• Detail of a page: full foliate border in the margins inhabited by a lion, a peacock, a bird, and a dragon., Lisbon Mishneh Torah, volume 1

ff. 58v-59, 96r-v, 272v). (Narkiss reads the name Durallano), on him see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), appendix § 89.Two illegible Hebrew notes (f. 1).Bernard Mould (b. c. 1683; d. 1744), chaplain

• Detail of a page: initial-word panel with gold letters and penwork decoration and a gold crown, at the introduction of the Mishneh Torah., Lisbon Mishneh Torah, volume 1

ff. 58v-59, 96r-v, 272v). (Narkiss reads the name Durallano), on him see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), appendix § 89.Two illegible Hebrew notes (f. 1).Bernard Mould (b. c. 1683; d. 1744), chaplain

• Detail of an inscription inserted into the banderol above and beneath the initial word., Festival prayer book (~mahzor~) with miscellaneous works in the margins

17th century, in Cremona?): inscribed with his name, 1601 (f. 449), see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), appendix § 18-19, 93.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st

• Detail of a miniature of a man kneeling in prayer on a hill. Behind him two young youths are looking for shelter in a house from the heavy hail., Festival prayer book (~mahzor~) with miscellaneous works in the margins

17th century, in Cremona?): inscribed with his name, 1601 (f. 449), see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), appendix § 18-19, 93.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st

• Detail of a miniature of the Israelites crossing the Red Sea., Festival prayer book (~mahzor~) with miscellaneous works in the margins

17th century, in Cremona?): inscribed with his name, 1601 (f. 449), see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), appendix § 18-19, 93.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st

• Detail of an initial-word panel., Festival prayer book (~mahzor~) with miscellaneous works in the margins

17th century, in Cremona?): inscribed with his name, 1601 (f. 449), see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), appendix § 18-19, 93.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st

• Detail of a page: miniature of the ~Shabbat kallah~ (Shabbat bride or Shabbat Queen), a symbolic representation of the Shabbat, at the order of the services for Shabbat. A young lady on horseback is coming out of a castle escorted by her entourage., Festival prayer book (~mahzor~) with miscellaneous works in the margins

17th century, in Cremona?): inscribed with his name, 1601 (f. 449), see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), appendix § 18-19, 93.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st

• Detail of a miniature of a congregation praying in the synagogue., Festival prayer book (~mahzor~) with miscellaneous works in the margins

17th century, in Cremona?): inscribed with his name, 1601 (f. 449), see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), appendix § 18-19, 93.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st

• Detail of a miniature of the Shabbat bride is under the ~huppah~ (wedding canopy) surrounded by her entourage., Festival prayer book (~mahzor~) with miscellaneous works in the margins

17th century, in Cremona?): inscribed with his name, 1601 (f. 449), see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), appendix § 18-19, 93.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st

• Detail of a miniature of people celebrating Seder with a group of young men lifting the Seder basket over the table., Festival prayer book (~mahzor~) with miscellaneous works in the margins

17th century, in Cremona?): inscribed with his name, 1601 (f. 449), see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), appendix § 18-19, 93.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st

• Detail of a foliate border inhabited by animals and birds., Lisbon Mishneh Torah, volume 1

ff. 58v-59, 96r-v, 272v). (Narkiss reads the name Durallano), on him see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), appendix § 89.Two illegible Hebrew notes (f. 1).Bernard Mould (b. c. 1683; d. 1744), chaplain

• Miniature of the Exodus of the Israelites from Egypt. The Israelites are approaching towards the seashore following the fire column and a fire cloud. Moses is already at the sea and lifting his staff. They have the chasing Egyptian army at their heels. Above the scene, there is a foliate scroll inhabited by birds, and a haloed and winged angel., Festival prayer book (~mahzor~) with miscellaneous works in the margins

17th century, in Cremona?): inscribed with his name, 1601 (f. 449), see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), appendix § 18-19, 93.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st

• Champ initials 'KL' at the beginning of the month of October in the calendar., Liturgical texts including Offices, masses, etc., with a York calendar (index Breviary)

musical sections). Coloured initials in red or blue. Capitals marked in red. Liturgical texts including Offices, masses, etc., with a York calendar (index Breviary) Added saints in the litany, in 2 different hands, 'Herasme' and 'Reinalde(?)', 15th century (ff. 38v-39).Added

• Decorated initial 'D'(omine) and full foliate bar border with knotwork at the beginning of Matins of the Passion., Liturgical texts including Offices, masses, etc., with a York calendar (index Breviary)

musical sections). Coloured initials in red or blue. Capitals marked in red. Liturgical texts including Offices, masses, etc., with a York calendar (index Breviary) Added saints in the litany, in 2 different hands, 'Herasme' and 'Reinalde(?)', 15th century (ff. 38v-39).Added

• Decorated initial 'D'(ilexi) and full foliate bar border with knotwork at the beginning of the office of the Dead. Musical notation., Liturgical texts including Offices, masses, etc., with a York calendar (index Breviary)

musical sections). Coloured initials in red or blue. Capitals marked in red. Liturgical texts including Offices, masses, etc., with a York calendar (index Breviary) Added saints in the litany, in 2 different hands, 'Herasme' and 'Reinalde(?)', 15th century (ff. 38v-39).Added

• Champ initial 'D'(eus) and initials with pen-flourishing., Liturgical texts including Offices, masses, etc., with a York calendar (index Breviary)

musical sections). Coloured initials in red or blue. Capitals marked in red. Liturgical texts including Offices, masses, etc., with a York calendar (index Breviary) Added saints in the litany, in 2 different hands, 'Herasme' and 'Reinalde(?)', 15th century (ff. 38v-39).Added

• Decorated initial 'C'(onverte nos) and full foliate bar border at the beginning of Compline of the Passion., Liturgical texts including Offices, masses, etc., with a York calendar (index Breviary)

musical sections). Coloured initials in red or blue. Capitals marked in red. Liturgical texts including Offices, masses, etc., with a York calendar (index Breviary) Added saints in the litany, in 2 different hands, 'Herasme' and 'Reinalde(?)', 15th century (ff. 38v-39).Added

• Decorated initial 'B'(eati) and full foliate bar border with knotwork., Liturgical texts including Offices, masses, etc., with a York calendar (index Breviary)

musical sections). Coloured initials in red or blue. Capitals marked in red. Liturgical texts including Offices, masses, etc., with a York calendar (index Breviary) Added saints in the litany, in 2 different hands, 'Herasme' and 'Reinalde(?)', 15th century (ff. 38v-39).Added

• Initial 'P'(ost) with reserved designs and penwork decoration at the beginning of Arnold of Bonneval's 'De sex verbis Domini in cruce'; the final design differs from the underdrawing in crayon., De operibus sex dierum (ff. 1-30); De sex verbis Domini in cruce (ff. 31-49v); Sermons (ff. 49v-53)

1969); six further leaves are in Harley 536 (see ~The Friars' Libraries~). Added texts, 13th century (ff. 53v-54v).The Austin Friars, York: recorded in their library catalogue, dated 1372 (see ~The Friars' Libraries~ 1990, A8.104). Added text, ?15th century (f. 54).Henry

• Miniature of the genealogical table of descendants of Louis IX in the form of a fleur-de-lys, with portraits of kings in medallions, supported by Humfrey, duke of Gloucester with his arms and the arms of Anjou encircled by the Garter, and Richard, duke of York with his arms and an initial 'M' encircled by the Garter; the arms of France and of George encircled by the Garter, and a banner bearing the royal arms of England impaled with the arms of Anjou, wrapped with a scroll inscribed with a motto 'Dieu est mon droit', and supported by the royal device of an antelope with a crown and chain., Poems and Romances (the 'Talbot Shrewsbury book')

Humfrey, duke of Gloucester with his arms and the arms of Anjou encircled by the Garter, and Richard, duke of York with his arms and an initial 'M' encircled by the Garter; the arms of France and of George encircled