• Foliate headpiece and 'T'(o) with penwork decoration at the beginning of Manuel Moschopoulos's Eklogai kata stoicheion onomaton Attikon., Eklogai kata stoicheion onomaton Attikon (ff. 2-69v), Peri onomaton (ff. 70-75v), and grammatical texts and observations

with the watermark 'W Turner & Son').Acquired by the British Museum as part of Burney’s library from his son Charles Parr Burney in 1818. Decorated headpiece and initial Georgios Tribizias Georgios Tribizias Manuel Moschopoulos, Anonymous Italy Italy, N. E. (Venice)

• null, Eklogai kata stoicheion onomaton Attikon (ff. 2-69v), Peri onomaton (ff. 70-75v), and grammatical texts and observations

of Burney paper with the watermark 'W Turner & Son').Acquired by the British Museum as part of Burney’s library from his son Charles Parr Burney in 1818. Detail Georgios Tribizias Georgios Tribizias Manuel Moschopoulos, Anonymous Italy Italy, N. E. (Venice)

• Miniature of the Trojan horse entering the gates of Troy, and historiated initial 'C'(onticurre) of Aeneas carrying Anchises and leading Ascanius, at the beginning of book II of Virgil's Aeneid, with display capitals in a four-colour sequence and decorated initial 'C'., Bucolica (index Bucolics, Eclogues)(ff. 1-16v); Georgica (index Georgics)(ff. 17-58), with argumenta; Aeneis (index Aeneid)(ff. 58v-244v), with argumenta and verse preface, omitting 2:567-588 ('The King's Virgil')

of an apostolic protonotary, his device of a lamb (ff. 1, 17, 59). ? Probably Zaccaria Sagredo (b. 1653, d. Venice, 1729), Venetian collector of paintings, prints and drawings, purchased for 2,000 Venetian lire, and sold to Smith: 18th-century inscription

• Decorated initial 'S'(emper), of a blue boy holding a staff and an urn, and a full border with all'antica elements, dolphins, hybrids, and a cameo, with two heraldic shield in the lower margin, at the beginning of Juvenal's Satires., Satires (index Saturae, Satirae)(ff. 1-93v; 94-110); Elegies (ff. 111-127v)

edition of Juvenal published in Rome in 1471.? Perhaps owned by a member of the Badoeri or Emo families of Venice, with their arms: ~gules~, a lion rampant ~or~, 3 bends ~argent~ over all (f. 1); cf. King's 27; cf.

• null, Satires (index Saturae, Satirae)(ff. 1-93v; 94-110); Elegies (ff. 111-127v)

edition of Juvenal published in Rome in 1471.? Perhaps owned by a member of the Badoeri or Emo families of Venice, with their arms: ~gules~, a lion rampant ~or~, 3 bends ~argent~ over all (f. 1); cf. King's 27; cf.

• Detail of illuminated initial., Satires (index Saturae, Satirae)(ff. 1-93v; 94-110); Elegies (ff. 111-127v)

edition of Juvenal published in Rome in 1471.? Perhaps owned by a member of the Badoeri or Emo families of Venice, with their arms: ~gules~, a lion rampant ~or~, 3 bends ~argent~ over all (f. 1); cf. King's 27; cf.

• Historiated initial 'M' of the Calling of Peter and Andrew., Cutting from a choir book

and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no. 70 and app. no. 14); Venice, Fondazione Giorgio Cini, n. 162; Venice, Museo Correr, CL. II. 61, 64 and 437; Windsor, Royal Library, RL O1414. 1 historiated initial

• Decorated initial 'D'(eus) at the beginning of the book., Epistolae, imperfect at the end

1907 edition with supplementary material, ed. by Allan Stevenson, 4 vols (Amsterdam: Paper Publications Society, 1968), no. 8936 (made in Venice 1443-9). Large initial in colours and gold (f. 1). Rubrics in red. Large plain initials in blue or red.

• Abstract decorated headpiece., Plutus (ff. 1-76v); Nubes (ff. 77-171)

the 1907 edition with supplementary material, ed. by Allan Stevenson, 4 vols (Amsterdam: The Paper Publications Society, 1968), no. 3378 (Venice, 1478 and 1479). Decorated headpieces. Large decorated initials. Plutus (ff. 1-76v); Nubes (ff. 77-171) The Minutoli-Tegrimi family, of Lucca,

• Interlaced bar and flourishes at top of text page., Plutus (ff. 1-76v); Nubes (ff. 77-171)

the 1907 edition with supplementary material, ed. by Allan Stevenson, 4 vols (Amsterdam: The Paper Publications Society, 1968), no. 3378 (Venice, 1478 and 1479). Decorated headpieces. Large decorated initials. Plutus (ff. 1-76v); Nubes (ff. 77-171) The Minutoli-Tegrimi family, of Lucca,

• Text page showing Greek and Latin texts on alternate lines with Greek gloss., Plutus (ff. 1-76v); Nubes (ff. 77-171)

the 1907 edition with supplementary material, ed. by Allan Stevenson, 4 vols (Amsterdam: The Paper Publications Society, 1968), no. 3378 (Venice, 1478 and 1479). Decorated headpieces. Large decorated initials. Plutus (ff. 1-76v); Nubes (ff. 77-171) The Minutoli-Tegrimi family, of Lucca,

• Illuminated initial 'E'(go), at the beginning of Book 1 of Cicero's Epistolae ad familiares., Epistolae ad familiares

initials alternately plain blue or red. Epistolae ad familiares Probably written before 1455: an oration made to the Doge of Venice by Galeazzo Maria Sforza in that year is added in a later hand on f. 2v.Mario Maffei (b. 1463,

• Foliate headpiece with four roundels enclosing birds and busts, and foliate border three roundels enclosing a bust and two armorial shields, (the border is possibly a later addition), at the beginning of Diogenes Laertius's De vitis philosophorum., De vitis philosophorum

Foliate headpiece with four roundels enclosing birds and busts, and foliate border three roundels enclosing a bust and two armorial shields, (the border is possibly a later addition), at the beginning of Diogenes Laertius's De vitis philosophorum. ff. 137-144

• Abstract decorated headpiece., Plutus (ff. 1-76v); Nubes (ff. 77-171)

the 1907 edition with supplementary material, ed. by Allan Stevenson, 4 vols (Amsterdam: The Paper Publications Society, 1968), no. 3378 (Venice, 1478 and 1479). Decorated headpieces. Large decorated initials. Plutus (ff. 1-76v); Nubes (ff. 77-171) The Minutoli-Tegrimi family, of Lucca,

• Interlaced bar and flourishes at top of text page., Plutus (ff. 1-76v); Nubes (ff. 77-171)

the 1907 edition with supplementary material, ed. by Allan Stevenson, 4 vols (Amsterdam: The Paper Publications Society, 1968), no. 3378 (Venice, 1478 and 1479). Decorated headpieces. Large decorated initials. Plutus (ff. 1-76v); Nubes (ff. 77-171) The Minutoli-Tegrimi family, of Lucca,

• Possibly added foliate illuminated border with three roundels enclosing a bust and two armorial shields, at the beginning of Diogenes Laertius's De vitis philosophorum., De vitis philosophorum

Possibly added foliate illuminated border with three roundels enclosing a bust and two armorial shields, at the beginning of Diogenes Laertius's De vitis philosophorum. ff. 137-144 are bound upside down and in reverse order. Red foliate headpiece with four

• Foliate headpiece with four roundels enclosing birds and busts at the beginning of Diogenes Laertius's De vitis philosophorum., De vitis philosophorum

Foliate headpiece with four roundels enclosing birds and busts at the beginning of Diogenes Laertius's De vitis philosophorum. ff. 137-144 are bound upside down and in reverse order. Red foliate headpiece with four roundels enclosing birds and busts, and

• Historiated initial ?'O' of two male saints, measuring 155 x 100 mm. On the reverse, two four-line staves, musical notation and partial text 'eluia'., Cuttings from a choir book

of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no. 70); Venice, Fondazione Giorgio Cini, n. 162; Venice, Museo Correr, CL. II. 61, 64 and 437; Windsor, Royal Library, RL O1414; Unknown location, formerly

• Historiated initial 'G' with the Assumption of the Virgin, measuring 80 x 85 mm. On the reverse, one four-line stave, musical notation and partial text 'collau'., Cuttings from a choir book

of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no. 70); Venice, Fondazione Giorgio Cini, n. 162; Venice, Museo Correr, CL. II. 61, 64 and 437; Windsor, Royal Library, RL O1414; Unknown location, formerly

• Historiated initial 'N' with Peter and Paul, measuring 160 x 160 mm. On the reverse, two four-line staves, musical notation and partial text '...expectatio /…bis iude'., Cuttings from a choir book

of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no. 70); Venice, Fondazione Giorgio Cini, n. 162; Venice, Museo Correr, CL. II. 61, 64 and 437; Windsor, Royal Library, RL O1414; Unknown location, formerly