• Pen drawing of Haridimos the Cretan defeating Nikostratos of Macedonia at the joust., Erotokritos, romance in 15-syllable rhymed couplets, prededed by a table of contents (ff. 1-8)

2004, xi-xii.Old pagination '1-509' (ff. 20-263), omits pp. '191-192' excised after f. 104. Watermark: 3 Crescents.The text was printed in Venice by Antonio Bortoli in 1713 from a manuscript no longer extant (see ~Summary Catalogue~ 1999). One tinted drawing (f.

• Pen drawing of Rotokritos and Aretusa meeting secretly in the night., Erotokritos, romance in 15-syllable rhymed couplets, prededed by a table of contents (ff. 1-8)

2004, xi-xii.Old pagination '1-509' (ff. 20-263), omits pp. '191-192' excised after f. 104. Watermark: 3 Crescents.The text was printed in Venice by Antonio Bortoli in 1713 from a manuscript no longer extant (see ~Summary Catalogue~ 1999). One tinted drawing (f.

• Pen drawing of the enraged King Iraklis holding Aretusa under the eyes of her nurse Frosini., Erotokritos, romance in 15-syllable rhymed couplets, prededed by a table of contents (ff. 1-8)

2004, xi-xii.Old pagination '1-509' (ff. 20-263), omits pp. '191-192' excised after f. 104. Watermark: 3 Crescents.The text was printed in Venice by Antonio Bortoli in 1713 from a manuscript no longer extant (see ~Summary Catalogue~ 1999). One tinted drawing (f.

• Pen drawing of Frosini comforting Aretusa in their prison cell., Erotokritos, romance in 15-syllable rhymed couplets, prededed by a table of contents (ff. 1-8)

2004, xi-xii.Old pagination '1-509' (ff. 20-263), omits pp. '191-192' excised after f. 104. Watermark: 3 Crescents.The text was printed in Venice by Antonio Bortoli in 1713 from a manuscript no longer extant (see ~Summary Catalogue~ 1999). One tinted drawing (f.

• Pen drawing of Vladistratos, King of Vlachia, setting siege to Athens., Erotokritos, romance in 15-syllable rhymed couplets, prededed by a table of contents (ff. 1-8)

2004, xi-xii.Old pagination '1-509' (ff. 20-263), omits pp. '191-192' excised after f. 104. Watermark: 3 Crescents.The text was printed in Venice by Antonio Bortoli in 1713 from a manuscript no longer extant (see ~Summary Catalogue~ 1999). One tinted drawing (f.

• Pen drawing of Rotokritos, his skin turned black by a magic lotion, returning incognito on horse back to join the Athenian army against the Vlachs., Erotokritos, romance in 15-syllable rhymed couplets, prededed by a table of contents (ff. 1-8)

2004, xi-xii.Old pagination '1-509' (ff. 20-263), omits pp. '191-192' excised after f. 104. Watermark: 3 Crescents.The text was printed in Venice by Antonio Bortoli in 1713 from a manuscript no longer extant (see ~Summary Catalogue~ 1999). One tinted drawing (f.

• Pen drawing Rotokritos leading the Athenian army to victory., Erotokritos, romance in 15-syllable rhymed couplets, prededed by a table of contents (ff. 1-8)

2004, xi-xii.Old pagination '1-509' (ff. 20-263), omits pp. '191-192' excised after f. 104. Watermark: 3 Crescents.The text was printed in Venice by Antonio Bortoli in 1713 from a manuscript no longer extant (see ~Summary Catalogue~ 1999). One tinted drawing (f.

• Pen drawing of Rotokritos giving the ring to Frosini, Aretusa's nurse., Erotokritos, romance in 15-syllable rhymed couplets, prededed by a table of contents (ff. 1-8)

2004, xi-xii.Old pagination '1-509' (ff. 20-263), omits pp. '191-192' excised after f. 104. Watermark: 3 Crescents.The text was printed in Venice by Antonio Bortoli in 1713 from a manuscript no longer extant (see ~Summary Catalogue~ 1999). One tinted drawing (f.

• Pen drawing of Rotokritos appearing incognito to Aretusa who collapses to the ground believing that her lover is dead and is comforted by Frosini., Erotokritos, romance in 15-syllable rhymed couplets, prededed by a table of contents (ff. 1-8)

2004, xi-xii.Old pagination '1-509' (ff. 20-263), omits pp. '191-192' excised after f. 104. Watermark: 3 Crescents.The text was printed in Venice by Antonio Bortoli in 1713 from a manuscript no longer extant (see ~Summary Catalogue~ 1999). One tinted drawing (f.

• Pen drawing of Rotokritos revealing himself to the world at large., Erotokritos, romance in 15-syllable rhymed couplets, prededed by a table of contents (ff. 1-8)

2004, xi-xii.Old pagination '1-509' (ff. 20-263), omits pp. '191-192' excised after f. 104. Watermark: 3 Crescents.The text was printed in Venice by Antonio Bortoli in 1713 from a manuscript no longer extant (see ~Summary Catalogue~ 1999). One tinted drawing (f.

• Historiated initial 'O(m[ni]p[oten]s) with a standing bishop and full border with besants, acanthus, flowers peacocks, and 2 putti supporting a bishop's coat of arms surmounted by a mitre and enclosed in a wreath. A (heraldic?) device seems to have been erased from the upper border., Benedictiones episcopales per totum annum (ff. 1-26); Consecratio olei (ff. 26v-33v); Consecrationes et ordinationes electi in episcopatum' (ff. 34-49) (index Benedictional)

Historiated initial 'O(m[ni]p[oten]s) with a standing bishop and full border with besants, acanthus, flowers peacocks, and 2 putti supporting a bishop's coat of arms surmounted by a mitre and enclosed in a wreath. A (heraldic?) device seems to have

• Headpiece and initial 'M' with foliate and geometric decoration, and title in display capitals., Iliad, ending at Book 24, line 719, with glosses

of the 1907 edition with supplementary material, ed. by Allan Stevenson, 4 vols (Amsterdam: Paper Publications Society, 1968), no. 2531 (Venice, 1483, 1490); and Crown in Circle similar to C. M. Briquet, ~Les Filigranes~, cit., no. 4864 (San Stefano, Florence,

• Detail of a decorated initial 'E'., Gospel Lectionary, imperfect

Brusa (Bursa) in Bithynia, Turkey: inscription 'Codex Prusensis' (f. 1: see Wright 1972; another manuscript from the same monastery is Venice, Biblioteca Nazionale Marciana, MS gr. I, 10 (Nanianus 3), see Summary Catalogue 1999).John Covel (b. 1638, d. 1722), chaplain

• Detail of a decorated initial 'E' and rubric in silver., Gospel Lectionary, imperfect

Brusa (Bursa) in Bithynia, Turkey: inscription 'Codex Prusensis' (f. 1: see Wright 1972; another manuscript from the same monastery is Venice, Biblioteca Nazionale Marciana, MS gr. I, 10 (Nanianus 3), see Summary Catalogue 1999).John Covel (b. 1638, d. 1722), chaplain

• Opening of Martial's Liber de Spectaculis, with the title in the square capitals attributed to Bartolomeo Sanvito, and the text to Pompino Leto. Illuminated white vine-stem initial 'B'(arbara) and border with white vine-stem decoration, green parrots, and putti holding a wreath (left blank, perhaps for the addition of a coat of arms)., Epigrams, preceeded by the Liber de Spectaculis (ff. 1-5, imperfect)

catalogue (see ~Bibliotheca Smithiana seu catalogus librorum Josephi Smithii Angli per cognomina authorum dispositus, Addenda, & Corrigenda in superiori Catalogo~ (Venice: Pasquali, 1755), p. 43, col. 1); sold to King George III, along with the bulk of Smith's library and

• White vine initial 'N'(on) and border. Added 17th-century ownership inscription by Antoninus Martius Medice in the lower margin., Various works including De nobilitate vera (ff. 2-29), a letter of Carlo Aretino to Poggio (ff. 33-35), etc.

1694: inscribed 'A Matteo Egyptio Neapolitano [...] millesimo sexcentesimo nonagesimo quarto [...]'. Inscribed with a reference to book published in Venice in 1569 (f. 35v).Added title-page drawn in ink with the arms of cardinal D. Gerardus to whom the book

• White vine initial 'M'(odus) in yellow on a blue ground., Various texts including Augistine's De musica (ff. 1-121)

that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. White vine initial Giovanni Aretino (colophons on ff. 121v, 127v) Giovanni Aretino Various authors including Augustine Venice Italy, N. E. (Venice)

• Detail of white vine initial 'M'(eretrix) at the beginning of 'Eunuchus'., Comoediae (index comedies)

their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. White vine initial Terence (index Publius Terentius Afer) Venice Italy, N. E. (Venice)

• White vine initial 'I'(n) in gold and colours., Comoediae (index comedies)

their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. White vine initial Terence (index Publius Terentius Afer) Venice Italy, N. E. (Venice)

• Detail of white vine initial 'M'(eretrix) at the beginning of 'Eunuchus'., Comoediae (index comedies)

their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. White vine initial Terence (index Publius Terentius Afer) Venice Italy, N. E. (Venice)