of an apostolic protonotary, his device of a lamb (ff. 1, 17, 59). ? Probably Zaccaria Sagredo (b. 1653, d. Venice, 1729), Venetian collector of paintings, prints and drawings, purchased for 2,000 Venetian lire, and sold to Smith: 18th-century inscription
of an apostolic protonotary, his device of a lamb (ff. 1, 17, 59). ? Probably Zaccaria Sagredo (b. 1653, d. Venice, 1729), Venetian collector of paintings, prints and drawings, purchased for 2,000 Venetian lire, and sold to Smith: 18th-century inscription
of an apostolic protonotary, his device of a lamb (ff. 1, 17, 59). ? Probably Zaccaria Sagredo (b. 1653, d. Venice, 1729), Venetian collector of paintings, prints and drawings, purchased for 2,000 Venetian lire, and sold to Smith: 18th-century inscription
of an apostolic protonotary, his device of a lamb (ff. 1, 17, 59). ? Probably Zaccaria Sagredo (b. 1653, d. Venice, 1729), Venetian collector of paintings, prints and drawings, purchased for 2,000 Venetian lire, and sold to Smith: 18th-century inscription
of an apostolic protonotary, his device of a lamb (ff. 1, 17, 59). ? Probably Zaccaria Sagredo (b. 1653, d. Venice, 1729), Venetian collector of paintings, prints and drawings, purchased for 2,000 Venetian lire, and sold to Smith: 18th-century inscription
of an apostolic protonotary, his device of a lamb (ff. 1, 17, 59). ? Probably Zaccaria Sagredo (b. 1653, d. Venice, 1729), Venetian collector of paintings, prints and drawings, purchased for 2,000 Venetian lire, and sold to Smith: 18th-century inscription
of an apostolic protonotary, his device of a lamb (ff. 1, 17, 59). ? Probably Zaccaria Sagredo (b. 1653, d. Venice, 1729), Venetian collector of paintings, prints and drawings, purchased for 2,000 Venetian lire, and sold to Smith: 18th-century inscription
various notes, proverbs, and verses Maffeo Pinelli (d. 1785) of Venice: inscription '7909' (f. 1v), corresponding to his inventory number, see Iacobo Morelli, ~Bibliotheca Maphaei Pinellii Veneti~, 6 vols (Venice: Typis Palesii, 1787), III, no. 7909): his London sale, 2
Elegies) (ff. 1-70); followed by two short texts (ff. 70-71) Copied from the 1493 reprint of the 1487 Beroaldus edition (Venice, Simon Bevilaqua), according to Butrica.Jonathan Toup (b. 1713 d. 1785), philologer and classical editor: his sale, 10 May 1786,
Elegies) (ff. 1-70); followed by two short texts (ff. 70-71) Copied from the 1493 reprint of the 1487 Beroaldus edition (Venice, Simon Bevilaqua), according to Butrica.Jonathan Toup (b. 1713 d. 1785), philologer and classical editor: his sale, 10 May 1786,
Elegies) (ff. 1-70); followed by two short texts (ff. 70-71) Copied from the 1493 reprint of the 1487 Beroaldus edition (Venice, Simon Bevilaqua), according to Butrica.Jonathan Toup (b. 1713 d. 1785), philologer and classical editor: his sale, 10 May 1786,
Elegies) (ff. 1-70); followed by two short texts (ff. 70-71) Copied from the 1493 reprint of the 1487 Beroaldus edition (Venice, Simon Bevilaqua), according to Butrica.Jonathan Toup (b. 1713 d. 1785), philologer and classical editor: his sale, 10 May 1786,
(ff. 102-135); Sermones (index Satires) (ff. 135-181v) ? Perhaps owned by a member of the Badoeri or Emo families of Venice: with their arms, ~gules~, a lion rampant ~or~, 3 bends ~argent~ over all (f. 1); cf. King's 28; cf.
(ff. 102-135); Sermones (index Satires) (ff. 135-181v) ? Perhaps owned by a member of the Badoeri or Emo families of Venice: with their arms, ~gules~, a lion rampant ~or~, 3 bends ~argent~ over all (f. 1); cf. King's 28; cf.
(ff. 102-135); Sermones (index Satires) (ff. 135-181v) ? Perhaps owned by a member of the Badoeri or Emo families of Venice: with their arms, ~gules~, a lion rampant ~or~, 3 bends ~argent~ over all (f. 1); cf. King's 28; cf.
Rusotas's presence in the Veneto region from 1465 onwards (Venice and Vicenza) and the watermarks's origins suggest that the manuscript was produced in Northeastern Italy in the last quarter of the 15th century.Watermarks of scales, similar to Gerhard Piccard, ~Wasserzeichen
4145; London, Wallace Collection, M330; Munich, Staatliche Graphische Sammlung, inv. no. 19796; Paris, Musée Marmottan, Wildenstein Collection, nos. 25-27; and Venice, Fondazione Giorgio Cini, no. 2111 (164); Unknown location, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection, ms.
4145; London, Wallace Collection, M330; Munich, Staatliche Graphische Sammlung, inv. no. 19796; Paris, Musée Marmottan, Wildenstein Collection, nos. 25-27; and Venice, Fondazione Giorgio Cini, no. 2111 (164); Unknown location, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection, ms.
4145; London, Wallace Collection, M330; Munich, Staatliche Graphische Sammlung, inv. no. 19796; Paris, Musée Marmottan, Wildenstein Collection, nos. 25-27; and Venice, Fondazione Giorgio Cini, no. 2111 (164); Unknown location, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection, ms.
circle, respectively).Acquired by the British Museum as part of Burney’s library from his son Charles Parr Burney in 1818. Detail Nikolaos Malaxos Nikolaos Malaxos Collected by Philotheos Kokkinos, Patriarch of Constantinople Venice Italy, N. E. (Venice) or Eastern Mediterranean (Crete)