• Detail of illuminated initial., De civitate dei (index City of God)

with the arms of the Donati family of Venice inside a wreath in the upper border and hanging from the outside border, and the arms possibly of the Capodilista family of Venice inside a wreath in the lower border (f.

• null, Book of Hours, Use of Rome

4th earl of Ashburnham, of Ashburnham Place, Sussex.Bertram Ashburnham (b. 1840, d. 1913), 5th earl of Ashburnham: purchased by the British Museum from him together with 1084 other Stowe manuscripts in 1883. Martino da Modena Venice Italy, N. E. (Venice)

• null, Book of Hours, Use of Rome

4th earl of Ashburnham, of Ashburnham Place, Sussex.Bertram Ashburnham (b. 1840, d. 1913), 5th earl of Ashburnham: purchased by the British Museum from him together with 1084 other Stowe manuscripts in 1883. Martino da Modena Venice Italy, N. E. (Venice)

• null, Book of Hours, Use of Rome

4th earl of Ashburnham, of Ashburnham Place, Sussex.Bertram Ashburnham (b. 1840, d. 1913), 5th earl of Ashburnham: purchased by the British Museum from him together with 1084 other Stowe manuscripts in 1883. Martino da Modena Venice Italy, N. E. (Venice)

• null, Book of Hours, Use of Rome

4th earl of Ashburnham, of Ashburnham Place, Sussex.Bertram Ashburnham (b. 1840, d. 1913), 5th earl of Ashburnham: purchased by the British Museum from him together with 1084 other Stowe manuscripts in 1883. Martino da Modena Venice Italy, N. E. (Venice)

• null, Book of Hours, Use of Rome

4th earl of Ashburnham, of Ashburnham Place, Sussex.Bertram Ashburnham (b. 1840, d. 1913), 5th earl of Ashburnham: purchased by the British Museum from him together with 1084 other Stowe manuscripts in 1883. Martino da Modena Venice Italy, N. E. (Venice)

• null, Book of Hours, Use of Rome

4th earl of Ashburnham, of Ashburnham Place, Sussex.Bertram Ashburnham (b. 1840, d. 1913), 5th earl of Ashburnham: purchased by the British Museum from him together with 1084 other Stowe manuscripts in 1883. Martino da Modena Venice Italy, N. E. (Venice)

• Initial 'T' of the dedication of a church., Cutting from an Antiphoner (index Antiphonal, antiphonary)

and 'landing' case. Purchased as 'The Ascott Album' by the British Library from the Rothschild family on 26 March 1979. Dedication of a church Master of the Murano Gradual Master of San Michele a Murano Venice Italy, N. E. (Venice)

• Historiated initial 'I'(n), and full border with putti, heraldry, and roundels with a monkey with fruit, and a deer in a landscape., Ab urbe condita, first (ff. 109-258) and third (ff. 266-417) decades, the latter preceded (259-265v) by a table of chapters

327, 341, 357v, 375, 392v, 404). Spaces for decoration in the First Decade remain blank. Attributed to Leonardo Bellini (fl. Venice, c. 1443–90), (see Watson 1979 no. 502). Ab urbe condita, first (ff. 109-258) and third (ff. 266-417) decades, the

• Foliate illuminated initial 'C'(um) at the beginning of Book 38 of Livy's Ab urbe condita, third decade., Ab urbe condita, first (ff. 109-258) and third (ff. 266-417) decades, the latter preceded (259-265v) by a table of chapters

327, 341, 357v, 375, 392v, 404). Spaces for decoration in the First Decade remain blank. Attributed to Leonardo Bellini (fl. Venice, c. 1443–90), (see Watson 1979 no. 502). Ab urbe condita, first (ff. 109-258) and third (ff. 266-417) decades, the

• Missing initial, at the beginning of Livy's Ab urbe condita., Ab urbe condita, first (ff. 109-258) and third (ff. 266-417) decades, the latter preceded (259-265v) by a table of chapters

327, 341, 357v, 375, 392v, 404). Spaces for decoration in the First Decade remain blank. Attributed to Leonardo Bellini (fl. Venice, c. 1443–90), (see Watson 1979 no. 502). Ab urbe condita, first (ff. 109-258) and third (ff. 266-417) decades, the

• Detail of historiated initial., Ab urbe condita, first (ff. 109-258) and third (ff. 266-417) decades, the latter preceded (259-265v) by a table of chapters

327, 341, 357v, 375, 392v, 404). Spaces for decoration in the First Decade remain blank. Attributed to Leonardo Bellini (fl. Venice, c. 1443–90), (see Watson 1979 no. 502). Ab urbe condita, first (ff. 109-258) and third (ff. 266-417) decades, the

• Detail of lower border, with putti holding a shield., Ab urbe condita, first (ff. 109-258) and third (ff. 266-417) decades, the latter preceded (259-265v) by a table of chapters

327, 341, 357v, 375, 392v, 404). Spaces for decoration in the First Decade remain blank. Attributed to Leonardo Bellini (fl. Venice, c. 1443–90), (see Watson 1979 no. 502). Ab urbe condita, first (ff. 109-258) and third (ff. 266-417) decades, the

• Detail of border, with a fawn., Ab urbe condita, first (ff. 109-258) and third (ff. 266-417) decades, the latter preceded (259-265v) by a table of chapters

327, 341, 357v, 375, 392v, 404). Spaces for decoration in the First Decade remain blank. Attributed to Leonardo Bellini (fl. Venice, c. 1443–90), (see Watson 1979 no. 502). Ab urbe condita, first (ff. 109-258) and third (ff. 266-417) decades, the

• Detail of border with a monkey., Ab urbe condita, first (ff. 109-258) and third (ff. 266-417) decades, the latter preceded (259-265v) by a table of chapters

327, 341, 357v, 375, 392v, 404). Spaces for decoration in the First Decade remain blank. Attributed to Leonardo Bellini (fl. Venice, c. 1443–90), (see Watson 1979 no. 502). Ab urbe condita, first (ff. 109-258) and third (ff. 266-417) decades, the

• Detail of historiated initial., Ab urbe condita, first (ff. 109-258) and third (ff. 266-417) decades, the latter preceded (259-265v) by a table of chapters

327, 341, 357v, 375, 392v, 404). Spaces for decoration in the First Decade remain blank. Attributed to Leonardo Bellini (fl. Venice, c. 1443–90), (see Watson 1979 no. 502). Ab urbe condita, first (ff. 109-258) and third (ff. 266-417) decades, the

• Miniature of a bishop, his robe covered in ~fleurs-de-lis~, seated in a mandorla of clouds holding a crown and the Tron family arms above a view of the bacino di San Marco in Venice, and a zoomorphic cartouche inscribed 'Nos Francis / cus Donato Dei / Gratia Dux / Venetiarum et Cetera', within a full border of grotesques, unicorns, and masks in gold monochrome with medallions of Francis of Assisi and Andrew (left) and a personification of Justice and a robed man, who is probably Alvise Tron (right)., Leaf of a Doge's Commission (index commissione dogale) from Francesco Donato to Alvise Tron as provveditore of Insula Vegla (Krk)

lot 2258/1 (f. 7v); lot purchased for £3 3s by the British Museum, according to an annotated Western Manuscripts departmental copy of the sale catalogue. Commission from Francesco Donato to Alvise Tron Master T.° Ve. Venice Italy, N. E. (Venice)

• Historiated initial with author portrait of Dante and foliate border., Divina Commedia (Inferno, Purgatorio, and Paradiso)(index Divine Comedy)

Divina Commedia (Inferno, Purgatorio, and Paradiso)(index Divine Comedy) Maffeo Pinelli (b. 1735, d. 1785), Venice: his catalogue (see Iacobo Morelli, ~Bibliotheca Maphaei Pinellii Veneti~, 6 vols (Venice: Typis Palesii, 1787), V, no. 3893); bought by Mason for 10 guineas (note

• Miniature with the Virgin and the ~doge~ of Venice, with a full foliate border including medaillons and heraldic arms in the lower margin., Commission of Andrea Gritti, ~doge~ of Venice, appointing Aloysio Capello ~podestà~ of Castelfranco

Farnborough Fund (£3,000 bequeathed in 1838 by Charles Long, Baron Farnborough (b. 1761, d. 1838), a cousin of Francis Henry Egerton, 8th Earl of Bridgewater (b. 1756, d. 1829), founder of the collection. Miniature and border Venice Italy, N. (Venice)

• Historiated initial with men in ship and foliate border., Divina Commedia (Inferno, Purgatorio, and Paradiso)(index Divine Comedy)

Divina Commedia (Inferno, Purgatorio, and Paradiso)(index Divine Comedy) Maffeo Pinelli (b. 1735, d. 1785), Venice: his catalogue (see Iacobo Morelli, ~Bibliotheca Maphaei Pinellii Veneti~, 6 vols (Venice: Typis Palesii, 1787), V, no. 3893); bought by Mason for 10 guineas (note