• Miniature of a doge presenting a member of the Mocenigo with a commission before a female personification of Venice, within a border of scroll-work with the arms of the Mocenigo family., Leaf of a Doge's Commission (index commissione dogale) to a member of the Mocenigo family

personification of Venice, within a border of scroll-work with the arms of the Mocenigo family. Leaf of a Doge's Commission (index commissione dogale) to a member of the Mocenigo family A member of the Mocenigo family of Venice: their arms

• Miniature of a Venetian nobleman kneeling in prayer before a seated Virgin and Child with the infant John within an ornate border of scroll-work with putti, maidens, garlands, the lion of Mark and the Pasquaglio family arms., Leaf of a Doge's Commission (index commissione dogale) to a member of the Pasquaglio family of Venice

the arms of the Pasquaglio family of Venice. Leaf of a Doge's Commission (index commissione dogale) to a member of the Pasquaglio family of Venice A member of the noble Pasquaglio family of Venice: their arms (f. 16). Charles Stuart,

• Miniature of Mark with his lion crowning a female personification of Venice within a border of scroll-work and garlands of fruit and flowers., Leaf of a Doge's Commission (index commissione dogale) from Alvise I Mocenigo to Marco Corner (index Cornaro)

May 1855, lot 2258*/3 (f. 15v); lot purchased for £2 8s by the British Museum, according to an annotated Western Manuscripts departmental copy of the sale catalogue. Commission from Alvise I Mocenigo to Marco Corner Venice Italy, N. E. (Venice)

• Miniature of a bishop, his robe covered in ~fleurs-de-lis~, seated in a mandorla of clouds holding a crown and the Tron family arms above a view of the bacino di San Marco in Venice, and a zoomorphic cartouche inscribed 'Nos Francis / cus Donato Dei / Gratia Dux / Venetiarum et Cetera', within a full border of grotesques, unicorns, and masks in gold monochrome with medallions of Francis of Assisi and Andrew (left) and a personification of Justice and a robed man, who is probably Alvise Tron (right)., Leaf of a Doge's Commission (index commissione dogale) from Francesco Donato to Alvise Tron as provveditore of Insula Vegla (Krk)

lot 2258/1 (f. 7v); lot purchased for £3 3s by the British Museum, according to an annotated Western Manuscripts departmental copy of the sale catalogue. Commission from Francesco Donato to Alvise Tron Master T.° Ve. Venice Italy, N. E. (Venice)

• Headpiece and coloured initial., Commentary on Claudius Ptolemaeus's Harmonica

possibly in Venice; originally bound together in the same volume (spine marked [vol] '2'). Maffeo Pinelli (d. 1785) of Venice (inscription '7950', f. i, corresponding to his inventory number, see Iacobo Morelli, ~Bibliotheca Maphaei Pinellii Veneti~, 6 vols (Venice: Typis

• Miniature of Francesco Romago kneeling before an archangel who holds a book and points up to a vision of God the Father and the Holy Spirit and in the background a landscape with a view of the fortress of Citadella, within a full border with four grotesque figures and a quatrefoil inscribed 'XXXIII / Domine / Mitte / Angelum / De Caelo Qui Me / Custodit / et / Foveat'., Leaf of a Doge's Commission (index commissione dogale) from Francesco Venier to Francesco Romago as podestà of Citadella

diplomatist: his sale 31 May 1855, lot 2258/3 (f. 10v); lot purchased for £3 30s by the British Museum, according to an annotated Western Manuscripts departmental copy of the sale catalogue. Presentation Master T.° Ve. Venice Italy, N. E. (Venice)

• Miniature of a female personification of Justice seated on a chariot drawn by two winged lions, flanked by female personifications of Faith (holding a chalice), Prudence (holding a mirror), Temperance (diluting wine with water from a pitcher) and Charity (with two children) within an architectual frame with the winged lion of Mark, the arms of the Malipiero, ivy leaves and a garland., Leaf of a Doge's Commission (index commissione dogale) from Girolamo Priuli to Nicolò Malipiero as capitano of Vicenza

1246' inscribed errroneously on f. 12v); purchased for £1 3s by the British Museum, according to an annotated Western Manuscripts departmental copy of the sale catalogue. Commission from Girolamo Priuli to Nicolò Malipiero Giorgio Colonna Venice Italy, N. E. (Venice)

• Miniature of Piero Michiel kneeling in prayer before a seated Virgin and Child, within an architectual border with the winged lion of Mark and the Michiel family arms., Leaf of a Doge's Commission (index commissione dogale) from Pietro Loredan to Piero Michiel as podestà of Montona (Motovun).

1855, lot 2258/2 (f. 13v); lot purchased for £3 3s by the British Museum, according to an annotated Western Manuscripts departmental copy of the sale catalogue. Commission from Pietro Loredan to Piero Michiel Giorgio Colonna Venice Italy, N. E. (Venice)

• Miniature of Girolamo Zane giving a coin to a kneeling woman in a crowded hall; in a balcony above a woman holds a fish-spear, possibly personifying the Adriatic Sea (see Warner and Gilson 1921 p. 32) or, more probably, Venice (see Chambers 1983 p. 396), with Mark and his symbol of a lion., Giuramento (Commission and oath) of Girolomo (Hieronymus) Zane as Procurator de citra of Saint Mark, Venice

in 1762. King George III (b. 1738, d. 1820).Given to the British Museum by King George IV in 1823 as part of the library of King George III. Distribution of alms Giovanni Vitale Giovanni Vitale Venice Italy, N. E. (Venice)

• Miniature of Giulio Contarini kneeling in prayer before a seated Mark and his winged lion enclosed below by two cornucopiae ending in half-length profile figures of harpies and a panel inscribed with the opening of the text of the solemn oath 'Iuro ad evangelia / sancta Dei ego Iulius Contareno / Procurator sancti Marci, Constitutuo / super comissariis de' ultra canale, qui / nunc sum, et pro tempore ero', within a border of grotesques with medallions of Theodore, the Contarini arms in a cartouche and a hilly landscape., Leaf of the Giuramento (solemn oath) of Giulio Contarini as procurator de ultra of San Marco

diplomatist: his sale 31 May 1855, lot 2257/2 (f. 5v); lot purchased for £3 3s by the British Museum, according to an annotated Western Manuscripts departmental copy of the sale catalogue. Contarini Master T.° Ve. Venice Italy, N. E. (Venice)

• Miniature of Pietro Pizzamano kneeling in prayer before a seated Virgin and Child before a green curtain, a colonade and a landscape, within a full border of interlocking gold frames containing classical armour and four horses in gold monochrome, medallions with the winged lion of Mark, Peter behind a parapet inscribed 'P', the Pizzamano arms in a cartouche suspended from a ribbon before a hilly landscape with a castle, Jerome behind a parapet inscribed 'H', and the inscriptions 'Anno / Aetatis' ' XXX / II'., Leaf of a Doge's Commission (index commissione dogale) from Pietro Lando to Pietro Pizzamano as podestà and capitano of Bassano

(inscribed erroneously 'Lot 2145', f. 5v); purchased for £3 1s by the British Museum, according to an annotated Western Manuscripts departmental copy of the sale catalogue. Commission from Pietro Lando to Pietro Pizzamano Master T.° Ve. Venice Italy, N. (Venice)

• White vine initial 'M'(odus) in yellow on a blue ground., Various texts including Augistine's De musica (ff. 1-121)

that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. White vine initial Giovanni Aretino (colophons on ff. 121v, 127v) Giovanni Aretino Various authors including Augustine Venice Italy, N. E. (Venice)

• Detail of a white vine initial 'Q'(uid) at the beginning of book 5 of Augustine's De musica., Various texts including Augistine's De musica (ff. 1-121)

that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. White vine initial Giovanni Aretino (colophons on ff. 121v, 127v) Giovanni Aretino Various authors including Augustine Venice Italy, N. E. (Venice)

• Initial 'T' of the dedication of a church., Cutting from an Antiphoner (index Antiphonal, antiphonary)

and 'landing' case. Purchased as 'The Ascott Album' by the British Library from the Rothschild family on 26 March 1979. Dedication of a church Master of the Murano Gradual Master of San Michele a Murano Venice Italy, N. E. (Venice)

• Illuminated initial 'S'(i) entwined with strapwork, square capitals in a four-colour sequence, and a trompe l'oeil page with its corners curling at the edges, surrounded by a full border with all'antica elements, a frieze, and griffins supporting a shield in a wreath; at the beginning of Cicero's In verrem., Orationes in C. Verrem (index Orationes in Verrem; Oratio in Caecilium)

Miniaturists, Illuminators, Calligraphers and Copyists~, 3 vols (London: Quaritch, 1887-1889), I, 247-8; II, 11-12).A member of the Contarini family of Venice: with their arms, bendy of seven, ~or~ and ~azure~, the ~azure~ bends overpainted (f. 1), cf. King's 19.Joseph Smith

• Miniature of the shepherds Tityrus (seated) and Meliboeus (standing), at the beginning of Virgil's Eclogues, and decorated initial 'T'(ityre) embellished with putti sitting in swags and dolphins, and a full border with all'antica decorative elements, including strings of gems, putti, swags, and garlands, and the arms and heraldic devices of Ludovico Agnelli in the lower margin., Bucolica (index Bucolics, Eclogues)(ff. 1-16v); Georgica (index Georgics)(ff. 17-58), with argumenta; Aeneis (index Aeneid)(ff. 58v-244v), with argumenta and verse preface, omitting 2:567-588 ('The King's Virgil')

of an apostolic protonotary, his device of a lamb (ff. 1, 17, 59). ? Probably Zaccaria Sagredo (b. 1653, d. Venice, 1729), Venetian collector of paintings, prints and drawings, purchased for 2,000 Venetian lire, and sold to Smith: 18th-century inscription

• Miniature of the activities of early spring (indicated by the trees' bare branches), such as ploughing and fence-mending, at the beginning of Virgil's Georgics; decorated initial 'Q'(uid) with three satyrs, with sheaves of wheat and golden grapes, and a full border decorated with sheaves of wheat, cornucopiae, swags, and strings of gems., Bucolica (index Bucolics, Eclogues)(ff. 1-16v); Georgica (index Georgics)(ff. 17-58), with argumenta; Aeneis (index Aeneid)(ff. 58v-244v), with argumenta and verse preface, omitting 2:567-588 ('The King's Virgil')

of an apostolic protonotary, his device of a lamb (ff. 1, 17, 59). ? Probably Zaccaria Sagredo (b. 1653, d. Venice, 1729), Venetian collector of paintings, prints and drawings, purchased for 2,000 Venetian lire, and sold to Smith: 18th-century inscription

• Initial 'O'(ceanum) decorated with a winged mask, swags and gemstones, at the beginning of book XI of Virgil's Aeneid, with a miniature of the funeral procession of the young warrior Pallas, and Aeneas placing the trophy of the armour of Mezentius on a tree, to the right, with a full border of all'antica decoration including swans, swags and strings of gems, and square capitals in a four-colour sequence., Bucolica (index Bucolics, Eclogues)(ff. 1-16v); Georgica (index Georgics)(ff. 17-58), with argumenta; Aeneis (index Aeneid)(ff. 58v-244v), with argumenta and verse preface, omitting 2:567-588 ('The King's Virgil')

of an apostolic protonotary, his device of a lamb (ff. 1, 17, 59). ? Probably Zaccaria Sagredo (b. 1653, d. Venice, 1729), Venetian collector of paintings, prints and drawings, purchased for 2,000 Venetian lire, and sold to Smith: 18th-century inscription