• Zoomorphic initial 'F'(ecit) at the beginning of the prologue to the Gospels., Glossed Matthew and Mark

one with an animal head (f. 44). Paraphs in brown. Glossed Matthew and Mark The cathedral church of St Peter, York: 13th-century ? inscription 'Liber sanct[ ] ebor' (f. 3); inscribed, 14th-century, with a title and 'de Thesauraria Ebor ecclesie

• Illuminated initial 'M('atheus) at the beginning of the prologue to Matthew., Glossed Matthew and Mark

one with an animal head (f. 44). Paraphs in brown. Glossed Matthew and Mark The cathedral church of St Peter, York: 13th-century ? inscription 'Liber sanct[ ] ebor' (f. 3); inscribed, 14th-century, with a title and 'de Thesauraria Ebor ecclesie

• Illuminated initial 'L'(iber) at the beginning of Matthew, with acanthus leaf decoration., Glossed Matthew and Mark

one with an animal head (f. 44). Paraphs in brown. Glossed Matthew and Mark The cathedral church of St Peter, York: 13th-century ? inscription 'Liber sanct[ ] ebor' (f. 3); inscribed, 14th-century, with a title and 'de Thesauraria Ebor ecclesie

• Illuminated initial 'M'(arcus) at the beginning of the prologue to Mark, with foliate decoration., Glossed Matthew and Mark

one with an animal head (f. 44). Paraphs in brown. Glossed Matthew and Mark The cathedral church of St Peter, York: 13th-century ? inscription 'Liber sanct[ ] ebor' (f. 3); inscribed, 14th-century, with a title and 'de Thesauraria Ebor ecclesie

• Illuminated initial 'I'(nitium) at the beginning of Mark, with acanthus leaf decoration., Glossed Matthew and Mark

one with an animal head (f. 44). Paraphs in brown. Glossed Matthew and Mark The cathedral church of St Peter, York: 13th-century ? inscription 'Liber sanct[ ] ebor' (f. 3); inscribed, 14th-century, with a title and 'de Thesauraria Ebor ecclesie

• Historiated initial (dating, like the text, from the 1st half of the 11th century) and added drawing illustrating a Psalm (2nd quarter of the 12th century)., Added drawings

of St. Augustine, Canterbury (see Ker 1964).Perhaps commissioned by Aelfric, archbishop of Canterbury: he bequeathed it to Wulfstan, archbishop of York in 1003 or 1004 (see discussion Le Grand Atelier 2007).The Harley Collection, formed by Robert Harley (b. 1661, d.

• Detail of pen drawings illustrating Psalm 53, with a decorated letter 'D'(eus in nomine tuo)., Added drawings

of St. Augustine, Canterbury (see Ker 1964).Perhaps commissioned by Aelfric, archbishop of Canterbury: he bequeathed it to Wulfstan, archbishop of York in 1003 or 1004 (see discussion Le Grand Atelier 2007).The Harley Collection, formed by Robert Harley (b. 1661, d.

• Added drawing illustrating a Psalm (2nd quarter of the 12th century), the text was written in the 1st half of the 11th century., Added drawings

of St. Augustine, Canterbury (see Ker 1964).Perhaps commissioned by Aelfric, archbishop of Canterbury: he bequeathed it to Wulfstan, archbishop of York in 1003 or 1004 (see discussion Le Grand Atelier 2007).The Harley Collection, formed by Robert Harley (b. 1661, d.

• null, Added drawings

of St. Augustine, Canterbury (see Ker 1964).Perhaps commissioned by Aelfric, archbishop of Canterbury: he bequeathed it to Wulfstan, archbishop of York in 1003 or 1004 (see discussion Le Grand Atelier 2007).The Harley Collection, formed by Robert Harley (b. 1661, d.

• null, Added drawings

of St. Augustine, Canterbury (see Ker 1964).Perhaps commissioned by Aelfric, archbishop of Canterbury: he bequeathed it to Wulfstan, archbishop of York in 1003 or 1004 (see discussion Le Grand Atelier 2007).The Harley Collection, formed by Robert Harley (b. 1661, d.

• null, Added drawings

of St. Augustine, Canterbury (see Ker 1964).Perhaps commissioned by Aelfric, archbishop of Canterbury: he bequeathed it to Wulfstan, archbishop of York in 1003 or 1004 (see discussion Le Grand Atelier 2007).The Harley Collection, formed by Robert Harley (b. 1661, d.

• Decorated initial 'A'(sia), at the beginning of the entry for Asia., Bestiary, and various theological texts, e.g., Isidore of Seville, Imago Mundi

for Asia. A direct copy of the Worksop Bestiary, New York, Pierpont Morgan Library M. 81 (see ~Two East Anglian Picture Books : A Facsimile of the Helmingham Herbal and Bestiary and Bodleian Ms. Ashmole 1504~, ed. by Nicholas Barker

• Decorated initial 'V'(etus), at the beginning of book 4., De universo seu De rerum naturis

abstulerit aut titulu[m] deleu[er]it anathema sit. Am[en]', 13th century (f. 6).Thomas Wolsey (b. 1470/71, d. 1530), royal minister, archbishop of York, and cardinal: 'TC' monogram, perhaps for Thomas Cardinalis (see Carley 2000, p. xxxiii), 16th century (f. 1).The Old Royal

• Historiated initial (dating, like the text, from the 1st half of the 11th century) and added drawing illustrating a Psalm (2nd quarter of the 12th century)., Added drawings

of St. Augustine, Canterbury (see Ker 1964).Perhaps commissioned by Aelfric, archbishop of Canterbury: he bequeathed it to Wulfstan, archbishop of York in 1003 or 1004 (see discussion Le Grand Atelier 2007).The Harley Collection, formed by Robert Harley (b. 1661, d.

• Added drawing illustrating a Psalm (2nd quarter of the 12th century), the text was written in the 1st half of the 11th century., Added drawings

of St. Augustine, Canterbury (see Ker 1964).Perhaps commissioned by Aelfric, archbishop of Canterbury: he bequeathed it to Wulfstan, archbishop of York in 1003 or 1004 (see discussion Le Grand Atelier 2007).The Harley Collection, formed by Robert Harley (b. 1661, d.

• Miniature of pelicans., Bestiary, and various theological texts, e.g., Isidore of Seville, Imago Mundi

copy of the Worksop Bestiary, New York, Pierpont Morgan Library M. 81 (see ~Two East Anglian Picture Books : A Facsimile of the Helmingham Herbal and Bestiary and Bodleian Ms. Ashmole 1504~, ed. by Nicholas Barker (London: The Roxburgh Club,

• Detail of a miniature of pelicans., Bestiary, and various theological texts, e.g., Isidore of Seville, Imago Mundi

direct copy of the Worksop Bestiary, New York, Pierpont Morgan Library M. 81 (see ~Two East Anglian Picture Books : A Facsimile of the Helmingham Herbal and Bestiary and Bodleian Ms. Ashmole 1504~, ed. by Nicholas Barker (London: The Roxburgh

• Miniature of a nycticorax (a bird)., Bestiary, and various theological texts, e.g., Isidore of Seville, Imago Mundi

direct copy of the Worksop Bestiary, New York, Pierpont Morgan Library M. 81 (see ~Two East Anglian Picture Books : A Facsimile of the Helmingham Herbal and Bestiary and Bodleian Ms. Ashmole 1504~, ed. by Nicholas Barker (London: The Roxburgh

• Detail of a miniature of a nycticorax (a bird)., Bestiary, and various theological texts, e.g., Isidore of Seville, Imago Mundi

bird). A direct copy of the Worksop Bestiary, New York, Pierpont Morgan Library M. 81 (see ~Two East Anglian Picture Books : A Facsimile of the Helmingham Herbal and Bestiary and Bodleian Ms. Ashmole 1504~, ed. by Nicholas Barker (London:

• Miniature of a phoenix gathering leaves, and of a phoenix in flame, at the beginning of the entry for phoenix., Bestiary, and various theological texts, e.g., Isidore of Seville, Imago Mundi

beginning of the entry for phoenix. A direct copy of the Worksop Bestiary, New York, Pierpont Morgan Library M. 81 (see ~Two East Anglian Picture Books : A Facsimile of the Helmingham Herbal and Bestiary and Bodleian Ms. Ashmole 1504~,