• Historiated initial 'C' of the Vision of Ezechiel. On the reverse, two four-line red staves, musical notation and text '...ue sub ipso /…le bant'., Cuttings from an Antiphoner (index antiphonar, antiphonal)

4145; London, Wallace Collection, M330; Munich, Staatliche Graphische Sammlung, inv. no. 19796; Paris, Musée Marmottan, Wildenstein Collection, nos. 25-27; and Venice, Fondazione Giorgio Cini, no. 2111 (164); Unknown location, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection, ms.

• Historiated initial 'C' of Helen praying before the Cross. On the reverse, two four-line red staves, musical notation and text '...cut docuit /…lo'., Cuttings from an Antiphoner (index antiphonar, antiphonal)

4145; London, Wallace Collection, M330; Munich, Staatliche Graphische Sammlung, inv. no. 19796; Paris, Musée Marmottan, Wildenstein Collection, nos. 25-27; and Venice, Fondazione Giorgio Cini, no. 2111 (164); Unknown location, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection, ms.

• Historiated initial 'O' of a funeral with a saint burying a man. On the reverse, two four-line red staves, musical notation and text '…meoru[m] neq[ue] /…as de pecca'., Cuttings from an Antiphoner (index antiphonar, antiphonal)

4145; London, Wallace Collection, M330; Munich, Staatliche Graphische Sammlung, inv. no. 19796; Paris, Musée Marmottan, Wildenstein Collection, nos. 25-27; and Venice, Fondazione Giorgio Cini, no. 2111 (164); Unknown location, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection, ms.

• Display script by Petruccio Ubaldini, Prologue., Psalter and Canticles (the 'Psalter of the Earl of Arundel')

written for him in 1565 by Petruccio Ubaldini (b. 1545, d. 1599), a Florentine calligrapher and writer who worked in Venice and England, from 1565 under Arundel's patronage (other manuscripts written by him are: his Italian version of 1550 of

• Prefatory miniature of David praying with an angel holding a sword, scourge, and skull, in an oval frame., Psalter and Canticles (the 'Psalter of the Earl of Arundel')

written for him in 1565 by Petruccio Ubaldini (b. 1545, d. 1599), a Florentine calligrapher and writer who worked in Venice and England, from 1565 under Arundel's patronage (other manuscripts written by him are: his Italian version of 1550 of

• Display script by Petruccio Ubaldini, Psalm 1., Psalter and Canticles (the 'Psalter of the Earl of Arundel')

written for him in 1565 by Petruccio Ubaldini (b. 1545, d. 1599), a Florentine calligrapher and writer who worked in Venice and England, from 1565 under Arundel's patronage (other manuscripts written by him are: his Italian version of 1550 of

• Detail of the prefatory miniature of David praying with an angel holding a sword, scourge, and skull, in an oval frame., Psalter and Canticles (the 'Psalter of the Earl of Arundel')

written for him in 1565 by Petruccio Ubaldini (b. 1545, d. 1599), a Florentine calligrapher and writer who worked in Venice and England, from 1565 under Arundel's patronage (other manuscripts written by him are: his Italian version of 1550 of

• Prefatory miniature of the arms of Henry Fitzalan, earl of Arundel, with his motto, 'Virtutis laus actio', and his monogram., Psalter and Canticles (the 'Psalter of the Earl of Arundel')

written for him in 1565 by Petruccio Ubaldini (b. 1545, d. 1599), a Florentine calligrapher and writer who worked in Venice and England, from 1565 under Arundel's patronage (other manuscripts written by him are: his Italian version of 1550 of

• Detail of display script by Petruccio Ubaldini, Psalm 1., Psalter and Canticles (the 'Psalter of the Earl of Arundel')

written for him in 1565 by Petruccio Ubaldini (b. 1545, d. 1599), a Florentine calligrapher and writer who worked in Venice and England, from 1565 under Arundel's patronage (other manuscripts written by him are: his Italian version of 1550 of

• Full knotwork border with a decorated initial 'F'(acturus), and arms in the shape of a bisected axe head, with a black eagle poised on a sword on a gold ground in the upper half, two crossed swords on a blue ground in the lower half, and the initials 'V' and 'B' on either side., Ab urbe condita (index De gestis romanorum; Historia romana)

with an inscription on the verso.The decoration may be Paduan, and the scribes may be Michael de Salvaticis (active in Venice c. 1430-60) and Taddeo Querino of Brescia, according to unpublished notes of A. C. de la Mare at the

• Detail of an illuminated initial with knotwork motifs 'A'(nnus)., Ab urbe condita (index De gestis romanorum; Historia romana)

inscription on the verso.The decoration may be Paduan, and the scribes may be Michael de Salvaticis (active in Venice c. 1430-60) and Taddeo Querino of Brescia, according to unpublished notes of A. C. de la Mare at the Bodleian Library,

• Detail of an illuminated initial with knotwork motifs 'S'(equitur)., Ab urbe condita (index De gestis romanorum; Historia romana)

inscription on the verso.The decoration may be Paduan, and the scribes may be Michael de Salvaticis (active in Venice c. 1430-60) and Taddeo Querino of Brescia, according to unpublished notes of A. C. de la Mare at the Bodleian Library,

• Pen drawing of the author, decorated initials and title in display capitals., Erotokritos, romance in 15-syllable rhymed couplets, prededed by a table of contents (ff. 1-8)

2004, xi-xii.Old pagination '1-509' (ff. 20-263), omits pp. '191-192' excised after f. 104. Watermark: 3 Crescents.The text was printed in Venice by Antonio Bortoli in 1713 from a manuscript no longer extant (see ~Summary Catalogue~ 1999). One tinted drawing (f.

• Tinted drawing of Rotokritos disclosing his love for Aretusa to Polidoros, and coloured initials., Erotokritos, romance in 15-syllable rhymed couplets, prededed by a table of contents (ff. 1-8)

2004, xi-xii.Old pagination '1-509' (ff. 20-263), omits pp. '191-192' excised after f. 104. Watermark: 3 Crescents.The text was printed in Venice by Antonio Bortoli in 1713 from a manuscript no longer extant (see ~Summary Catalogue~ 1999). One tinted drawing (f.

• Pen drawing of Rotokritos singing of his love for Aretusa., Erotokritos, romance in 15-syllable rhymed couplets, prededed by a table of contents (ff. 1-8)

2004, xi-xii.Old pagination '1-509' (ff. 20-263), omits pp. '191-192' excised after f. 104. Watermark: 3 Crescents.The text was printed in Venice by Antonio Bortoli in 1713 from a manuscript no longer extant (see ~Summary Catalogue~ 1999). One tinted drawing (f.

• Pen drawing of Rotokritos and Polidoros attacked by King Iraklis's guards., Erotokritos, romance in 15-syllable rhymed couplets, prededed by a table of contents (ff. 1-8)

2004, xi-xii.Old pagination '1-509' (ff. 20-263), omits pp. '191-192' excised after f. 104. Watermark: 3 Crescents.The text was printed in Venice by Antonio Bortoli in 1713 from a manuscript no longer extant (see ~Summary Catalogue~ 1999). One tinted drawing (f.

• Pen drawing of Rotokritos and Polidoros killing two of King Iraklis's guards., Erotokritos, romance in 15-syllable rhymed couplets, prededed by a table of contents (ff. 1-8)

2004, xi-xii.Old pagination '1-509' (ff. 20-263), omits pp. '191-192' excised after f. 104. Watermark: 3 Crescents.The text was printed in Venice by Antonio Bortoli in 1713 from a manuscript no longer extant (see ~Summary Catalogue~ 1999). One tinted drawing (f.

• Pen drawing of Rotokritos with his father Pezostratos., Erotokritos, romance in 15-syllable rhymed couplets, prededed by a table of contents (ff. 1-8)

2004, xi-xii.Old pagination '1-509' (ff. 20-263), omits pp. '191-192' excised after f. 104. Watermark: 3 Crescents.The text was printed in Venice by Antonio Bortoli in 1713 from a manuscript no longer extant (see ~Summary Catalogue~ 1999). One tinted drawing (f.

• Pen drawing of Rotokritos and Polidoros arriving to the joust., Erotokritos, romance in 15-syllable rhymed couplets, prededed by a table of contents (ff. 1-8)

2004, xi-xii.Old pagination '1-509' (ff. 20-263), omits pp. '191-192' excised after f. 104. Watermark: 3 Crescents.The text was printed in Venice by Antonio Bortoli in 1713 from a manuscript no longer extant (see ~Summary Catalogue~ 1999). One tinted drawing (f.

• Pen drawing of Nikostratis, Lord of Macedonia, and decorated initials., Erotokritos, romance in 15-syllable rhymed couplets, prededed by a table of contents (ff. 1-8)

2004, xi-xii.Old pagination '1-509' (ff. 20-263), omits pp. '191-192' excised after f. 104. Watermark: 3 Crescents.The text was printed in Venice by Antonio Bortoli in 1713 from a manuscript no longer extant (see ~Summary Catalogue~ 1999). One tinted drawing (f.