• Frontispiece to the second pillar of ~Arbaah Turim~, ~Yoreh Deah~ (Teaching Knowledge). The initial-word panel ~Barukh~ (blessed) is decorated with white vine motifs. The text is framed by a full floral border inhabited by birds and containing four medallions. The medallion on the bottom is held by two puttos and contains the coat of arms of Joab Emmanuel., ~Arbaah Turim~ (The Four Pillars)

Hebrew Books~ (New York: KTAV Publishing House, 1969), p. 104, and appendix § 112-117. Frater Giovanni Montifal. di Modena, censor: inscribed with his name, undated (f. 269); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House,

• Frontispiece to the second pillar of ~Arbaah Turim~, ~Even ha-Ezer~ (The Stone of Help). The initial-word panel is decorated with white vine motifs. The text is framed by a full floral border inhabited by birds and containing medallions. The medallion on the bottom is held by two puttos and contains the coat of arms of Joab Emmanuel., ~Even ha-Ezer~ (The Stone of Help) and ~Hoshen Mishpat~ (The Breastplate of Judgement) of ~Arbaah Turim~ (The Four Pillars) (ff. 2-261v); ~Hilkhot De'ot~ of the Mishneh Torah (ff. 261v-265v)

Hebrew Books~ (New York: KTAV Publishing House, 1969), p. 104, and appendix § 112-117. Frater Giovanni Montifal. di Modena, censor: inscribed with his name, undated (f. 269); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House,

• Frontispiece to the fourth pillar of ~Arbaah Turim~, ~Hoshen ha-Mishpat~ (The Breastplate of Judgement). The initial-word panel ~Barukh~ (blessed) is inhabited by three white rabbits and accompanied by a full floral border with birds and medallions. The medallion in the lower margin held by two puttos contains the coat of arms of Joab Emmanuel., ~Even ha-Ezer~ (The Stone of Help) and ~Hoshen Mishpat~ (The Breastplate of Judgement) of ~Arbaah Turim~ (The Four Pillars) (ff. 2-261v); ~Hilkhot De'ot~ of the Mishneh Torah (ff. 261v-265v)

Hebrew Books~ (New York: KTAV Publishing House, 1969), p. 104, and appendix § 112-117. Frater Giovanni Montifal. di Modena, censor: inscribed with his name, undated (f. 269); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House,

• Detail of an historiated initial 'A'(d) of David in prayer, from the beginning of a Gradual., Leaf from a Gradual

blue pen-flourishing. Small penwork initials in brown and red ink. 4 line red staves. Leaf from a Gradual Margaret of York (b. 1446, d. 1503), duchess of Burgundy: arms (recto), and later inscription (verso, see below). Friars of Greenwich, c.

• Page of music on the verso of the folio., Leaf from a Gradual

blue pen-flourishing. Small penwork initials in brown and red ink. 4 line red staves. Leaf from a Gradual Margaret of York (b. 1446, d. 1503), duchess of Burgundy: arms (recto), and later inscription (verso, see below). Friars of Greenwich, c.

• Frontispiece to the first pillar of ~Arbaah Turim~, ~ Orah Hayyim~ (The Way of Life). The initial-word panel ~Barukh~ (blessed) is inhabited by three white rabbits. The text is framed by a full floral border inhabited by birds and containing four medallions. The medallion on the bottom is held by two puttos and contains the coat of arms of Joab Emmanuel., ~Arbaah Turim~ (The Four Pillars)

Hebrew Books~ (New York: KTAV Publishing House, 1969), p. 104, and appendix § 112-117. Frater Giovanni Montifal. di Modena, censor: inscribed with his name, undated (f. 269); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House,

• Initial-word panel with penwork decoration and pen-flourishing accompanied with a dog chasing a hare in the lower margin., Commentary on the Pentateuch in an abridged form

(fl. until 1596), censor: inscribed with his name, 1575 (f. 181v); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), p. 78, appendix § 105-110.Illegible inscription, probably censor's signature (f. 181v).Giuseppe Almanzi (b. 1801, d.

• Initial-word panel with penwork decoration and pen-flourishing, and accompanied with a human head in the outer margin., Commentary on the Pentateuch in an abridged form

(fl. until 1596), censor: inscribed with his name, 1575 (f. 181v); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), p. 78, appendix § 105-110.Illegible inscription, probably censor's signature (f. 181v).Giuseppe Almanzi (b. 1801, d.

• Flourished 'KL' letters for February., Breviary, Use of York (fragment), with a calendar (ff. 2-7v)

Small initials in blue with foliate pen-flourishing, many including human heads in the calendar. Breviary, Use of York (fragment), with a calendar (ff. 2-7v) Originally part of the same volume as Additional 34190. John Rawe, priest (d. 1500): inscription of

• Historiated initital 'D' of the Prophet Zacharias, with his name inscribed on his halo., Cutting from an Antiphoner (index antiphonal; antiphonary)

ff. 2-81 and 83-90. To see this cuttings in the Manuscripts Reading Room order Add. 18196, ff. 2-81 and 83-90.New York, Metropolitan Museum of Art, Robert Lehman Collection (see Palladino 2003, cat. no. 69) was probably excised from the same

• Historiated initial 'A'(d) of David in prayer, from the beginning of a Gradual., Leaf from a Gradual

blue pen-flourishing. Small penwork initials in brown and red ink. 4 line red staves. Leaf from a Gradual Margaret of York (b. 1446, d. 1503), duchess of Burgundy: arms (recto), and later inscription (verso, see below). Friars of Greenwich, c.

• Detail of the last 4 staves of music and an inscription., Leaf from a Gradual

blue pen-flourishing. Small penwork initials in brown and red ink. 4 line red staves. Leaf from a Gradual Margaret of York (b. 1446, d. 1503), duchess of Burgundy: arms (recto), and later inscription (verso, see below). Friars of Greenwich, c.

• End of Deuteronomy framed by micrographical design., Pentateuch with ~masorah magna~ and ~parva~

of the 17th century): inscribed with his name, 1612 (f. 196); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), pp. 100-101, and appendix § 80-84.Italian inscription: ‘Pentateuco Ebraico ossia li cinque libri di Moise’

• ~Masorah~ in micrographical form framing a scribal formula., Pentateuch with ~masorah magna~ and ~parva~

of the 17th century): inscribed with his name, 1612 (f. 196); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), pp. 100-101, and appendix § 80-84.Italian inscription: ‘Pentateuco Ebraico ossia li cinque libri di Moise’

• Miniature of Charles V, king of France with his court, receiving a book from the translator, Jean Corbechon, with a full border containing the royal arms of England on banners held by two angels and on a shield encircled by the Garter with the motto 'Honny soit qui mal y pense', and surmounted by a crowned helm with mantling in Edward's IV colours of red and blue, with two shields with the same arms differenced, for the king's two sons, in the lower margin; and a lozenge bearing a white rose of the York family with the Yorkist badge, 'Dieu et mon droit', in the outer margin, at the beginning of the prologue., Ruralia commoda in French translation (Rustican des ruraulx prouffiz du labour des champs)

arms differenced, for the king's two sons, in the lower margin; and a lozenge bearing a white rose of the York family with the Yorkist badge, 'Dieu et mon droit', in the outer margin, at the beginning of the prologue.

• Miniature of the death of Manlius Capitolinus, with a full border containing two shields with the royal arms of Edward IV, and a lozenge bearing a white rose of the York family with the Yorkist badge, 'Dieu et mon droit', at the beginning of book 4., De casibus virorum illustrium in French translation (Des cas des ruynes des nobles hommes et femmes)

the royal arms of Edward IV, and a lozenge bearing a white rose of the York family with the Yorkist badge, 'Dieu et mon droit', at the beginning of book 4. Contains the second translation of De casibus virorum illustrium

• Detail of a miniature of the author, Jean de Courcy, brought to Reason by Prowess and Boldness, with a lozenge bearing a white rose of the York family with the Yorkist badge, 'Dieu et mon droit', in the margin., Le chemin de Vaillance, and other texts (see Notes below for contents)

by Prowess and Boldness, with a lozenge bearing a white rose of the York family with the Yorkist badge, 'Dieu et mon droit', in the margin. The manuscript also contains: Christine de Pisan, Lepistre Othea (ff. 295-331v);Alain Chartier, Le breviaire

• Miniature of the author, Jean de Courcy, sleeping at a fountain with Nature as a young woman approaching, with a full border containing the arms of Edward VI and four lozenges with a white rose of the York family, and a Yorkist badge 'Dieu et mon droit', at the beginning of book 2., Le chemin de Vaillance, and other texts (see Notes below for contents)

with a full border containing the arms of Edward VI and four lozenges with a white rose of the York family, and a Yorkist badge 'Dieu et mon droit', at the beginning of book 2. The manuscript also contains: Christine

• Detail of a miniature of the author, Jean de Courcy, in a boat with other men, following a rubric, 'L'acteur parle icy de soy et de ses dix naguers', a lozenge bearing a white rose of the York family, with the Yorkist badge 'Dieu et mon droit' in the margin., Le chemin de Vaillance, and other texts (see Notes below for contents)

rubric, 'L'acteur parle icy de soy et de ses dix naguers', a lozenge bearing a white rose of the York family, with the Yorkist badge 'Dieu et mon droit' in the margin. The manuscript also contains: Christine de Pisan, Lepistre

• Miniature of the author, Jean de Courcy, conducted to a garden by Charity; with a full border containing the arms of Edward IV and four lozenges with a white rose of the York family, and the Yorkist badge 'Dieu et mon droit', at the beginning of book 4., Le chemin de Vaillance, and other texts (see Notes below for contents)

border containing the arms of Edward IV and four lozenges with a white rose of the York family, and the Yorkist badge 'Dieu et mon droit', at the beginning of book 4. The manuscript also contains: Christine de Pisan, Lepistre