• null, Elegiae (index Elegies) (ff. 1-70); followed by two short texts (ff. 70-71)

Elegies) (ff. 1-70); followed by two short texts (ff. 70-71) Copied from the 1493 reprint of the 1487 Beroaldus edition (Venice, Simon Bevilaqua), according to Butrica.Jonathan Toup (b. 1713 d. 1785), philologer and classical editor: his sale, 10 May 1786,

• null, Elegiae (index Elegies) (ff. 1-70); followed by two short texts (ff. 70-71)

Elegies) (ff. 1-70); followed by two short texts (ff. 70-71) Copied from the 1493 reprint of the 1487 Beroaldus edition (Venice, Simon Bevilaqua), according to Butrica.Jonathan Toup (b. 1713 d. 1785), philologer and classical editor: his sale, 10 May 1786,

• Historiated initial 'M'(ecaenas) depicting a figure at a lectern, and a full white vine-stem border incorporating vignettes of readers, and heradry in the lower border; at the beginning of Horace's Carmina., Carmina (ff. 1-73v); Epodes (ff. 74-88v); Carmen saeculare (ff. 89-90v); Ars poetica (ff. 90v-101v); Epistulae (ff. 102-135); Sermones (index Satires) (ff. 135-181v)

(ff. 102-135); Sermones (index Satires) (ff. 135-181v) ? Perhaps owned by a member of the Badoeri or Emo families of Venice: with their arms, ~gules~, a lion rampant ~or~, 3 bends ~argent~ over all (f. 1); cf. King's 28; cf.

• null, Carmina (ff. 1-73v); Epodes (ff. 74-88v); Carmen saeculare (ff. 89-90v); Ars poetica (ff. 90v-101v); Epistulae (ff. 102-135); Sermones (index Satires) (ff. 135-181v)

(ff. 102-135); Sermones (index Satires) (ff. 135-181v) ? Perhaps owned by a member of the Badoeri or Emo families of Venice: with their arms, ~gules~, a lion rampant ~or~, 3 bends ~argent~ over all (f. 1); cf. King's 28; cf.

• null, Carmina (ff. 1-73v); Epodes (ff. 74-88v); Carmen saeculare (ff. 89-90v); Ars poetica (ff. 90v-101v); Epistulae (ff. 102-135); Sermones (index Satires) (ff. 135-181v)

(ff. 102-135); Sermones (index Satires) (ff. 135-181v) ? Perhaps owned by a member of the Badoeri or Emo families of Venice: with their arms, ~gules~, a lion rampant ~or~, 3 bends ~argent~ over all (f. 1); cf. King's 28; cf.

• Headpiece with geometric and foliate decoration and decorated initial., Grammatica Isagoge Graece, Books 1-4, with Latin annotations

Rusotas's presence in the Veneto region from 1465 onwards (Venice and Vicenza) and the watermarks's origins suggest that the manuscript was produced in Northeastern Italy in the last quarter of the 15th century.Watermarks of scales, similar to Gerhard Piccard, ~Wasserzeichen

• Historiated initial 'C' of the Vision of Ezechiel. On the reverse, two four-line red staves, musical notation and text '...ue sub ipso /…le bant'., Cuttings from an Antiphoner (index antiphonar, antiphonal)

4145; London, Wallace Collection, M330; Munich, Staatliche Graphische Sammlung, inv. no. 19796; Paris, Musée Marmottan, Wildenstein Collection, nos. 25-27; and Venice, Fondazione Giorgio Cini, no. 2111 (164); Unknown location, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection, ms.

• Historiated initial 'C' of Helen praying before the Cross. On the reverse, two four-line red staves, musical notation and text '...cut docuit /…lo'., Cuttings from an Antiphoner (index antiphonar, antiphonal)

4145; London, Wallace Collection, M330; Munich, Staatliche Graphische Sammlung, inv. no. 19796; Paris, Musée Marmottan, Wildenstein Collection, nos. 25-27; and Venice, Fondazione Giorgio Cini, no. 2111 (164); Unknown location, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection, ms.

• Historiated initial 'O' of a funeral with a saint burying a man. On the reverse, two four-line red staves, musical notation and text '…meoru[m] neq[ue] /…as de pecca'., Cuttings from an Antiphoner (index antiphonar, antiphonal)

4145; London, Wallace Collection, M330; Munich, Staatliche Graphische Sammlung, inv. no. 19796; Paris, Musée Marmottan, Wildenstein Collection, nos. 25-27; and Venice, Fondazione Giorgio Cini, no. 2111 (164); Unknown location, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection, ms.

• null, Homilies on the Gospels for each Sunday of the ecclesiastical year

circle, respectively).Acquired by the British Museum as part of Burney’s library from his son Charles Parr Burney in 1818. Detail Nikolaos Malaxos Nikolaos Malaxos Collected by Philotheos Kokkinos, Patriarch of Constantinople Venice Italy, N. E. (Venice) or Eastern Mediterranean (Crete)

• Illuminated intial 'Q'(uanquam) and full border with heraldic arms (of the Lan family of Treviso ?), supported by sphinxes., Orationes, etc.

son Charles Parr Burney in 1818. Illuminated initial and full border with heraldic arms Perhaps entirely by a scribe who wrote three other manuscripts for the Erizzo family of Venice. Marcus Tullius Cicero, Pseudo-Cicero, and others Italy Italy, N.E. (Venice)

• Illuminated initial 'S'(i), with unusual colours and interlace motifs, at the beginning of Cicero's Pro Sestio., Orationes, etc.

part of Burney’s library from his son Charles Parr Burney in 1818. Illuminated initial Perhaps entirely by a scribe who wrote three other manuscripts for the Erizzo family of Venice. Marcus Tullius Cicero, Pseudo-Cicero, and others Italy Italy, N.E. (Venice)

• Inhabited illuminated initial 'Q'(ue), depicting a clothed cherub holding a shield (with the arms of the Lan family of Treviso ?), Orationes, etc.

part of Burney’s library from his son Charles Parr Burney in 1818. Inhabited initial Perhaps entirely by a scribe who wrote three other manuscripts for the Erizzo family of Venice. Marcus Tullius Cicero, Pseudo-Cicero, and others Italy Italy, N.E. (Venice)

• Illuminated initials 'A'(dversus) and 'P'(rimum), at the beginning of Leonardo Bruni's Latin translation of Demosthenes's Oratio pro Ctesiphonte (or De corona)., Orationes, etc.

part of Burney’s library from his son Charles Parr Burney in 1818. Illuminated initials Perhaps entirely by a scribe who wrote three other manuscripts for the Erizzo family of Venice. Marcus Tullius Cicero, Pseudo-Cicero, and others Italy Italy, N.E. (Venice)

• Illuminated initial 'C'(um) with woven knotwork decoration., Orationes, etc.

part of Burney’s library from his son Charles Parr Burney in 1818. Illuminated initial Perhaps entirely by a scribe who wrote three other manuscripts for the Erizzo family of Venice. Marcus Tullius Cicero, Pseudo-Cicero, and others Italy Italy, N.E. (Venice)

• null, Orationes, etc.

as part of Burney’s library from his son Charles Parr Burney in 1818. Detail Perhaps entirely by a scribe who wrote three other manuscripts for the Erizzo family of Venice. Marcus Tullius Cicero, Pseudo-Cicero, and others Italy Italy, N.E. (Venice)

• null, Orationes, etc.

as part of Burney’s library from his son Charles Parr Burney in 1818. Detail Perhaps entirely by a scribe who wrote three other manuscripts for the Erizzo family of Venice. Marcus Tullius Cicero, Pseudo-Cicero, and others Italy Italy, N.E. (Venice)

• null, Orationes, etc.

as part of Burney’s library from his son Charles Parr Burney in 1818. Detail Perhaps entirely by a scribe who wrote three other manuscripts for the Erizzo family of Venice. Marcus Tullius Cicero, Pseudo-Cicero, and others Italy Italy, N.E. (Venice)

• null, Orationes, etc.

as part of Burney’s library from his son Charles Parr Burney in 1818. Detail Perhaps entirely by a scribe who wrote three other manuscripts for the Erizzo family of Venice. Marcus Tullius Cicero, Pseudo-Cicero, and others Italy Italy, N.E. (Venice)

• null, Orationes, etc.

as part of Burney’s library from his son Charles Parr Burney in 1818. Detail Perhaps entirely by a scribe who wrote three other manuscripts for the Erizzo family of Venice. Marcus Tullius Cicero, Pseudo-Cicero, and others Italy Italy, N.E. (Venice)