• Miniature of a lizard, and a miniature of a man being slain by salamanders., Bestiary, and various theological texts, e.g., Isidore of Seville, Imago Mundi

slain by salamanders. A direct copy of the Worksop Bestiary, New York, Pierpont Morgan Library M. 81 (see ~Two East Anglian Picture Books : A Facsimile of the Helmingham Herbal and Bestiary and Bodleian Ms. Ashmole 1504~, ed. by Nicholas

• Detail of a miniature of a lizard., Bestiary, and various theological texts, e.g., Isidore of Seville, Imago Mundi

A direct copy of the Worksop Bestiary, New York, Pierpont Morgan Library M. 81 (see ~Two East Anglian Picture Books : A Facsimile of the Helmingham Herbal and Bestiary and Bodleian Ms. Ashmole 1504~, ed. by Nicholas Barker (London: The

• Detail of a miniature of a man being slain by salamanders., Bestiary, and various theological texts, e.g., Isidore of Seville, Imago Mundi

by salamanders. A direct copy of the Worksop Bestiary, New York, Pierpont Morgan Library M. 81 (see ~Two East Anglian Picture Books : A Facsimile of the Helmingham Herbal and Bestiary and Bodleian Ms. Ashmole 1504~, ed. by Nicholas Barker

• Illuminated initial 'C'(upientes) at the beginning of the prologue., Sententiarum libri IV

subject, with the confirmation of Thurstan, bishop of York (1114-1140); a copy of a charter of Thurstinus Provost (d.c. 1153) on the same subject and with confirmation of Thurstan, bishop of York; 14th century (f. 3v).A poem relating to Scotland,

• Foliate initial 'S' at the beginning of s space left for the word 'Samaritanus', at the beginning of book 4., Sententiarum libri IV

subject, with the confirmation of Thurstan, bishop of York (1114-1140); a copy of a charter of Thurstinus Provost (d.c. 1153) on the same subject and with confirmation of Thurstan, bishop of York; 14th century (f. 3v).A poem relating to Scotland,

• Detail of a miniature of two deer and a snake. According to the text, the stag, when old, draws serpents from their holes with its breath and eats them, and its strength is renewed., Bestiary, and various theological texts, e.g., Isidore of Seville, Imago Mundi

holes with its breath and eats them, and its strength is renewed. A direct copy of the Worksop Bestiary, New York, Pierpont Morgan Library M. 81 (see ~Two East Anglian Picture Books : A Facsimile of the Helmingham Herbal and

• Miniature of two deer and a snake. According to the text, the stag, when old, draws serpents from their holes with its breath and eats them, and its strength is renewed., Bestiary, and various theological texts, e.g., Isidore of Seville, Imago Mundi

holes with its breath and eats them, and its strength is renewed. A direct copy of the Worksop Bestiary, New York, Pierpont Morgan Library M. 81 (see ~Two East Anglian Picture Books : A Facsimile of the Helmingham Herbal and

• Text page., Leaf from Isidore's 'Differentiarum sive de proprietate sermonum', book II: 'De differentiis rerum', xviii-xxxix

Herte (d. 1467), barber-surgeon in London: his name on the upper margin of f. 25, originally f. 107 in New York, Academy of Medicine, MS. 12 (see Wallner 1988).Entire collection:John Bagford (b. 1650/51, d. 1716), bookseller and antiquary: part of

• Coloured initial and rubric in display capitals., End of 'Contra mendacium' followed by the beginning of 'De cura pro mortuis gerenda', cropped leaf

Herte (d. 1467), barber-surgeon in London: his name on the upper margin of f. 25, originally f. 107 in New York, Academy of Medicine, MS. 12 (see Wallner 1988).Entire collection:John Bagford (b. 1650/51, d. 1716), bookseller and antiquary: part of

• Miniature of a tiger, distracted from the capture of its cub by its own reflection in a mirror., Bestiary, and various theological texts, e.g., Isidore of Seville, Imago Mundi

own reflection in a mirror. A direct copy of the Worksop Bestiary, New York, Pierpont Morgan Library M. 81 (see ~Two East Anglian Picture Books : A Facsimile of the Helmingham Herbal and Bestiary and Bodleian Ms. Ashmole 1504~, ed.

• Detail of miniature of lions breathing life into their cubs, at the beginning of the entry 'De natura leonis'., Bestiary, and various theological texts, e.g., Isidore of Seville, Imago Mundi

of the entry 'De natura leonis'. A direct copy of the Worksop Bestiary, New York, Pierpont Morgan Library M. 81 (see ~Two East Anglian Picture Books : A Facsimile of the Helmingham Herbal and Bestiary and Bodleian Ms. Ashmole 1504~,

• Detail of a decorated initial 'B'(estiarum) and a miniature of lions breathing life into their cubs, at the beginning of the entry 'De natura leonis'., Bestiary, and various theological texts, e.g., Isidore of Seville, Imago Mundi

at the beginning of the entry 'De natura leonis'. A direct copy of the Worksop Bestiary, New York, Pierpont Morgan Library M. 81 (see ~Two East Anglian Picture Books : A Facsimile of the Helmingham Herbal and Bestiary and Bodleian

• Detail of pen drawings illustrating Psalm 2, with an historiated initial 'B'(eatus vir)., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

of St. Augustine, Canterbury (see Ker 1964).Perhaps commissioned by Aelfric, archbishop of Canterbury: he bequeathed it to Wulfstan, archbishop of York in 1003 or 1004 (see discussion Le Grand Atelier 2007).The Harley Collection, formed by Robert Harley (b. 1661, d.

• Detail of an historiated initial 'B'(eatus vir), with a figure of Christ in a mandorla., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

of St. Augustine, Canterbury (see Ker 1964).Perhaps commissioned by Aelfric, archbishop of Canterbury: he bequeathed it to Wulfstan, archbishop of York in 1003 or 1004 (see discussion Le Grand Atelier 2007).The Harley Collection, formed by Robert Harley (b. 1661, d.

• Detail of a pen drawing illustrating Psalm 9., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

of St. Augustine, Canterbury (see Ker 1964).Perhaps commissioned by Aelfric, archbishop of Canterbury: he bequeathed it to Wulfstan, archbishop of York in 1003 or 1004 (see discussion Le Grand Atelier 2007).The Harley Collection, formed by Robert Harley (b. 1661, d.

• Detail of pen drawings illustrating Psalm 12., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

of St. Augustine, Canterbury (see Ker 1964).Perhaps commissioned by Aelfric, archbishop of Canterbury: he bequeathed it to Wulfstan, archbishop of York in 1003 or 1004 (see discussion Le Grand Atelier 2007).The Harley Collection, formed by Robert Harley (b. 1661, d.

• Detail of a pen drawing illustrating Psalm 12., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

of St. Augustine, Canterbury (see Ker 1964).Perhaps commissioned by Aelfric, archbishop of Canterbury: he bequeathed it to Wulfstan, archbishop of York in 1003 or 1004 (see discussion Le Grand Atelier 2007).The Harley Collection, formed by Robert Harley (b. 1661, d.

• Detail of a pen drawing illustrating Psalm 19., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

of St. Augustine, Canterbury (see Ker 1964).Perhaps commissioned by Aelfric, archbishop of Canterbury: he bequeathed it to Wulfstan, archbishop of York in 1003 or 1004 (see discussion Le Grand Atelier 2007).The Harley Collection, formed by Robert Harley (b. 1661, d.

• Detail of a pen drawing illustrating Psalm 23., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

of St. Augustine, Canterbury (see Ker 1964).Perhaps commissioned by Aelfric, archbishop of Canterbury: he bequeathed it to Wulfstan, archbishop of York in 1003 or 1004 (see discussion Le Grand Atelier 2007).The Harley Collection, formed by Robert Harley (b. 1661, d.

• Detail of pen drawings illustrating Psalm 14., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

of St. Augustine, Canterbury (see Ker 1964).Perhaps commissioned by Aelfric, archbishop of Canterbury: he bequeathed it to Wulfstan, archbishop of York in 1003 or 1004 (see discussion Le Grand Atelier 2007).The Harley Collection, formed by Robert Harley (b. 1661, d.