice: Pasquali, 1755), p. xlviii, col. ii); sold to King George III, along with the bulk of Smith's library and

• Zoomorphic initial 'Q'(uanquam), the tail formed of a winged dragon-like creature; the lower margin with a partial border incorporating the Gonzaga arms, at the beginning of Cicero's Orationes., Orationes

Zoomorphic initial 'Q'(uanquam), the tail formed of a winged dragon-like creature; the lower margin with a partial border incorporating the Gonzaga arms, at the beginning of Cicero's Orationes. 1 large zoomorphic initial, in colours and gold, with a partial

• Initial 'A'(nimadverti) with foliate decoration at the beginning of Cicero's Pro Cluentio., Orationes

Initial 'A'(nimadverti) with foliate decoration at the beginning of Cicero's Pro Cluentio. 1 large zoomorphic initial, in colours and gold, with a partial border incorporating heraldic arms (f. 1). Small foliate initials in muted colours, at the start of

• Initial 'I'(n) with pen-flourishing, at the beginning of book 2 of Pseudo-Cicero's Rhetorica ad Herennium., Rhetorica ad Herennium (index De ratione dicendi ad Herennium), with glosses

Initial 'I'(n) with pen-flourishing, at the beginning of book 2 of Pseudo-Cicero's Rhetorica ad Herennium. 1 historiated initial with a full border, in part foliate, with a bird, putti and a ram?, in colours and gold, and in part

• Historiated initial 'E'(t) with an old man, and a full border with heraldic arms in the lower margin, at the beginning of Pseudo-Cicero's Rhetorica ad Herennium., Rhetorica ad Herennium (index De ratione dicendi ad Herennium), with glosses

Historiated initial 'E'(t) with an old man, and a full border with heraldic arms in the lower margin, at the beginning of Pseudo-Cicero's Rhetorica ad Herennium. 1 historiated initial with a full border, in part foliate, with a bird,

• null, Orationes

1 large zoomorphic initial, in colours and gold, with a partial border incorporating heraldic arms (f. 1). Small foliate initials in muted colours, at the start of each speech (ff. 14, 35, 54v, 60v, 95v, 111v, 129v, 137, 142v,

• null, Orationes

1 large zoomorphic initial, in colours and gold, with a partial border incorporating heraldic arms (f. 1). Small foliate initials in muted colours, at the start of each speech (ff. 14, 35, 54v, 60v, 95v, 111v, 129v, 137, 142v,

• null, Orationes

1 large zoomorphic initial, in colours and gold, with a partial border incorporating heraldic arms (f. 1). Small foliate initials in muted colours, at the start of each speech (ff. 14, 35, 54v, 60v, 95v, 111v, 129v, 137, 142v,

• Decorated intial 'I'(n) of interlaced white vines, at the beginning of Ovid's Metamorphoses., Metamorphoses (ff. 4-138v); Tristia (six lines only) (f. 138v)

his catalogue (see~Bibliotheca Smithiana seu catalogus librorum Josephi Smithii Angli per cognomina authorum dispositus, Addenda, & Corrigenda in superiori Catalogo~ (Venice: Pasquali, 1755), p. xlviii, col. ii); sold to King George III, along with the bulk of Smith's library and