• null, Epistles and treatises

in blue with red pen-flourishing. Capital letters highlighted in yellow. Epistles and treatises Unidentified member of the Cornaro family of Venice: arms of parety per pale, ~or~ and ~azure~, and the monogram 'I C' (f. 15); modern pencil note (3rd

• null, Epistles and treatises

in blue with red pen-flourishing. Capital letters highlighted in yellow. Epistles and treatises Unidentified member of the Cornaro family of Venice: arms of parety per pale, ~or~ and ~azure~, and the monogram 'I C' (f. 15); modern pencil note (3rd

• null, Epistles and treatises

in blue with red pen-flourishing. Capital letters highlighted in yellow. Epistles and treatises Unidentified member of the Cornaro family of Venice: arms of parety per pale, ~or~ and ~azure~, and the monogram 'I C' (f. 15); modern pencil note (3rd

• null, Epistles and treatises

in blue with red pen-flourishing. Capital letters highlighted in yellow. Epistles and treatises Unidentified member of the Cornaro family of Venice: arms of parety per pale, ~or~ and ~azure~, and the monogram 'I C' (f. 15); modern pencil note (3rd

• null, Epistles and treatises

in blue with red pen-flourishing. Capital letters highlighted in yellow. Epistles and treatises Unidentified member of the Cornaro family of Venice: arms of parety per pale, ~or~ and ~azure~, and the monogram 'I C' (f. 15); modern pencil note (3rd

• null, Epistles and treatises

in blue with red pen-flourishing. Capital letters highlighted in yellow. Epistles and treatises Unidentified member of the Cornaro family of Venice: arms of parety per pale, ~or~ and ~azure~, and the monogram 'I C' (f. 15); modern pencil note (3rd

• null, Epistles and treatises

in blue with red pen-flourishing. Capital letters highlighted in yellow. Epistles and treatises Unidentified member of the Cornaro family of Venice: arms of parety per pale, ~or~ and ~azure~, and the monogram 'I C' (f. 15); modern pencil note (3rd

• null, Epistles and treatises

in blue with red pen-flourishing. Capital letters highlighted in yellow. Epistles and treatises Unidentified member of the Cornaro family of Venice: arms of parety per pale, ~or~ and ~azure~, and the monogram 'I C' (f. 15); modern pencil note (3rd

• null, Epistles and treatises

in blue with red pen-flourishing. Capital letters highlighted in yellow. Epistles and treatises Unidentified member of the Cornaro family of Venice: arms of parety per pale, ~or~ and ~azure~, and the monogram 'I C' (f. 15); modern pencil note (3rd

• null, Epistles and treatises

in blue with red pen-flourishing. Capital letters highlighted in yellow. Epistles and treatises Unidentified member of the Cornaro family of Venice: arms of parety per pale, ~or~ and ~azure~, and the monogram 'I C' (f. 15); modern pencil note (3rd

• Full-page frontispiece with the lion of Venice holding a book inscribed 'Pax tibi Marce Evangelista meus' above the heraldic device of Molino., Commission from the doge of Venice, Francesco Ericcio, to Antonio Molino

(f. 2). Text in gold (f. 2). Commission from the doge of Venice, Francesco Ericcio, to Antonio Molino Made in 1635 as a commission by the doge of Venice, Francesco Ericcio, to Antonio Molino appointing him Proveditore of Cattaro for

• Historiated initial 'V'(oi) at the beginning of Petrarch's Il Canzoniere, with an image of Petrarch, shown before a lectern with an open book before him in the bowl of the initial, and a miniature on the right-hand side of the page of Petrarch's muse, Laura, beside a laurel tree, framed with a three-sided border made up of foliate scrolls and gold balls., Il Canzoniere

1738, d. 1820).Given to the British Museum by King George IV in 1823 as part of the library of King George III. Petrarch Andrea da Badagio Andrea da Badagio Cristoforo Cortese Petrarch (index Francesco Petrarca) Venice Italy, N. E. (Venice)

• Historiated initial 'I'(vo) of Petrarch holding a closed book, and a foliate border with gold balls, at the beginning of Petrarch's 264th canzone., Il Canzoniere

d. 1820).Given to the British Museum by King George IV in 1823 as part of the library of King George III. Historiated initial Andrea da Badagio Andrea da Badagio Cristoforo Cortese Petrarch (index Francesco Petrarca) Venice Italy, N. E. (Venice)

• null, De chorographia (ff. 1-23), and other works, including an account of a sea voyage (ff. 23v-25v)

an account of a sea voyage (ff. 23v-25v) Maffeo Pinelli (d. 1785) of Venice (his inventory number, see Iacobo Morelli, ~Bibliotheca Maphaei Pinellii Veneti~, 6 vols (Venice: Typis Palesii, 1787), III, no. 7931): his London sale, 2 March 1789, lot

• Miniature of a bishop, his robe covered in ~fleurs-de-lis~, seated in a mandorla of clouds holding a crown and the Tron family arms above a view of the bacino di San Marco in Venice, and a zoomorphic cartouche inscribed 'Nos Francis / cus Donato Dei / Gratia Dux / Venetiarum et Cetera', within a full border of grotesques, unicorns, and masks in gold monochrome with medallions of Francis of Assisi and Andrew (left) and a personification of Justice and a robed man, who is probably Alvise Tron (right)., Leaf of a Doge's Commission (index commissione dogale) from Francesco Donato to Alvise Tron as provveditore of Insula Vegla (Krk)

lot 2258/1 (f. 7v); lot purchased for £3 3s by the British Museum, according to an annotated Western Manuscripts departmental copy of the sale catalogue. Commission from Francesco Donato to Alvise Tron Master T.° Ve. Venice Italy, N. E. (Venice)

• Historiated initial with author portrait of Dante and foliate border., Divina Commedia (Inferno, Purgatorio, and Paradiso)(index Divine Comedy)

Divina Commedia (Inferno, Purgatorio, and Paradiso)(index Divine Comedy) Maffeo Pinelli (b. 1735, d. 1785), Venice: his catalogue (see Iacobo Morelli, ~Bibliotheca Maphaei Pinellii Veneti~, 6 vols (Venice: Typis Palesii, 1787), V, no. 3893); bought by Mason for 10 guineas (note

• Miniature with the Virgin and the ~doge~ of Venice, with a full foliate border including medaillons and heraldic arms in the lower margin., Commission of Andrea Gritti, ~doge~ of Venice, appointing Aloysio Capello ~podestà~ of Castelfranco

Farnborough Fund (£3,000 bequeathed in 1838 by Charles Long, Baron Farnborough (b. 1761, d. 1838), a cousin of Francis Henry Egerton, 8th Earl of Bridgewater (b. 1756, d. 1829), founder of the collection. Miniature and border Venice Italy, N. (Venice)

• Historiated initial with men in ship and foliate border., Divina Commedia (Inferno, Purgatorio, and Paradiso)(index Divine Comedy)

Divina Commedia (Inferno, Purgatorio, and Paradiso)(index Divine Comedy) Maffeo Pinelli (b. 1735, d. 1785), Venice: his catalogue (see Iacobo Morelli, ~Bibliotheca Maphaei Pinellii Veneti~, 6 vols (Venice: Typis Palesii, 1787), V, no. 3893); bought by Mason for 10 guineas (note

• Historiated initial and foliate border., Divina Commedia (Inferno, Purgatorio, and Paradiso)(index Divine Comedy)

Divina Commedia (Inferno, Purgatorio, and Paradiso)(index Divine Comedy) Maffeo Pinelli (b. 1735, d. 1785), Venice: his catalogue (see Iacobo Morelli, ~Bibliotheca Maphaei Pinellii Veneti~, 6 vols (Venice: Typis Palesii, 1787), V, no. 3893); bought by Mason for 10 guineas (note

• Miniature of Francesco Romago kneeling before an archangel who holds a book and points up to a vision of God the Father and the Holy Spirit and in the background a landscape with a view of the fortress of Citadella, within a full border with four grotesque figures and a quatrefoil inscribed 'XXXIII / Domine / Mitte / Angelum / De Caelo Qui Me / Custodit / et / Foveat'., Leaf of a Doge's Commission (index commissione dogale) from Francesco Venier to Francesco Romago as podestà of Citadella

diplomatist: his sale 31 May 1855, lot 2258/3 (f. 10v); lot purchased for £3 30s by the British Museum, according to an annotated Western Manuscripts departmental copy of the sale catalogue. Presentation Master T.° Ve. Venice Italy, N. E. (Venice)